Catch Us If You Can

1965 "Britain’s swingin’est five come alive in the year’s biggest dramatic surprise!"
5.7| 1h27m| en
Details

Dinah is a famous model and actress who is getting tired of life in the limelight and wants to take a break. While shooting a commercial spot for meat, she meets Steve, a stuntman. Dinah and Steve hit it off and decide to head to an island to get away from it all, bringing along four of Steve's friends. Before long, Dinah is reported missing and everyone is looking for her, making their getaway anything but tranquil.

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Reviews

BootDigest Such a frustrating disappointment
SunnyHello Nice effects though.
ShangLuda Admirable film.
FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
bkoganbing British rock band the Dave Clark Five gets to do its own version of A Hard Day's Night with Having A Wild Weekend. The film is replete with many of their well known hits of the day just as the Beatles' classic.Front man Dave Clark works as a stuntman and the other members of the group are his flat mates. They have quite a pad too. While working on a commercial model Barbara Ferris who has become the British symbol via the ad campaign for meat just gets tired of it and she and Clark decide to just split for a bit.Nothing more to tell other than this was the first feature film directed by John Boorman who would go on to do many more hit films including a favorite of mine Zardoz. Fans of the group you will love this as much as Fab Four fans love A Hard Day's Night.
moran-78845 I remember what a big deal the city of Kenosha made when "A Hard Day's Night" played at the Orpheum downtown theater. "Having a Wild Weekend," on the hand, blew through the area before I had a chance to see it. I think I have watched the movie from start to finish maybe four times in forty years. I like the film but it's no "A Hard Days Night."1) The Beatles were far superior to the Dave Clark Five musically by the time the two movies were released.2) Ringo as a leading character is vastly more enjoyable than Dave Clark's moody Steve. 3) The Beatles played their film for comedy while the Dave Clark Five went for mood.4) The 4 Beatles had distinctive characters while the Dave Clark Five had one leading man and 4 bland supporting actors.5) A hard day's Night moves rapidly while "Having A Wild Weekend" drags much of the time.However, I still like "Having a Wild Weekend." Dinah was a cute little number and Steve had James Bond-like qualities. The costume party scene was a rave. The hippies being rounded up by the British army was a foreshadowing of the near future.
MrOllie I saw this film in 1965 at a cinema in London when I was almost 16 years old. I always liked the Dave Clarke Five and for a time it looked like they may topple the Beatles as Britains top group. However, the reason this film always sticks in my mind is because I fell head over heels for the leading lady Barbara Ferris. She was the first of only three actresses in all my years of watching movies that I thought I was in love with. Yes my first teenage crush!! The film starts with the theme song CATCH US IF YOU CAN and off we go with Steve a stuntman (Dave) and Dinah a model(Barbara)absconding around London in an E-type Jaguar. There are some great 1960's scenes of London which transports me back in time bringing back memories. Anyway, out of London they mix with some hippies then meet a middle aged couple who live in Bath and eventually end up in Devon. All the time being chased by the rest of DC5 and also by some advertising executives henchmen. This is not a fully lighthearted movie as it has some sombre moments which makes it a little different from the usual pop group films. My favourite scene is when Dave and Barabara are walking and frolicking in the snow (lucky fella)with the haunting love song 'WHEN' being played in the background. Great stuff!!!
hbrix More road movie than rock movie, CATCH has a surprisingly mature, melancholy tone for a British beat picture. That it has any tone at all is a tribute to director Boorman, whose characteristic fusion of the mythic with the ordinary is already evident in this his first movie, and writer Peter Nichols, who imbues the surprisingly engaging supporting characters with a quality of personal yearning and need for escape that spans generations. Boorman's preoccupation with water, rigorous yet dreamlike use of landscape and tendency to celebrate or at least acknowledge the antiquated are just as vivid here as they are in HOPE AND GLORY. Too detailed and ambling to be anything but opaque or irrelevant on video, I suspect.

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