The Treasure

2016
6.7| 1h29m| NR| en
Details

Costi is a family man whose cash-strapped neighbor makes him an intriguing proposition: help him find the fortune reportedly buried somewhere on the grounds of his family’s country home in Romania and split the profits.

Director

Producted By

ARTE France Cinéma

AD
AD

Watch Free for 30 Days

Stream on any device, 7-day free trial Watch Now

Trailers & Clips

Also starring Florin Kevorkian

Reviews

Platicsco Good story, Not enough for a whole film
Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.
Aubrey Hackett While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.
Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
Ron Mueller I could write a long review but suffice it to say, don't watch this movie, it's not worth your time. The most exciting scene is when they are driving at night and the Garmin is updating their position...at least the map was moving as the movie stalled a long time ago.
argyleheights About an hour into this movie I began to wonder whether the ecstatic reviews for this flick were just an inside joke by sarcastic critics. Seriously? Watching paint dry would be slightly less rewarding than sitting through this. Sort of reminded me of a Seinfeld episode about nothing but with one important difference: it is devoid of any humor whatsoever. I don't know about you, but sitting through a purported "comedy" which does not elicit even a single chuckle seems to me a serious mislabeling of the product. On the plus side, it was less than two hours.
jdesando "A man makes his own problems; they don't descend from heaven." Cornel (Corneliu Cozmei)The two heroes of the strange but lovable Romanian comedy, The Treasure, do create their problems, mainly digging for treasure in a backyard with the help of Cornel and his metal detector. Although the two hapless diggers are in serious need of cash flow, there is something mock heroic in their haphazard plans that are bound to go wrong from the get go. Not even to say the possibility of Cornel blackmailing them for breaking Romanian found-treasure laws.Chaucer's Pardoner's Tale tells of the dire consequences when men try to find easy gold, and Treasure of Sierra Madre has a similarly fateful trajectory. Beckett's Waiting for Godot also comes to mind as the search has a simplicity, frustration, and sure-to fail feel to it. However, The Treasure has a lighter tone, not hilarious by any means, but aiming to take this goofy quest and make it a modern morality tale with Keystone-Cops flavor.The "takes" are long and slow with an emphasis on establishing, diminishing, and revealing character through conversation in an everyday mode that veritably shouts out the inevitable upending. The pace is leisurely if not downright slow—you know you're almost in real time as you watch them slowly dig for the treasure. The occasional long shots seem to emphasize the long-shot stupidity of the enterprise.It's the ending that will wake you from your torpor to wide-eyed wonder. Enough said.
chrisfortescue this movie is full of surprises, existing as it does in the shadow of conventional Hollywood story telling. it's premised on the deal made between two neighbours to investigate a rumoured buried treasure, and as the film progresses there are many opportunities for others to get involved and claim a slice, if not all, of the loot for themselves. if in fact there is any treasure. we've seen enough heist movies and buried treasure movies to know what money does to people, how they treat one another; double crossings, murder, corrupt cops etc. all of the tropes you can expect from this kind of narrative exist here as possibilities, and as such determine the expectations of a viewer. but the film operates in a kind of flat negative space produced by these expectations, and delivers a series of perverse thrills by its avoidance of conventional narrative arcs and possibilities. it's a refreshing, low-key undermining of Hollywood screen writing hegemony. . .