The Sublime and Beautiful

2014
5.8| 1h33m| en
Details

David Conrad is a college professor and sometimes philanderer raising three children in a small Kansas suburb with his wife Kelly. When sudden tragedy strikes the family in the days before Christmas, David and Kelly's marriage is brought to its breaking point and David's desire for retribution leads him into uncharted moral territory with the question: what can we forgive?

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Reviews

Clevercell Very disappointing...
ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable
repalmer-210-506917 Aaaa... wow. I began watching this movie because it was shot in Lawrence. I wasn't expecting anything remarkable. But this movie is. Its sad enough to make you look away but its so good you can't. I don't doubt that this is exactly the effect Blake Robbins was looking for. He skillfully represents all the horror of a tragic happening and the fact that sometimes there are no words that can help yet others around are compelled to offer them. But no matter since and heartfelt they are they only cause pain. If you are looking for quality and meaning and completion of purpose then this is a film you shouldn't miss. I'm going to be watching for more work of Mr. Robbins.
LizSmithMoore Blake Robbins took on a daunting task: Writing a story about a profoundly sad event in the life of a family. The hazard in such an effort is to fall into tactics of cheap and obvious manipulation. Not only did Robbins tell the story with realism and respect, he carried it through 90 minutes of film further enriched by the right actors, cinematography, musical score and all the other elements of a nearly perfect movie. I did not cry when I watched it, but not because I wasn't moved. Blake put me in David's head and I felt locked in a state of shock and denial. Add David's struggle with middle-aging even before the tragedy, witness the impact on David and Kelly's marriage, the reactions of friends, family and community, and this film feels as real as it possibly could. As art, it is the best possible treatment of one of the darkest aspects of the human condition.
deweese3 This is the most honest movie out there about the topic of grief - and it is an amazing piece of art because of this. You will be riveted by the depth of human emotion in this movie - and astounded that it was shot in less than 2 weeks on a shoestring budget. The director is also the primary actor. Wow! This movie is flawless. There is great direction, wonderful acting, and perfect production values, but what makes this film incredible is how it is able to draw the audience into the honest and real emotional sides to grieving. Capturing emotion is difficult in a movie and grief is not an easy topic - but it is a feeling all humans grapple with at least a few times in their lives. Instead of glossing over this feeling, this film embraces grief - and in so doing, you will be transported deep into your own heart. Every scene is realistic and the holiday party scene is worth the entire film. Bravo!
SLUGMagazineFilms I once took a writing class where the teacher told us that the best way to get readers to care about your characters is to make terrible things happen to those characters, forcing some type of reaction. The Sublime and Beautiful is the greatest example of this that I've ever seen. Throwing on a multitude of hats as director, producer, writer and lead actor, filmmaker Blake Robbins offers up a tale of a husband and wife who lose their three children in a tragic accident. Robbins reveals flaws in many of the characters throughout the film, but none so much as the main character—creating a stunningly authentic feel with each role. Though The Sublime and Beautiful is by far the heaviest film I've seen in a long time in terms of mood, its depiction of grief is stunningly honest and matter-of-fact. When you experience tragedy in life you don't want to talk to people you hardly know, you don't want people constantly asking how you are and you certainly don't want to hear about how "these things happen for a reason"—you want someone to blame. Robbins understands that perfectly, and his film is both sublime and beautiful.

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