The Sun Comes Up

1949 "A grand threesome who will win your heart!"
6.4| 1h33m| en
Details

Set in the rural south of the United States, a bereaved war widow learns to put aside her bitterness and grief as she grows to love a young orphan boy and his dog.

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Reviews

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.
Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional
Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
MartinHafer When the film begins, Helen (Jeanette MacDonald) is about to give a concert--her first since the death of her husband. However, after the concert, her dog, Lassie, runs into the road...and Helen's son is killed trying to catch him. Not surprisingly, Helen is NOT thrilled about keeping Lassie, but does. But she also needs a change and so runs off to the country to get away from it all. There she meets some lovely people...including a teenager (Claude Jarman Jr.) who is in need of a good home. While there is zero surprise in how the film ends up there, the story is enjoyable along the way. Like nearly all the Lassie films, this one is a winner....even if Lassie himself (yes, it's a HE) is a very bad dog in this one! By the way, this was Jeanette MacDonald's last film. And, oddly, she looks pretty horrible in this one due to the garish colors in the Technicolor film. She looked much better in black & white and the colors they chose for her were frankly not very flattering.
drednm Jeanette MacDonald stars as a widowed concert singer who suffers another disaster and yearns to retire from the world. She loads up her nifty wood-paneled convertible (a Plymouth?) and dog (Lassie) and sets out. She finds a house in the mountains of a small Southern town and settles in. But she's never runs a household before and discovers she must do her own household chores, cooking, etc. This puts her into contact with the comical-but-wise town grocer (Percy Kilbride) and some other locals. Most annoying, however, is the boy Kilbride has sent to do chores. The boy and dog instantly bond. Slowly, MacDonald gets back her hold on her life, learns to love the boy (Claude Jarman) and return to her own world. But she'll never be the same.Full of funny moments and a few that will tug your heart strings, this is a nice old-fashioned film and well done by all involved. The Technicolor is also beautiful.MacDonald, in her final film appearance, looks great and turns in a terrific performance as the woman who learns to love again. She also sings a few songs, including a beautiful rendition of "Un Bel di Vedremo" from MADAMA BUTTERFLY. Kilbride is hilarious as is Margaret Hamilton as the nosy spinster. Jarman is solid in a role that could have been cloying. Others include Lloyd Nolan, Lewis Stone, Ida Moore, Dwayne Hickman, Hope Landin, and Barbara Billingsley.What a shame the great MacDonald never found another film vehicle. Voice aside, she was a marvelous actress with a great sense of comic timing. Her final film doesn't rank with her unforgettable films with Nelson Eddy, but it's a fine and memorable film in its own right.
wes-connors Jeannette MacDonald (as Helen Lorfield Winter) is an opera singer making a comeback, after three years of mourning for her deceased husband. She is devoted to her son, and he is devoted to his dog, Lassie. After a successful comeback concert, Ms. MacDonald's son is killed in a horrific accident; he is hit by a truck while running for Lassie. MacDonald is understandably devastated. Initially, she blames Lassie for contributing to her son's death, but MacDonald is able to forgive Lassie, and she comes to care for the dog as her son would have wished. Pained by the sound of children playing, MacDonald takes Lassie, and moves to the country, where she hopes to enjoy a life of solitude. Then, she and Lassie meet young Claude Jarman Jr. (as Jerry), from a neighboring orphanage… The sentimental storyline in "The Sun Comes Up" is most predictable; but, it hardly matters, as the film does what it does well. First of all, this (the fifth in the original series) is the best "Lassie" since the 1943 original. Richard Thorpe is an unexpected success, seamlessly directing a seemingly difficult mix of children, seasoned professionals, and Lassie. In her last feature film, Jeannette MacDonald could not have been more capable; certainly, she ends her movie career on a high note. Jarman Jr., of "The Yearling" is a well-chosen Lassie co-star. Lassie performs expertly. André Previn provides an appropriately swell score. The film ends with a well-done fiery rescue.When the film threatens to become too predictable, or sentimental, you can enjoy delightful supporting pros, like: Lewis Stone (an MGM classic), Percy Kilbride ("Pa Kettle"), and Margaret Hamilton (Oz' Wicked Witch). Tarzan's "boy" Johnny Sheffield appears (to have hanged up his loincloth). Other kids making impressions are: Dwayne Hickman ("Dobie Gillis") as "Hank", Teddy Infuhr (also from the "Ma and Pa Kettle" series) as "Junebug", and Michael McGuire (who'll possess the "Dark Shadows" cast in 1970) as "Cleaver". ******* The Sun Comes Up (1/27/49)) Richard Thorpe ~ Jeanette MacDonald, Claude Jarman Jr., Lloyd Nolan, Lassie
Frazier This is a movie that may be a bit corny by modern measure but a wonderful film to sit down with a young child and watch. Old time values--a slice of life with real problems---a happy ending.