The V Word

2006
5.1| 0h59m| en
Details

Two curious teenage boys break into an old mortuary looking for thrills, only to find themselves stalked by a former teacher who is a very real vampire looking to increase the ranks of the undead.

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Also starring Branden Nadon

Reviews

SnoReptilePlenty Memorable, crazy movie
FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
Donald Seymour This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
Raymond Sierra The film may be flawed, but its message is not.
MARIO GAUCI Another less-than-enthusing entry in this erratic series concerns one of the most abused subjects in horror-film history i.e. vampirism – and, yet, it has rarely been dealt with such a visceral (and frankly off-putting) approach. The blood flows in bucketfuls here and rather than bite its victims, the creature tears open their throat like a werewolf or a latter-day zombie would! The chief vampire is played by Michael Ironside (as Mr. Chaney!) in full Jack (THE SHINING) Nicholson mode, while his victims/successors are your typical teens: one white and one black, obsessed with carnage-happy video games but who cringe in the face of real death – so they dare one another to enter a morgue at night and take a good look at the latest 'intern'…and that is where their troubles begin. Their reactions, however, are different: while the black boy seems resigned to have joined the ranks of the undead (culminating in a predictable coda, down to the ironic closing line, as he sets out to 'infect' The Big Apple), the other resists – especially after Ironside kidnaps his kid sister to be the blood donor in his initiation! – and commits suicide, awaiting the dawn tied to a cross, in a show-stopping finale. Along the way, the film references NIGHT OF THE LIVING DEAD (1968; a quotation of the famous line "They're coming to get you, Barbara!"), AN American WEREWOLF IN London (1981; the white kid who escapes the initial attack feels remorse for having abandoned his pal to his fate), BLACK SABBATH (1963; the black kid appears at the other's home claiming to be all right and pleading with his friend to let him in) – and, for good measure, we get various snippets from the Browning/Lugosi Dracula (1931) conveniently showing on TV!
Witchfinder General 666 Generally speaking, I am a huge fan of the great "Masters Of Horror" series, but one has to say that the individual episodes differ immensely in quality. While some episodes, such as Dario Argento's "Pelts" or Takashi Miike's "Imprint" are utterly brilliant, some other episodes are pure entertainment, and some episodes, such as Mick Garris' "Chocolate" or Tobe Hooper's "Dance Of The Dead" were, as far as I am considered quite disappointing. "The V-Word" directed by Ernest K. Dickerson (I wonder what qualifies him as a 'Master Of Horror' anyway), however, is by far the worst episode of this otherwise great Horror anthology. Not only is the story ridiculous and the suspense almost nonexistent, even worse, this quite poor attempt of an MoH episode was so obviously made to advertise a Video game, which the main protagonists not only play all the time, but about which everybody talks about throughout the episode. The performances are also quite poor, the only true reason not to skip this episode is the great Michael Ironside, who at least gives this thing a little bit of eeriness.I won't bother to describe the plot, since it it so thin that even a short description would mean writing a spoiler. "The V-Word" is watchable for Michael Ironside, but otherwise it's a waste of time. Watch ANY other MoH-episode before giving this a try.
gavin6942 Two video game loving young men decide to break into a mortuary in the middle of the night, only to discover the attendant with his throat ripped out and blood everywhere. Oh, and a vampire, too! After one of the two is killed by the vampire, how will the other defeat him? Or will he? This episode comes from director Ernest Dickerson ("Bones") and writer Mick Garris ("Chocolate"), two people who are not really "masters of horror" in the eyes of the mainstream. And choosing vampires as your plot is really nothing new or creative (and they don't take it in any new directions).Now, the movie has the point of view of a vampire, or someone turning into a vampire, who does not wish to become fully undead. I'm pretty sure this has been covered in the past in other films, but an interesting story just the same. Vampires are typically seen as evil or (at best) misunderstood, but rarely do we see vampires who didn't want to be vampires. How far will they go to rid themselves of the vampiric cravings? Others have said they enjoyed the police 911 calls, and sure, they're alright. I didn't think they were amazing, and quite frankly it was unclear to me if they really happened or if he was imagining making the calls. The movie in general really wasn't that funny. It had some okay references ("Doom 3" and naming the vampire Chaney after Lon Chaney) but it was still weak.The vampire was played by Michael Ironside, who is like the poor man's Jack Nicholson. He did a fine job. Nothing much more I can say... well, except I also liked the black contact lenses. Nice touch.This episode was alright, but again nothing special. Season two is just not what season one was. Up through episode five, I saw one episode I liked (John Landis' "Family"), so that's not a good sign when I have only 8 more to go. Maybe you're be more generous and forgiving, but if this is a trend, season three will be a nightmare.
wackassnucca Another stinker. Not that bad though. This is the V word, the story of vampires in a small town. Its not original at all very similar to fight night or Salem's lot, just put in a modern setting. It's pretty generic and doesn't seems to have the master's touch that this series usually has. The episode centers around two teens. One of them has divorced parents and the other is often teased by his brothers. What do the kids do to cope with their angst? Go check out a dead dude. So they venture of to the mortuary where they wander around in the for what seems like forever. This is where the director desperately tries to build tension for some kind of quick scare that'll make you jump and go "whoa i'm really scared right now!" This doesn't happen. long after you get sick of their aimless wander a vampire gets up really slowly and saunters around looking real spooky. When he bites the dude's neck it's pretty cool but that's about it. Micheal Ironside is pretty good vampire but its really nothing special.