This Time for Keeps

1947 "A Show to Dream About!"
5.8| 1h45m| NR| en
Details

An ex-GI falls for a bathing beauty.

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Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.
Caryl It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.
utgard14 It's the timeless story of Dick Johnson, a young man returning home from war who doesn't want to sing opera like his dad or marry his social-climbing fiancée. Instead he wants to sing in a nightclub and romance a beautiful swimmer. We've seen it all before.A tired musical comedy that's more of a showcase for Jimmie Johnston than Esther Williams. Technicolor goddess Esther does get in the water a few times but there are no lavish swimming numbers here. Jimmie Johnston is as bland and vanilla as they come. In some scenes he looks less like an actor and more like a tourist who just wandered onto set and seems awestruck by the lights and cameras. Not surprising this is the biggest role of his career. Jimmy Durante provides the film's laughs. Child actress Sharon McManus steals every one of her scenes. The music is fine. "S'No Wonder They Fell in Love" is the best number. It's worth a look for Esther completists or anyone who might giggle every time they hear Dick Johnson.
TheLittleSongbird A film with great talent like Esther Williams, Lauritz Melchior, Jimmy Durante, Xavier Cugat and May Witty promises a lot, they're great enough individually but seeing them together in the same film is every bit as big a treat. None of the five stars disappoint, but 'This Time For Keeps' as a film could have been much more.Getting the flaws out of the way, the script really lacks lustre in places, lacks wit and sophistication and anybody looking for sense will be short-changed. The story is flimsy nonsense and often painfully predictable with some draggy pacing in a few scenes that aren't musical numbers.Despite singing decently, Johnnie Johnston is a charisma-free presence and fails to generate much chemistry with the rest of the cast. Richard Thorpe's direction is competent but undistinguished.Conversely, 'This Time For Keeps' is lavishly mounted and shot in glorious Technicolor. The songs are pleasant, while the operatic/classical music segments provided by Melchior (which include the likes of "La Donna E Mobile", "M' Apari" and even a bit of Otello) are even better. They benefit from being energetically staged.Most of the cast work very well. Williams radiates with charm and her swimming talent is second to none. Durante is very funny and seems to be having a ball. Melchior sings with his usual thrilling ring, sounding absolutely wonderful, and is cuddly and amusing. Cugat sends up a storm and Witty is just delightful.Overall, a pleasant diversion but unexceptional, with the cast being the biggest merit. 6/10 Bethany Cox
richard-1787 This movie is a waste of talent and time - yours if you watch it. The script often makes no sense - nor does the title, as one reviewer pointed out - and it sinks the whole enterprise. Esther Williams' swim numbers aren't at all interesting, nothing like those in movies like Jupiter's Daughter. Melchior gets to sing a lot, but he doesn't sing very well - it's often just loud, as in M'appari. He is much better in Thrill of Romance. The best performance in the movie is, to my mind, Durante's - though it's not one of his better movie appearances. The best number is his The Lost Chord, and that's not a great number.All of these performers have given much better performances elsewhere. Go watch those, and leave this unfortunate mistake to rest in peace.
blanche-2 Esther Williams stars in "This Time for Keeps," costarring Johnny Johnston, Dame May Witty, Jimmy Durante, and Lauritz Melchior. I guess the Third Reich was still a little too close for comfort, because the magnificent Heldentenor Melchior only sings Italian repertoire in this film, albeit magnificently. He was, of course, one of the all time great, if not the greatest, Wagnerian tenor in history.Williams is the beautiful star of aquatic ballet when ex-GI Richard Johnson (Johnston) falls for her, having met her once while he was in the service. His father (Melchior) has other plans for him, and they include singing with an opera company and marrying the girl he left behind.It's a thin story - after all, there has to be room for lots of swimming and singing. Esther is a goddess both in and out of the water, and Durante is terrific as her protective friend and work partner. Although referred to as a handsome man and a magnificent singer, Johnny Johnston makes a goofy looking leading man with a pleasant voice that only a father could think was suitable for opera, though he had some pretty high notes. Melchior rips up the sound system with "La Donna e Mobile" and "M'appari." Gorgeous. Durante's big number is "The Lost Chord," a real delight.Entertaining, but a little draggy, with some beautiful location shots of Mackinac Island.