Solemplex To me, this movie is perfection.

GazerRise Fantastic!

Contentar Best movie of this year hands down!

Logan By the time the dramatic fireworks start popping off, each one feels earned.

kevin olzak A remake of 1937's "Super-Sleuth," "Genius at Work" splits the Jack Oakie role in half for RKO's comedy team Wally Brown and Alan Carney, in their eighth and final film together. Back from title six, "Zombies on Broadway," are pretty Anne Jeffreys and Bela Lugosi, here reduced to playing Stone, the assistant/partner in crime of noted criminologist Latimer Marsh (Lionel Atwill), quickly revealed to be master criminal The Cobra. Brown and Carney again play their signature characters, Jerry Miles and Mike Strager, radio detectives keeping audiences tuned in by reenacting The Cobra's crimes (RKO newcomer Robert Clarke can be glimpsed as a fellow radio announcer). Pity any investigator who can't figure things out while browsing through Marsh's latest book, "Murder and Torture Can Be Fun!" Nowhere near as obnoxious as other lesser duos, Brown and Carney were both experienced comedy veterans, bland yet watchable. Atwill and Lugosi are virtually the entire show, hugely enjoying themselves as they avoid detection one way or another. The climax finds both in disguise, with Atwill's wheelchair-bound old lady a real hoot (his customary twinkle belying his real life demons). What is sad is watching the dying Atwill, stricken with bronchial cancer, smoking incessantly throughout the film, giving his all with a brave effort, with only "House of Dracula" and the 13 chapter serial "Lost City of the Jungle" still ahead of him (completed Aug 1945, this picture sat on the shelf for more than a year). This was the last of seven titles that teamed Atwill and Lugosi: "Mark of the Vampire," "Son of Frankenstein," "The Gorilla," "The Ghost of Frankenstein," "Night Monster," and "Frankenstein Meets the Wolf Man."

Michael_Elliott Genius at Work (1946) ** 1/2 (out of 4) Wally Brown and Alan Carney play radio show detectives who get caught up in the real murder case of a killer known as The Cobra (Lionel Atwill). The comedy duo Brown and Carney were RKO's rip of Abbott and Costello but I actually enjoyed their earlier film Zombies on Broadway. This one here isn't as good but there's some nice laughs and the supporting of Atwill really helps things. Bela Lugosi has a small, thankless role as Atwill's sidekick. The biggest highlight is seeing Lugosi playing an old man to his wife, Atwill in drag. Atwill' final film.

MARIO GAUCI I wasn't really sure if watching another Wally Brown/Alan Carney vehicle so soon after ZOMBIES ON Broadway (1945) was a good idea, but this comedy-thriller actually works better than expected: there are a handful of genuinely funny one-liners and the chief villain (Lionel Atwill) utilizes a couple of clever ruses to escape detention when cornered - though his posing as an old lady in a wheelchair with a bearded Bela Lugosi (here relegated to the supporting role of Atwill's all-purpose henchman) in tow is a genuine camp moment; just as unflattering is the sight of Lugosi donning a bowler hat, not to mention his being on the receiving end in a couple of pratfall situations (I would also contend the absurdity of giving such a heavily-accented actor American names for his characters, in this case Stone, though this didn't happen often!).The narrative incorporates several well-worn elements from contemporary horror films and thrillers: a mysterious and seemingly invincible criminal mastermind, radio detective heroes, a renowned criminologist brought in to assist the investigation, a wax museum, torture/execution devices - and, for the climax, even reserves a few perilous stunts on the ledge of a building a' la the films of Harold Lloyd! As was the case with ZOMBIES ON Broadway, the film utilizes cast and crew members who also worked on the contemporaneous Val Lewton cycle of classic horror films - cinematographer Robert De Grasse had served in the same capacity on THE BODY SNATCHER (1945; also featuring Lugosi), while Marc Cramer had co-starred in ISLE OF THE DEAD (1945). In the end, I'd say that the film marginally edges ZOMBIES - even the Brown/Carney team seems to be more at ease with the material and, consequently, comes off as more sympathetic here.

the_mysteriousx First some background - this was Lionel Atwill's final film. He shot half a serial "Lost City of the Jungle" after this and then passed away. This was Lugosi's final studio film other than "Abbott and Costello Meet Frankenstein". This was also, I believe, their 7th teaming together. Usually red herrings, or one good and one evil, this is the only real film they did together when they were both the bad guys from beginning to end (also Ghost of Frankenstein).That all being said, this is really a comedy from a weak team of comics Brown and Carney. The comedy is not terrible and is on par with the lesser Abbott and Costellos from the period. The best part is watching Atwill play the master criminal, "The Cobra", with Lugosi as his dedicated sidekick, Stone.It was really great to see the both of them ham it up. They have some great moments toying with the comics, Atwill in particular jawing one of them on to shoot through his robe to embellish the accolades for catching him. Lugosi gets to be just as menacing throwing knives and chloroforming the nosy female lead, and well, being Lugosi.It's a fun little flick that's definitely worth the 61 minutes for any fans of either Atwill and Lugosi. Being a fan of both, it was great to see them work together for the bad of mankind, which is what they always did best.