Hellen
I like the storyline of this show,it attract me so much
Stoutor
It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.
soulexpress
Rule of thumb: if the village you're heading toward appears on no maps, don't go there! No good can possibly come of it. For example, if you're like this busload of tourists marooned in the Italian village of Tonia, the entire populace could be vampires—even the old guy with no teeth.As far as low-budget Italian horror films go, THE VAMPIRES' NIGHT ORGY is neither terribly good nor bad. I'm only reviewing it because certain things about this one really bugged me. Forsooth (but not too forsooth):The jazz score was completely out of place. It would have been more fitting on a TV cop show like "Mannix."The young daughter of one of the tourists is befriended by a mysterious little boy who can vanish and reappear at will. The film never explains who that kid is, or why he hangs out in a village of vampires. The boy inadvertently suffocates the little girl, buries her body in the graveyard, and watches in mirthful delight as the girl's mother digs up her child's corpse and drags it away. I don't know how this kid is germane to the plot, but I do know this: I don't like him!The not-infrequent continuity errors--especially toward the end, when the two surviving tourists flee the village in a car. At first, both headlights are on; but a jump-cut later, one is burnt out. Another jump cut, and the headlights are both off. Jump cut again, and both lights are back on. Mind you, this all happens in just a few seconds, while the car is moving quite fast. There's also a scene inside the vehicle in which it is daylight when the camera points toward the windshield, but nighttime when it points out the rear window. (It's supposed to be midnight.)So, there you have it: THE VAMPIRES' NIGHT ORGY, the film version of the creepy-looking guy who sits on a park bench all day but never really bothers anyone.
BA_Harrison
Argentinian director León Klimovsky worked as a dentist before becoming a film director; judging from the films of his that I have seen thus far, I reckon he should have stuck with pulling teeth. You would have thought he could at least have been able to rustle up some convincing looking fangs for the bloodsuckers in this unremarkable Euro vampire flick, but he even fails to manage that (only the Countess has fangs, and they look ridiculous)."Oh well", you might be thinking, "there's always the orgy". Don't get your hopes up though, 'cos the title certainly isn't referring to a heaving mass of nekkidness featuring some top Euro-crumpet: the best this film can offer in terms of nudity is a brief topless scene from blonde babe Dyanik Zurakowska. I can only guess the title was intended to refer to an orgy of violence, but although there is plenty of death in the film, it's also very disappointing, with very little in the way of gore.Fans of dodgy Euro-horror might get a kick out of the use of a completely incongruous jazzy score, and the sight of a vampire that bears a passing resemblance to camp 70s TV detective Jason King made me giggle a bit, but other than that there is very little about this lame Brigadoon/2000 Maniacs-inspired tosh that would make me recommend it, other than as a possible cure for insomnia.3.5 out of 10, generously rounded up to 4 for IMDb.
spasmo dunson
okay, i watched this on youtube for free, thank god, because if i had paid even a dime for this, i would have been very upset. simply terrible. yeah, i know about the early '70's, low-budget, eurocrap and all that but, i mean, this was just awful. and not in a good way either. bunch of people on a bus get stranded in a village where it looked like world war two had just ended last week. of course there is something weird going on. the first guy that gets it looks kind of like charles bronson. he was tough looking and he caves when a bunch of townspeople surround him. i mean, they were old ladies and stuff. he didn't even try to defend himself. the music was entirely inappropriate, all jazzy and stuff. the "countess" who ran the whole operation was hotter than hot. the whole village is in thrall to her because...big surprise...they are all vampires or cannibals or something. she is the only one with fangs which looked like they were going to come flying out any second, ha. she throws them a "bone" once in a while and they attack a hapless victim who shows up fifteen minutes later without a mark on them. there is one American guy in town whose car crapped out on him and he immediately puts the moves on the skinny blonde chick. he is the only one who senses some weird evilness going on and makes plans to blow town, taking blondie with him. there is a ridiculously bad "escape" scene with everyone in town, it looked like, hanging on his car, rocking it back and forth and so on. they escape and tell the cops in the next town who insist there is no town where they say it is. the cops take them there and sure enough, the town has vanished. end of story. oh yeah, there was no orgy.
Scarecrow-88
A bus driver taking a small group of hired help for a new job at a wealthy estate, has a heart attack leaving them in quite the predicament. Needing rest, they find a sleepy Spanish village surprisingly absent of citizens. One amongst them is attacked by those citizens who just so happen to be vampires, under the servitude of The Countess(Helga Liné, wasted in a rather underwhelming role). Soon the others' lives are at risk as the village folk, who seem hospitable if rather strange, await them when most vulnerable, at night. One by one, members of this group of outsiders fall prey to The Countess and her minions. Luis(Franco regular Jack Taylor), a traveler passing through, falls in love with Alma(Dyanik Zurakowska)and believes that the people of the village are not who they appear. His car was tampered with and fixing the cut wire will be a top priority so that Luis and, the ever-frightened Alma, can get out of this place before they are doomed like the others.Director León Klimovsky, known for his films starring Paul Naschy, attempts to develop an atmospheric horror film regarding trapped outsiders in a hostile place where vampiric citizens are around every corner. The vampires of this particular film are more in spirit with Romero's zombies with how they rush human victims, how their hands grab across the terrified faces of those screaming for help that will not arrive, and especially how León Klimovsky photographs their faces coming towards the screen. There's little to no blood, quite an anemic vampire film. The Countess only really conquers one victim with her bite, before tossing his torso over her bedroom's ledge for her blood-thirsty brood. She makes an appearance once as a seemingly generous host to the group with a supposed bus that can not crank. Later, The Countess appears again, exiting her crypt and eventually hopping in the backseat of Luis' car attempting to thwart their escape. Little nudity, merely a brief glimpse of Zurakowska's breasts, with Taylor's Luis spying on her through a torn hole which eyeballs directly into her bedroom. The night attacks are what I thought worked best while the tacky jazzy elevator musical score(s)leave anything to be desired. Quite low budget, with an twist ending that isn't needed and feels forced so that we are left wondering if what we saw was real or imagined. Liné, as the vampiric Countess, has a sex scene with a potential victim, but nothing is elaborated. Perhaps the most horrifying scene is the accidental suffocation of a young girl. Despite how lurid the title sounds, this really isn't that exploitive.
