Lovesusti The Worst Film Ever

Fluentiama Perfect cast and a good story

Konterr Brilliant and touching

Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

gavin6942 Through his unconscionable actions against others, a sociopath samurai builds a trail of vendettas that follow him closely.This film embraces the anti-hero sentiment of the 1960s, as seen in spaghetti westerns and the like. This is violence to a new degree, and a hero we really do not want to stand behind, but cannot help but watch his exploits. This is stylized violence, a kind that was very influential. Notably on Sam Peckinpah, but obviously on future generations such as Quentin Tarantino, as well.Placing this in the context of the samurai film is not something i am qualified to do. However, of those I have seen, I can certainly say this had far more action and much less ritual than what is often seen (such as in the films of Kurosawa).

andressolf I saw this movie when IFC was giving a Japanese movie nearly every day or every weekend. In the last 9 years of my life I believe it is safe to say that i have watched more Japanese cinema than I have given attention to any other kind and it was in this period that I watched Sword of Doom that I watched the most Japanese films out of my entire life.I watched this movie again last night (possibly 6 years after I originally saw it)and I did so by accident. First off, I did not remember that THIS movie was called Sword of Doom- that is how I ended up watching it a 2nd time by accident. When a movie is so bad that I don't even remember it's title- that is bad.So far I have only given you my opinion. Let me give the only 'fact' I can give about this movie- and why I hate it. It is SLOW. VERY slow. I watched the movie for 20-30 minutes of 2x speed last night and it was STILL too slow- I kid you not. Sometimes I fast forwarded it by 4x speed and higher and it was still very tedious to watch- I am not this way with any other movies. I treated this movie differently than I have treated others because of how slow it is.The good thing about this movie: The main antagonist which appears to be a emotionless snake of a man. A 'badass' if you will- the guy who goes around killing innocent people and not showing a shed of remorse- his character is cool to look at. I am aware that some anime and maybe even some other movies have attempted to make a character just like him and this actor that pulls off this persona (although it may not be highly original) does a VERY good job at it. In other words the main bad guy is an interesting one- but after about 20 minutes his character gets old and I am tired of seeing his emotionless silent self. I want to see him get angry but he never does. I want to see him interested in SOMETHING but he never shows interest in much of anything. It's as if he is a walking ghost. Which as I tried to say is cool at first, but gets old after a while.The bad about this movie is nearly everything else. The pace and the dialogue is beyond boring for me to sit through and I cannot justify doing it because I see no reward in me sitting around for the end. I can't imagine an ending for this movie that is not predictable and therefore there is not enough suspense in it for me to enjoy or to even recommend for someone else to enjoy. Anyone smart and who knows the value of their time and how to manage their life well will not sit through this garbage. There are so many better videos to watch out there. Even real fencing videos as opposed to this. Or anime with other badass main villains and a more interesting suspenseful action-packed story. Sword of the Stranger for example...Check it out.

maddox-richard For various reasons, some movies are immediately pleasing while others take their time to grab you (or perhaps you take your time to become receptive to their charms). Occasionally a film combines the two effects and Sword of Doom is one of these: It has this quality of being immediately entertaining and yet it retains or withholds so much detail that you need to watch several times to comprehend every nuance.It's not that it works "on many levels", though you could approach it that way. Rather, Sword Of Doom simply has lots of unexplained back story, some of it historical, and the back story is so interesting that, if you wish, your enjoyment can be as much about understanding the back story as it is about the film and the performances.It's an adult approach to entertainment: A complicated narrative made simple and entertaining by leaving a lot of detail to your imagination or further research.I've watched it a few times now and am looking forward to watching it a lot more. Each time I do so I'll probably check a few IMDb postings and wikipedia pages to get a new angle on the film and to learn a bit more detail on the period. As a first time watch I probably rated it 8 or 9/10 but as I keep watching it it makes a 10.

glock38_110 Here, in one of Nakadai's best performances, he plays a young, seemingly evil Samurai who lives by his own moral code. He ruthlessly slays anyone who he thinks should die, and it's hard to say whether his killings are unjust or deserved, even though his actions might seem despicable at first. For example, in the beginning of the film, he encounters an ageing pilgrim praying for a quick death. Upon hearing this, Nadakai's character kills him in one swift move. This scene sets the tone for the rest of the movie. Nakadai's fighting style echo's his attitude to an extent, it's an ultra defensive style in which he never strikes the first blow. In an iconic scene later on in the film, Mifune's older and wiser samurai tells Nakadai, "The sword is the soul. Study the soul to know the sword. Evil mind, evil sword." In Japanese culture, the sword and style of a samurai could be seen as a window to his soul and "Sword of Doom" beautifully yet brutally echoes this sentiment. In the penultimate scene of the film, Nakadai's samurai is haunted by his past actions and starts to hallucinate, he is clearly a broken man and regrets some of his actions. The ending of the film is surely a controversial one but I personally loved it. Nothing is resolved, apparently there were sequels planned but they never came to light for one reason or another. Nevertheless, it didn't take away anything from the film and for me it actually added to the mystique and moral ambiguity of Nakadai's character. Impeccably shot and beautifully choreographed, the film is a feast for the eyes. Nakadai's performance as a self destructive samurai was highly intense and full of emotion, his shift in character alone was astonishing and really displayed Nakadai's talent as a versatile actor. Mifune is also in the film and has his fair share of excellent scenes and lines. In summary, an excellent film that I'd recommend to anyone with a remote interest in Samurai movies.