ChanFamous I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

Murphy Howard I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

Scarlet The film never slows down or bores, plunging from one harrowing sequence to the next.

clivey6 Strange to think that this is set around the same time as Quadrophenia, with a similar modish feel and seaside destination. Like Quad, it has a fine up and coming cast including Oliver Reed, John Alderton, Julia Foster, Derek Nimmo, Derek Hemmings... It starts with a rackety beat group song complete with whoa yeahs! (why is it the Beatles still sound fresh doing that while other bands sound a bit naff and dated?) The 'system' refers to the local lads at Torquay who work out how to pull girls during the summer season when tourists flock to the seaside holiday resort (no easyJet back then). It opens as the lads walk down the train from London checking out the talent and alerting the leader of the gang Tinker (a young but still not particularly boyish Ollie Reed).Very early on you suss that this film is Alfie without the charm. This may be a good thing, seeing as Alfie isn't exactly a role model. None of the gang are charismatic but the moral trajectory is much the same as Alfie but without any of that Swinging London cheek or sex appeal. Still, it's a fascinating snapshot of the period. Nicolas Roeg did the photography, and er, Michael Winner the directing. Dramatically it faffs about a bit in the final third act.

christopher-underwood You might think that by 1964 the world was all swinging sophistication, but no it was like this, I remember. I had recently started working, in a bank. It was hand written ledgers and an outside toilet! Yep, life revolved a fair bit around getting girls and then making sure you didn't get them pregnant and then 'having to get married'. Everyone is s bit too old here, of course, although David Hemmings looks like a little angel. Oliver Reed puts in a good performance as the leader although it's hard at the end to take his more introspective ponderings. Great direction by Michael Winner, there not many people have said that, and the movie speeds along with some excellent sequences, especially the wedding celebration on the beach, played more like a wake. Winner is an under rated director, he did a couple of others of this ilk, then I like his Innocents and there is Death Wish. I liked the hated Death Weekend but in general his career went downhill and it stops people giving the earlier films a chance. Well worth watching, if only to appreciate that the mid 60's in Britain were still much like the 50's, except with teenagers.

Mark Pizzey Whenever you question the quality of both Michael Winner and the late Oliver Reed's films in recent years don't judge them until you go back to the sixties where they both started out.Here is a very low budget and rarely seen little movie that shows both the potential of both star and director.Made two years before Michael Caine's ALFIE, THE SYSTEM takes a look at similar themes, having a good time while you're young and pulling birds. It is of course seen through the eyes of the male perspective as Ollie and pals Andrew Ray, John Alderton and David Hemmings go on a sexual rampage in a seaside town of Britain.Winner helped launch the career of Oliver Reed and they worked together again several times throughout the sixties but this early piece of nostalgic British cinema is worth a look especially if you were a teenager in the early sixties.

mrpeterrobertson I first saw this film when it was released (in 1964) and it had a profound effect on me then, imagine my surprise when I saw it in the middle of the night on TV a few days ago and it hasn't lost any of it's freshness. Oliver Reed is brilliant, as he always was before he took to the bottle, and the idea of the girl turning the tables on the cock-sure man is executed magnificently. Furthermore the quote that I remember for forty years still rang true (Harry Andrews, a photographer, says "we're here to make memories" and Oliver Reed's reply "I thought we were here to make money"). People may laugh at Michale Winner now but this was god, very good. Even today.