Exoticalot People are voting emotionally.

ReaderKenka Let's be realistic.

AnhartLinkin This story has more twists and turns than a second-rate soap opera.

Logan By the time the dramatic fireworks start popping off, each one feels earned.

sandyk_57 This movie is beyond stupid. I made it through 15 minutes, couldn't take any more.

Woodyanders Troubled Sarah Hope (a fine performance by Lily Rabe) is the sole survivor of a mass suicide committed by a religious cult headed by the crazed, but charismatic Jim Jacobs (an amazing and electrifying live-wire portrayal by Thomas Jane, who channels the spirit of both Jim Jones and Jim Morrison). Sarah is convinced by a team of documentary filmmakers to return to the place where the tragedy occurred back in the mid-1980's only to discover that those terrible past events aren't exactly over yet. Director Phil Joanou relates the absorbing story at a constant pace, makes the most out of the spooky fog-shrouded forest main location, and ably crafts an eerie and unsettling atmosphere. Robert Ben Grant's grim script puts a novel and inspired supernatural twist on the religious cult premise as well as remains fiercely true to itself to the literal bitter end. While Rabe and especially Jane cop the top acting honors, Jessica Alba contributes a solid turn as eager and obsessive reporter Maggie Price, Aleksa Palladino impresses as loyal follower Karen Sweetzer, and Shannon Woodward registers well as the sassy and sensible Jill. Steeven Petitteville's bleached-out widescreen cinematography provides an appropriately gloomy and grayish look. Nathan Whitehead's shivery score hits the shuddery spot. A worthwhile horror film.

Modern Monsters A grim answer to the question "What the heck happened to Jessica Alba?", The Veil starts with a blasphemous mass and ends with a crucifixion. Heavily relying on the Jim Jones' mass suicide with just a dash of the Manson family, it mixes classic cinematography with post-modern seasoning, found footage (please Lord, make it STOP!) and an unreliable narrator. Mix the whole in a Cabin in the Woods environment (after carefully expunging all said movie's cleverness and voilà, here's your bad movie of the week. You watch what is filmed of the characters; you watch what the characters film; you also watch a lot of the characters watching the movie they found. Call it meta if you wish. One calls it crap.Sarah Hope, natch (Lili Rabe, of American Horror Story's fame, here given absolutely nothing to do) is the sole survivor of Heaven's Veil, a cult led by Jim Jacobs (Tomas Jane, hamming it up as if the world was really about to end). Maggie Price, natch (Jessica Alba) wants to shoot a documentary on the massacre, because her father, an FBI agent, committed suicide after such an horror happened on his watch. She has a crew, which bears no importance whatsoever since they will all die anyway. OK. Let's share a moment of non-nonsense approach now, shall we?So: jump scares (at least 6), rocking chair, moth, whispering ghosts, scary doll, spiritualism seance, demonic mumbo-jumbo, torch lights running out of battery, no cellphone coverage. All checked. Everything that could possibly go wrong does so from the start, but the characters are real troopers, so they carry on. Also, they are dumb as dumb can be. Wait a minute, no cymbal-crashing monkey?For some reason, there is ONE videotape, labeled "Experiment 23", and it's shitty as hell, but all the rest is shot in glorious Super 8 Cinemascope, immaculately edited, of course. What Experiment 23 shows makes no sense whatsoever to what will follow, but they all get hooked on it like a 20$ hooker on her first crack pipe. "We need to watch the rest of these films", someone says. NOOOOOO! RUUUUUUN!Not to spoil much, but Jim Jacobs aims at retrieving the three nails of the Cross to acquire eternal life, a project absolutely as legit as ruling the world via the creation of a social network or creating new California property development land through an earthquake. Jesus was nailed to the Cross, so the spirit is nailed to the body, you know. Of course you do.Embarrassed by so many references it would be pedantic and tedious to list them, movie pedestrianly proceeds to its bitter end. FBI has ESP. Sarah is not what she seems to be. Jessica Alba gets immortal the hard way. Now let's all have a quizz: why is that thing called The Veil? Oh, rutabaga.

jdollak I was a little surprised to see another movie based on the Jim Jones massacre after watching The Sacrament recently. This movie takes a strangely supernatural approach to the subject matter, which could be a decent idea. However, the movie gradually falls apart the longer it goes on.The first misstep is the photography. I've seen this trend toward using washed out colors in horror movies, and every time I see it, I hate it a little more. I want to see what happens. I don't want to spend my time trying to figure out what I'm looking at. The approach comes across like a muddy black-and-white picture with very low contrast. Mix this with mostly dark interiors and exteriors, a bit of shaky-cam, and I have no clue why I'm still watching.Then the story gets going. A documentary crew arrives at the compound where a cult committed mass suicide during the 80s. The crew has a guest - the one survivor of that mass suicide, who doesn't remember anything. Until, of course, she does.A bunch of stuff happens, involving people moving around inside and outside a house. Ghosts are involved, and some sort of possession. All of this is a dull slog, since it's hard to care about it if you can't understand what you're watching. Mostly interchangeable characters also make this hard to follow.The one saving grace that the movie has is the flashback scenes, which we get to watch in the form of videos that the crew watches. There are a few questions I have about this. Why are they using a projector when there are VHS tapes? When we go into watching one of these movies, how are these nicely edited with multiple camera angles? This is supposed to be a found-footage portion of the story, but it's actually better than the rest of the movie. At least, it seems that way because it's got better lighting than the rest of it.The twist to the story is that the cult was actually right. They had found some path to immortality of the soul (or something like that). They were in the process of going through the last step when the police arrived and interrupted it, ensuring that everyone would die.Why did the police arrive then?The logistical and plot problems of the story aren't the biggest offense. What bothered me the most was how the story effectively tries to give credibility to Jim Jones. It sucks all of the horror out of these charismatic leaders that persuade (and force) people to do their bidding, and exchanges that for a cartoonish ghost villain.In summary, this movie took a premise that was legitimately scary, then tried to justify the real horrors, then turned the source of that horror into a misunderstood ghost.Nothing scary in it. Mostly boring, but also sort of puzzling. I have the feeling that the twist was so central in the writer's mind that he never considered if it was a good idea or not.