The Unloved

2009
6.8| 1h46m| en
Details

Lucy is eleven years old. Having been neglected by her estranged mother and father, she is placed in a children's home. Through her eyes, we follow her struggle to cope with the system; her only saving being her self-belief and certainty that she is being watched over and protected by the holy spirit.

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Reviews

Unlimitedia Sick Product of a Sick System
HeadlinesExotic Boring
AshUnow This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
Candida It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
sandidandi This U.S. gal is usually unable to stick with a flick in which most of the actors are so heavily accented that I can't clearly hear their dialog. While some of the spoken words were lost on me, many scenes lingered on way too long, and the story was almost too slow for me to finish, I did in fact finish. This was only because I was totally mesmerized by the performance of Molly Windsor as the lead character. She's now on my watch list!Also, whoever controlled the lighting that was always on this girl's face did a stellar job! Every shot of Lucy was so beautiful and soft to look at, like looking at fine art. Very impressed with this young girl!Picked it up via Netflix, taken in by the title and the image of the young girl on the cover.
Michael I know, because this was my childhood. I have never reviewed a movie on IMDb before, but this one touched me so deeply that I had to. Every actor in this is so phenomenally good that I never once felt like I was watching an actor. The editing, the direction, the soundtrack – all superb. Everything about this film is stunningly beautiful in a melancholy kind of way. It is the artful depiction of what I would like to believe of myself: that although my childhood circumstances were dire, my reflection of them and the character I've derived from them are beautiful. Thank you, sincerely, to everyone who brought this story to life.
Josh Anderson Samantha Morton's passion for this story is evident in the purposeful construction of the film. At first you will wonder what in the world is happening, but as the film develops you will start to understand that the lingering cuts are drawing you into Lucy's world. Molly Windsor does an incredible job of portraying the innocent little observer who is thrust into a wildly different world when she is forced to move into a group home. Still sleeping with her teddy bear she has to room with Lauren, a rebellious teen who takes Lucy along with her shoplifting, partying, etc. The film is a bit sad and doesn't really offer any solution and so you are left feeling sorry for Lucy and hoping she will not succumb to the temptations around her and last probably until she ages out of the system. Hopefully what this film can do is bring awareness to problems in the social service system not only in the UK, but everywhere and perhaps kind hearted people will be stirred to help these children.
MJ I'm surprised to see so few reviews of this marvel. I also don't think this is a sad movie, unless you had a perfect childhood. Instead, it is reassuring and inspirational to find out that some have suffered more than us, and can put our imperfect pasts into perspective. The world is shown as seen solely through the eyes of the 11-year-old Lucy, who is almost merely an observer of her own life, with little dialogue and action in most parts; the script, the acting and the direction are as uncomplicated as they are powerful. Special mention should go to the lead actress: it is impossible to take your emotional eyes off Lucy at any time, and not to feel both the pains she suffers and the little joys she encounters; the longing for affection she endures and the masses of affection she radiates at the same time. The calm, humanity, love and care of Lucy's character are not diminished but instead reinforced by everything she goes through, and to that end she emerges triumphant from the film... and from life itself. The necessary consequence of all this is that the screen writer-director deserves the highest level of admiration, for both her life and for the direction of this piece, and also a massive thanks for sharing a lot of herself in this powerful drama.