Ticket Out

2012
4.7| 1h30m| PG-13| en
Details

A desperate mother is forced to break the law in order to protect her children from her abusive ex-husband, and rely on the kindness of strangers who help battered spouses to escape their tyrannical mates via an elaborate "underground railway" system.

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Reviews

Colibel Terrible acting, screenplay and direction.
DipitySkillful an ambitious but ultimately ineffective debut endeavor.
Ella-May O'Brien Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.
Jakoba True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.
Michael Ledo "Ticket Out" and "Breakout" are the same US TV film. Jocelyn (Alexandra Breckenridge) divorces her husband Dennis (Billy Burke) who she claims abuses her and the son. With no evidence, the judge in town Dennis' family owns, grants joint custody. Jocelyn is offered help by Jim (Ray Liotta) who gets them out of town with dreams of Canada.Made for TV quality. Twist that wasn't that great. Acting and script sub-par.
dorrancebrezina-95031 I really enjoyed this film. The cast was great. Billy Burke played Dennis, the abusive, angry father very well. Alexandra Breckenridge (Jocelyn) was also great. She embodied a desperate, grief-stricken, battered wife who knew she had to do anything to protect her children. Last, but not least, while Ray Liota's acting was great, his character was a little confusing. As I understand, he was a bounty hunter who was hired by a governmental agency to capture fugitives. From what I understand he pretended to look out for Jocelyn and her children, even to the point of potentially becoming a love interest for her, but eventually betraying her and bringing her back to Dennis. I don't understand why, when he had the chance, he didn't surrender her to Dennis.I was also disappointed with the ending, as viewers were left hanging and with many questions.I gave the film 8 stars because I would watch it again but was left wondering a lot.
phd_travel This starts of feeling like a Lifetime type abused wife fleeing husband movie but it turns out better than expected and is quite exciting. The cast is above average too. The very pretty Alexandra Breckenridge (the young girl in the French Maid costume from American Horror Story Season 1) plays the abused wife. She acts well. Billy Burke (Charlie Swan from Twilight) plays the abusive husband well. Ray Liotta plays someone helping the wife and kids flee through the underground network.There is an interesting twist and it is watchable from beginning to end. It's not an Enough type thing. More realistic actually. Worth a watch.
mackenzie-webb I saw this movie at a screening and I actually do wish I had never seen it. The basic plot is that a young mother needs to escape the cycle of abuse she and her children receive at the hands of their husband/father. Billy Burke plays said character. His rage has absolutely no buildup and plays out completely forced. For example, one scene plays out where he is just standing calmly and then in the blink of an eye he smashes a tumbler of scotch on the ground. It was so absurd and contrived, it's almost laughable. The audience is left wondering what is even going on as the camera pans out of the house and all we hear are the screams of a young boy. After this unclear incident the mother decides that she needs to escape the clutches of this "mad man". She finds an ally in Ray Liotta's character and even has an awkward, again so forced, maybe-romance with him. There is an almost 30 year age gap between the two actors which only contributes to that overarching theme of this film being ridiculously coerced and contrived. Even the best director could not have edited the performance of the two children to make it appear they have talent, especially the little girl. The film concludes with the mother getting her "ticket out" but not after one of the most ridiculous confrontations between the mother and eeeevil father involving a helicopter. Yes, a helicopter. When I was at this screening, the majority of the audience felt as I do. Upon hearing the criticisms, the director had nothing to come back at us with except defensive responses with no actual justification of his choices. That attitude left an even worse taste in my mouth about the movie.

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