Pagan Love Song

1950 "SOUTH SEAS TECHNICOLOR MUSICAL!"
5.8| 1h16m| en
Details

Island girl Mimi plans to leave Tahiti, but maybe she'll have a reason to stay when Mr. Endicott arrives.

Director

Producted By

Metro-Goldwyn-Mayer

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Reviews

Diagonaldi Very well executed
Exoticalot People are voting emotionally.
SunnyHello Nice effects though.
Murphy Howard I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
TheLittleSongbird Seeing it with an American friend, who is also a fan of "classic-era" musicals and had an old VHS in not too bad condition, 'Pagan Love Song' is pleasant enough. It does not see the best of Howard Keel or Esther Williams, but they are the film's biggest attractions and don't disappoint.Getting 'Pagan Love Song's' flaws out of the way, the thinness of the story makes paper thicker in comparison and it gets contrived and nonsensical in places, coming to life in the song/dance scenes and floundering often elsewhere. The script does lack wit and does come over as a bit leaden and heavy-handed in delivery.Direction-wise, 'Pagan Love Song' did cry out for a more experienced director (i.e. Stanley Donen), because Robert Alton's direction does come over as indifferent and his inexperience does get in the way out of the storytelling.The songs are certainly pleasant enough, beautifully sung and charmingly choreographed, but don't expect any classics, ones that stand the test of time in timeless fashion or anything unforgettable. "The House of Singing Bamboo" is the standout.As said, the main attractions are Keel and Williams and neither disappoint. Keel is handsome, robust and charming, and his voice (one of the warmest and most beautiful male singing voices on film) is in golden condition. Williams also radiates charm and how she handles the water ballet stuff is mind-blowing. The rest of the cast don't stand out as much but are hardly a liability, look out for a pre-'The King and I' and 'West Side Story' Rita Moreno.Chemistry-wise, Keel and Williams are easy-going and assured. While not exactly irresistible as such, the romantic elements were sweet and fared better than most of the rest of the film's storytelling.Visually, 'Pagan Love Song' is just exquisite. The scenery is the very meaning of exotic and the whole film is gorgeously photographed, especially in regard to the water ballet sequences, which are some of the most visually beautiful scenes in any film featuring Williams and her water ballet, and the fantasy sequence.Overall, don't expect much from the story and script but fans of Keel and Williams will be delighted, even if the film is seen just for them. 6/10 Bethany Cox
JLRMovieReviews As Tahiti inhabitant Esther Williams is getting restless to go, former schoolteacher Howard Keel has arrived at the island to live at the plantation he has inherited. But when he gets there, he sees it's no plantation. Through an assumption and mix-up, he tries to hire Esther to be his housekeeper, but Rita Moreno and her man are the hired help instead. "Pagan Love Song" is the shortest film in Ms. Esther's repertoire and therefore has no lulls, being full of colorful dances, moody songs and the beautiful Tahitian waters. Of course, they form an animosity at one point. Will they make up? If this film doesn't make you feel like you're on a deserted island, in the middle of a heat wave and jumping in the ocean, even when you're in deep-freeze winter days when watching this, nothing will. A more romantic, exotic, and soothing film experience you will not find. A must-see film for Esther Williams fans!
marcslope The most minor of Arthur Freed's minor MGM musicals, and one suspects he took it on because it showcased his (rather pedestrian) lyrics. It's a Tahitian treat, by present-day standards astonishingly racist, with the happy, stupid natives bowing and doing the bidding of Howard Keel, an Ohio teacher who has inherited a dilapidated tropical estate, and Esther Williams, who keeps saying she's through-and-through Tahitian and has dusky makeup to back it up, but comes equipped with a Nebraska accent and seems incapable of playing anything but American. About the most dramatic thing that happens is it rains, and Keel and Williams squabble and make up, while a very young Rita Moreno schemes to get them back together. The two stars look terrific, Keel runs around shirtless most of the time, the Harry Warren melodies are very easy to take, and Esther's one underwater ballet displays Technicolor hues that will probably never be seen again. The storytelling's lazy and condescending, Robert Alton is not a natural-born director, and inconsequential doesn't begin to describe it. For all that, it's fun and tuneful and unpretentious, and you may even enjoy the over-simplistic world view of 1950.
MartinHafer "Pagan Love Song" is an enjoyable film. However, I heartily agree with other reviewers that point out that the film really has little in the way of plot. Instead, it's just an excuse to feature Esther Williams in a swimming suit and hear Howard Keel belt out a few tunes. Oddly, however, quite a few of the songs seem to have little to do with the thin plot--like they randomly tossed in a few tunes.The film is set in Tahiti, but I strongly suspect that the thing was filmed in Hawaii, as the extras all seemed to speak English and lacked French Polynesian accents. It begins with Hazard (Howard Keel) arriving on the island to take possession of a plantation. One of the first persons he meets is Mimi (Esther Williams) and he stupidly assumes she cannot speak English and is some simple native--not realizing she's well educated and from an excellent family. Now you KNOW that eventually the two will fall in love and marry but in between is a lot of nonsense--none of which seems particularly important. Additionally, there are the obligatory song and dance numbers. Overall, it's a pretty piece of fluff and no more. A pleasant diversion and no more.