UnowPriceless hyped garbage

Gutsycurene Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Jenni Devyn Worth seeing just to witness how winsome it is.

aadue-186-652060 If you happen to own or rent the Don Knotts "Reluctant Hero" pack, this is one of the four films, and probably the least strong in terms of comedy. It is a remake of the movie Paleface, with Bob Hope and Jane Russell, not exactly shot for shot, but close. A lot of the same jokes were used, and the plot is identical.However, I still recommend this film. It's got some very funny stuff. While I'm not usually a fan of remakes, I thought this WAS better than Paleface, though it could just be I saw this one so many times first. Son of Paleface I had seen before Paleface, and I enjoy that one quite a lot.Apart from the comedy in this film, we get Barbara Rhoades, the love interest. Let me just say, VA VA VOOM! YOWZA! and COR, BLIMEY! You'll have to see for yourself though....This fits nicely into Knotts' "reluctant hero" idea, and I recommend it overall. It's a fun film.P.S. "How's it going, Heywood?"

disdressed12 Don Knotts star in this wacky comedy/western.Knotts plays a Philadelphia Dentist who head west to bring oral hygiene.he gets more than he bargained for,in the process.Dr. Jesse Heywood's penchant for being timid nervous,and bumbling provide some pretty funny moments.Knotts is pretty funny here,but i really Barbara Rhoades as Penny.i loved her spunky,and her take no guff attitude.she is the perfect foil for Knott's Zaniness.while this movie won't change your life,it should make you laugh.even if it wasn't funny,i think it would still work as just a western.for me,The Shakiest Gun in the West is a 7/10

BeerBaron It's easy to overlook the societal importance of "Shakiest". Most academics consider it a vapid re-make of a "superior" Bob Hope film. However my consensus is that Hope's movie simply Overemphasized the comedic aspects of the story and downplayed the sociological importance and mythical underpinnings of it. I don't fault Hope since his comedic talents are such that only his fully grasping of the genre and paradigm in its epistomological sense would allow him the proper frame/reference to "dim" his comedic talents enough to let the nuances of the story's deeper meanings emerge. Not so with Don Knotts. His performance is neo-subtle in the sense that he draws attention to the pre-Scorsesian templates of story entwined with yet seperated from, meaning, by overexaggerating Hope's performance to a Vonnegutian level. Example; his performance as Painless Jesse in the film's opening sequences underscore the relationship of Man the Creator with Man the Destroyer and Man the Dentist. In Barb Rhoades we see an equal but lesser voice representing tenets of Post-modern imperialism as well as Proto-Schwarzeneggerian grandiosity. Yet, it is Knotts, initially passive who redeems himself in the end, triumphing over Rhoades and all she symbolizes as well as echoing the pan-universal theme of the hero transformed by "plumbing" his own depths. This is shown particularily in the mine scene, where we read "mine" as "Subconscious Id". Simply put, not sense "The Incredible Mr. Limpett" has Knotts blended Transformational Mythology with Wellesian Cinematography and Jerrylewisian slapstick. BRAVO!

SanDiego Not as well made as the original Bob Hope film "The Paleface" (this remake pretty much uses the same script but loses the song "Buttons and Bows"), but better than it's sequel "Son of Paleface." Don Knotts plays his usual nervous character without the Bob Hope pathos making for a sitcom style comedy (think "F-Troop"). Don Knotts would do several other comedy westerns in a few years including "The Apple Dumpling Gang."