Artivels Undescribable Perfection

Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

Raymond Sierra The film may be flawed, but its message is not.

Jenni Devyn Worth seeing just to witness how winsome it is.

dougjn I gave this film as high as a 4 mostly because it does bring a certain fascination in watching such a self entitled and deluded feminist snot get a real street life comeuppance. There is some verite in that.To call the lead actress, who turns street / club hooker "beautiful" as a couple of reviewers do must be a joke. Or else plugs by female or male friends of hers. She's a 5 at best on a 10 scale, particularly by Argentine standards (where she may be a 4). She also has a boyish body and an utterly apparent heavily feminist, resentful attitude towards men. The sole thing she has going for her is being in her 20s.She does the opposite of exude sexiness. Instead she exudes a sense of entitlement for being a 20 something girl and a self identifying actress, though not at all a successful one. Frankly I was amazed and non believing that she could be at all successful as anything but a bottom of the price ladder street hooker not to mention club hooker, with her non looks, non body and non sexiness, and radiating hostile resentment. I'd never pick her, no matter how thin the competition. This was in other words an entirely feminist entitled and angry look at prostitution, from the frame among many other clichéd things you can guess and be right, of believing absolutely any 20 something girl can demand and get top street dollar as a hooker. Well at least if she isn't obese.She richly deserves to be sacked at her waitressing job which she takes utterly for granted despite the fact her rent is way overdue and she has no money for food or anything else, and even though she's obviously just barely not already been sacked for repeated prior lateness etc., at the time when she actually is. She's utterly alienated and exasperated her comfortable but not rich professional father and it seems the rest of her family, which she's long stopped communicating with. She also has "too much pride" to really tell him the dire straights she's in. In fact she proclaims to him "I do have a job" when she's just been sacked from it earlier that day.What is there to like about this girl? I found absolutely nothing. I couldn't stand her in any way.I found myself practically cheering when after repeatedly trying to cheat men by giving them less than they'd paid for in every encounter, the last man of her night forcibly takes what he paid for. After giving her 200 pesos (which by then we know is high dollar for full on sex over a good long time period in a room), and she then tries to immediately bolt the room after giving him a preliminary blowjob that maybe took all of five minutes if that, he forcibly stops her from leaving and forcibly takes the full on sex with her he'd paid for, while angrily telling her street slags are plentiful, and she moans back, "I am not a puta" (whore). Not only is she one, but a plain Jane, highly unpleasant cheating puta who's totally not worth bottom peso. Hooray, she was forcibly made to provide what the customer she solicited paid high pesos for.All you rad feminists and manginas can get outraged all you want. To call what happens to her in the end rape as one user reviewer did is ridiculous. Sure you can rape prostitutes but he paid top dollar and she tried to run out with just a five minute blow job, which clearly wasn't what he paid for. He forced her to give him what he did pay for. That isn't rape. If she'd offered him back all but 50 pesos, maybe, but she hardly did that. The self styled entitled serial thief. Just like she tried to steal from the guy she rather liked but didn't want to, who paid her 300 pesos to spend the night. And then ran off after one shag and his dozing off – until he caught her and took back most (but not all, he probably took back 200 pesos it seemed) of what he'd paid her, saying, rightly "that's all you're worth").She richly deserved it and I hope she was taught a lesson. Beautiful young girl? Not by the furthest stretch, in any way whatsoever. She's horrid. But perhaps no longer feeling so invulnerable nor entitled. Which would be a good thing.

jerry_soung I watch movies more with emotions than analysis. Oftentimes I judge by whether the story or the characters touch me.In the case of Hoy y mañana, I don't feel for the protagonist at all. She wondered aimlessly and lived by instinct. She had a lot of people caring for her, her uncle, her well-to-do pregnant friend, her boyfriend, and her dad, who seemed to have been trying to instill some sense into her forever. Even her prostitute friend was generous and helpful. She used all this kindness surrounding her, and then carelessly tossed them aside, like used tissues. Her aspiration, the theater work, which is supposed to be her identity, seemed shaky, without a promise to be in production, and ran by a slime.The production quality of the movie is plain vanilla. The story line is just a digital camera following the protagonist around the streets over night. The clients she encountered seemed unconvincing. The hand-held camera work, Blairwitch Project style, went overboard. I had to turn away from the screen a few times. There's really no point in creating a style just for the sake of being different.There are so many good movies out there, even if you are into indies and foreign films. Don't waste your time on this one.

Rodolfo Soriano Núñez The performance by Antonella Costa is just superb, however there are some problems with the plot and how the story develops. The movie catches with singular dramatic intensity the consequences of economic crisis in Argentina and its effects on many young female. Of course, the effects of such crises are not exclusive of Argentina. They repeat with terrifying regularity all over Latin America.It is a movie with brains made on a low-low budget, and that is why it is killed by the whole scene on the elevator. I will not elaborate on the details of such scene, but any person that has ever used an elevator in Argentina or in any other country of the world knows that elevators do not do that. There were many ways to achieve the dramatic purposes of such scene without doing what Chomski did. I will also add to my criticism the fact that having that beautiful city that is Buenos Aires as a background, the movie uses little or nothing of it. That is a shame because the city offers many opportunities to develop good cinematography without spending too much.Overall good on the performance of Antonella, great on the underlying criticism of the economic situation in Argentina, but a flaw that kind of kill the movie as an artistic exercise.

fredyfriedlander This movie was shown as part of "A certain regard" in Cannes Film Festival this year (2003). It was well received by the critics and shows that Antonella Costa (Garage Olimpo, Figli/Hijos) is an excellent actress and that she has a bright future. The movie is a reflection of the crisis in Argentina which lead people to do things that normally should not happen. It is Alejandro Chomsky's first feature, and was obviously finished before the new Argentinian president's election. Fortunately, although still a bit too early to be sure, there are some encouraging signs of optimism in Argentina. Anyway the economical situation is still critical and the unemployment (in a certain way one of the movie's subject) is always very high in Argentina. This movie shows that there is a lot of young talent in this country. Let's hope it will be released abroad.