The Supernaturals

1986 "There are strangers in the woods and a century of hatred is about to erupt."
4.1| 1h31m| R| en
Details

Nichelle Nichols is an army sergeant who leads her platoon into the woods of the deep south on a training exercise. Unfortunately, it is the site where a bunch of yankee soldiers murdered a town of confederates. The corpses of the dead soldiers rise up to wreak revenge.

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SunnyHello Nice effects though.
SnoReptilePlenty Memorable, crazy movie
Afouotos Although it has its amusing moments, in eneral the plot does not convince.
Josephina Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.
bean-d The intrepid Phil Hardy nails "The Supernaturals" (1986) when he calls it a "bland zombie movie" ("Encyclopedia of Horror Film" 410). The plot is simple (much like 1964's "Two-Thousand Maniacs!"): a group of Yankee soldiers force some captured Confederates to walk through a minefield. The real atrocity is that the evil Yankee general forces a child to walk through the field also. Although he has promised freedom to any man who makes it through alive, he forces the child to walk through the field twice. One-hundred years later a group of moronic national guardsmen awaken the corpses of the killed Confederates. Again we have Hardy's accurate summary: "Sadly (director) Mastroianni makes little of the Southern setting, the rising body-count or the 19th-century zombies." Nichelle Nichols of "Star Trek" fame plays an unbelievably annoying drill sergeant. And why does everybody call her "Sir"? Isn't she a "Ma'am"?
Woodyanders 1865: A sadistic Union army commander forces several Confederate soldiers to walk across a minefield, brutally slaughtering the whole luckless lot of 'em in the process. 1985: A small group of raw Army recruits go into the same backwoods territory where the massacre occurred for basic maneuvers. The motley assortment of scruffy grunts discover the hard way that the eerie land is crawling with vicious, inhospitable, creepily cadaverous skull-faced zombies who don't take kindly to any trespassers on their sacred terrain. The zoms are still alive because a little psychic boy who witnessed the massacre in 1865 refuses to let the poor buggers die. The kid's beautiful, still alive mother (the strikingly comely Margaret Shendal) falls for nice guy GI Ray (hunky Maxwell Caulfield of "Grease 2" and "The Boys Next Door" fame) while the other less lucky squad members get stiffed by the shambling undead Civil War ghouls.Although the seemingly can't miss premise -- a genuinely inspired fright film amalgam of "2000 Maniacs," "Southern Comfort" and "Night of the Living Dead" -- promises a good, spooky "high concept" horror movie outing, "The Supernaturals" alas qualifies as a humongous letdown due largely to a terribly dry and rudimentary execution. Director Armand Mastroianni, the same guy responsible for the awfully boring slasher turkey "He Knows You're Alone," crucially fails to build any necessary tension or momentum, thus allowing this dud to tediously slog towards a rather drawn-out, less-than-harrowing conclusion. Caulfield, Nichelle Nichols ("Star Trek" 's Lt. Uhura), Levar Burton, Bobby Di Cicco, Talia Balsam, and "Bad Ronald" 's Scott Jacoby all contribute excellent, creditable performances, but not even their considerable acting skills can inject any much-needed vitality into this lifeless, lethargic loser. The nifty, scarcely seen zombie make-up by Mark Shostrom, a typically nice, moody score by the great, grossly under-appreciated B-movie composer Robert O. ("Mansion of the Doomed," "Grizzly") Ragland, and Peter Collister's stately, proficient cinematography are all up to snuff, but sound technical credits can't compensate for this snoozer's unbearably dormant, extremely slow and soporific pacing, conspicuously meager two-cent production values, and a hopelessly muddled, confusing story that isn't unraveled in a clear, compelling manner. Co-written and co-produced by longtime hack horror filmmaker Joel Soisson, this stupendously lackluster Sandy Howard production proves to be as successful at evoking chills and involving the viewer as General Custer was at besting the Indians at the Battle of Little Big Horn.
gridoon I've read some pretty extreme (both positive and negative) reviews for this movie, but it's really a very middle-of-the-road affair. It's directed competently enough to keep you from feeling that you totally wasted your time with it, but it's also so derivative that it can even be called a ripoff (especially of Herschell Gordon Lewis' "Two Thousand Maniacs"; it has practically the same plot). The opening sequence is the best. (**)
ecto216 To start off, I'd like to know where some one got the idea to label this under "horror"...this is anything but horror! However, it is "horror-ble" The acting sucks, the script must have been written by a wookie, and the special effects are below cheesy, they're worse them some of the stuff full moon studios produces. To anyone interested in renting or watching this film, let me make this abundently clear to you: There are only 5 minutes worth of zombies in this film which really have nothing to do with the story or plot, or lack there of. There is less than 1 minute of gore in this monstrosity too. And most importantly, this isn't even horror! It's really a romantic drama with some added sprinkling of quick makeup and blood, which like I said, is less than 5 minutes of the film. If you're looking for zombies, I suggest moving on to a real movie like Day of the Dead. But for the love of god, don't bother with this stinker. Unfortunately, I cannot give this movie a negative number, so it gets a 1.