The Solitaire Man

1933 "He could even steal a lady's heart!"
6.3| 1h7m| en
Details

An almost-retired jewel thief plans to marry Helen, his partner in crime. Their plans are shattered when Bascom, a gang member, arrives with a stolen necklace, putting their whole gang at risk.

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TinsHeadline Touches You
Marketic It's no definitive masterpiece but it's damn close.
Afouotos Although it has its amusing moments, in eneral the plot does not convince.
Matho The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
blanche-2 THE SOLITAIRE MAN from 1933 is a B picture, but because it was made at MGM, it's really a B+. The studio used these Bs as a training ground for their up and coming young stars and even more established character actors. Herbert Marshall is Oliver, who heads up a family of con artists, except they're not related. His "son" steals a necklace that Oliver attempts to return because he knows the young man would be the first person they would suspect.While he is in the home, a burglar enters, and a policeman sees him. The second burglar kills the policeman, and Oliver is a witness. However, he can't see the murderer. Realizing things will get mighty hot, he and his crew try to leave the country by plane. During the flight, much is revealed. Mary Boland and May Robson also appear in this film, and they're great. Boland plays a mouthy, wealthy American, and May Robson, as a cultured society woman. matches her excellence. Herbert Marshall's elegant type of leading man has gone out of style, but he handled his role very well.See it for Boland and Robson.
drjgardner "The Solitaire Man" is an undistinguished early talkie murder mystery from MGM about a jewel thief.Herbert Marshall (1890-1966) plays the head of a gang that specializes in stealing gems. Marshall made dozens of films in the 30s and 40s, best known for "The Letter" (1929 and 1940), "Trouble in Paradise" (1932), 'Foreign Correspondent" (1940) and "Duel in the Sun" (1956).The great Lionel Atwill plays a detective. Atwill is best remembered for his iconic role as the Inspector in "Son of Frankenstein" (1939). Between 1918 and 1946 he made 75 films, mostly horror (e.g., "The Man Who Reclaimed His Head", "Mystery of the Wax Museum", "Murders in the Zoo") and went on to play Sherlock Holmes' arch enemy, Moriarty, in "Sherlock Holmes and the Secret Weapon" (1943) and for my money, he was the best Moriarty. This film certainly is one of his lesser works.May Robson (1858-1942) plays a member of the gang. She was everyone's favorite granny, a part she played in films like "Irene" (1940), "They Made Me a Criminal" (1939), and "A Star is Born" (1937). She was nominated for an Oscar for "Lady for a Day" (1934). Robson is subdued in this film and her fans will want to look elsewhere.Beautiful Elizabeth Allen (1910-90) plays Marshall's love interest and a gang member. She was popular in the 30s – "Tale of Two Cities" (1935), "David Copperfield" (1935) – playing British subjects.Jack Conway (1887-1952) directs. Conway was a prolific director (over 100 films) who started out as an actor but decided directing was for him when he was asked to wrestle a lion. He directed MGM's first talkie in 1928 ("Alias Jimmy Valentine") and worked on "Birth of a Nation" (1915) as a second director. Conway was particularly good working with long films (e.g., "Viva Villa", "A Tale of Two Cities", "Northwest Passage") and with films featuring women (e.g., "But the Flesh is Weak", "Lady of the Tropics"). His work here is rather ordinary, perhaps due to the sets which make the film more like a play.The NY Times said - "It is a feature which might justly be termed an amusing melodrama, for when persons are slain here the effect is invariably more humorous than tragic." 1933 was a good year for films. Box office hits were Mae West's "I'm no Angel" and "She Done Him Wrong", the star studded "Dinner at Eight", Ruby Keeler and Dick Powell in "42nd Street", "King Kong", and Garbo in "Queen Christina". The Oscar winners were "The Private Life of Henry VIII" (Actor), "Morning Glory" (Actress) and "Cavalcade" (Picture). Other notable films released that year included the Marx Brothers' "Duck Soup", Laurel and Hardy's classic "Sons of the Desert", and "The Invisible Man". Fred Astaire and Ginger Rogers made their film duo debut in "Flying Down to Rio". FWIW – 1933 was the year that Walt Disney referred to the gold statue as an "Oscar" when he won it for "The Three Little Pigs".For films about Jewel thieves, among the best are Hitchcock's "To Catch a Thief" (1955), "The Pink Panther" (1963), "Thief" (1981), and "A Fish Called Wanda" (1988).
MikeMagi "The Solitaire Man" is a slick, stylish,sophisticated thriller, a throwback to an era when spinning a good yarn was more important than bloating the budget or running up the running time. When we first meet Herbert Marshall as Oliver Lane, he has a small problem. A Paris-based master criminal, he's about to retire to Devonshire, marry Elizabeth Allen as his fetching accomplice and turn from safecracking to milking cows. But a drugged-out henchman has committed a robbery that could get them both sent to the slammer -- and Lane has no choice but to reluctantly return the loot. How that leads to a plane bound for London, a battle of wits with Lionel Atwill as a mysterious Scotland Yard inspector and the contribution of an American socialite played with mirthful glee by Mary Boland takes up much of the movie. The result is tight, taut, cleverly directed by Jack Conway and a lot more modern -- in style, dialogue and devilish humor -- than most of the movies made back in 1933. Or a good many made since.
Ron Oliver A gang of British jewel thieves & charlatans - possibly including THE SOLITAIRE MAN himself - endure a tumultuous plane trip from Paris to London with a cunning inspector from Scotland Yard.Unfortunately obscure, this is a very enjoyable little crime caper film which deserves to be rediscovered. The plot is a bit dense, but the real attractions of the movie derive from the interaction of its ensemble cast of six sterling performers, especially when all are enclosed in the confined space of the airplane cabin.In a role that compares nicely with his classic performance in TROUBLE IN PARADISE (1932), Herbert Marshall is suave and sophisticated as an international man of mystery. Gifted with one of the Century's finest speaking voices, he puts a polish on his character that's irresistibly intriguing. Especially exciting is his violent interaction with Lionel Atwill, adding yet another portrait to his cinematic gallery as the Inspector. It is great fun to watch & hear these two superb actors go at one another in a war of words.Lovely Elizabeth Allan shows spunk as the romantic interest, while the picture boasts two of the era's finest character actresses - grandmotherly May Robson as a hard-boiled old dame, and Mary Boland as a loudmouthed banker's wife from Peoria. (Robson's remarks about Devonshire cows & Boland's suggestion for getting rid of a body at 2,000' are both priceless.) Further down the cast list is the always reliable Ralph Forbes, an excellent actor who should have become a major star, playing a young shell-shocked socialite.Lucile Gleason & Robert McWade enliven the opening scenes as a rich American couple in Monte Carlo who have more money than sense. Movie mavens will recognize chubby Harry Holman in the uncredited role of Boland's henpecked husband Elmer.