Sherlock Holmes in New York

1976
5.7| 1h40m| en
Details

An affectionate bow to the master sleuth in this lavishly produced original that has Holmes rushing to New York City after discovering that his old nemesis, Moriarty, has kidnapped the son of the detective's long-time love, actress Irene Adler.

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20th Century Fox Television

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Reviews

Stometer Save your money for something good and enjoyable
Listonixio Fresh and Exciting
Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
Mandeep Tyson The acting in this movie is really good.
Jackson Booth-Millard The greatest detective ever known (in fiction) appears in this really enjoyable TV film with three great actors and a great story of kidnap and robbery together. Sir Roger Moore as the very English and very professional Sherlock Holmes is a very good creation, the best (and only) one I've seen. Apparently there are scenes where John Huston as the nasty Professor Moriarty steals scenes, but I don't think that's true. Patrick Macnee (who worked with Moore in A View To A Kill) is a very good, amusing and lovable Doctor Watson. Basically they have to stop Moriarty from stealing some gold, and get Irene Adler's (Charlotte Rampling) kid back as well. The good moments are the small action, chases and sneaking moments. Moore's good breakaway from James Bond. Good!
bob the moo Having captured the gang of Professor Moriarty and foiled his plan of assassination, Sherlock Holmes finds himself at a loss. Moriarty has escaped capture and vowed to show up Holmes no end. Actress Irene Adler is an acquaintance of Holmes and has sent him tickets for each of her opening nights for over 9 years - she is opening in New York and Holmes awaits her tickets. When they arrive ripped up, Holmes and Watson set out for New York immediately to find that nothing is obviously wrong. However when Adler doesn't show up for the play, Holmes finds himself drawn into a plot that involves kidnapping and an incredible theft of gold from the International Gold Exchange.Despite the fact that this is a Roger Moore film I decided to give it a stab on the basis that I quite enjoy the character of Sherlock Holmes. From the very start the weaknesses of the film are as clear as day but the basics of the film are enjoyable enough to make this worth watching. The plot is passable and is delivered with a good sense of pace that makes it enjoyable - however it must be said that the plot is hardly worthy of Moriarty, whom we are told is a master criminal. Holmes solves it all far too easily and it is to the film's detriment, although the number of steps required to get to the end is impressive they are all too simple - it would have been better to have had fewer deductions from Holmes but a more complex plot. As it is it works well enough for the material and is far from the weakest part of the film.The film's low values are clear from the start - Holmes' absurd sideburns look like they have crawled onto his face without him noticing for example. The lighting, shot-framing and cinematography all make the film feel rather dated (to the 70's rather than the turn of century). These really hurt the film and it never looks like a great deal of money was spent on it. The cast are a mixed bag. It would be easy to dismiss Moore as Holmes and, in fairness, I feared the worst but was reasonably happy with his performance. While he doesn't compare to the best of them, Moore's Holmes is strong in his display as a human rather than a perfect crime fighter. Moore is a little hammy at times (his disguises are absurd) but generally he does quite well. Macnee is given little to do and has lifted his Watson directly from the Nigel Bruce School of Acting - making Watson a bit of a buffoon; hardly original but still quite enjoyable. Of course the worst performance comes from Huston who plays his Moriarty with an Irish brogue at times and not once comes across as a match for Holmes, rather he comes over as a basic thug in charge of a poor gang and I can honestly say I have never seen the character portrayed with less ability than this. Rampling is another famous face but is given nothing to do but be part of a romantic subplot that is out of place and doesn't work. The acting is generally bad but to give him his dues, Moore is not including in my list of bad performances in this movie.Overall this is not a great movie and doesn't compare to the Rathbone series of Holmes' films (for my money anyway). The basic plot is passable but is too simply solved and includes a redundant romantic subplot. The character of Holmes is more interesting than usual and is delivered quite well by Moore (nobody's first choice for Holmes but still OK). The film is full of weaknesses but is still worth a watch for fans - however I doubt anyone will fail to be shocked by the sheer awfulness of both the character of Moriarty and the performance of John Huston in portraying him.
Robert J. Maxwell Roger Moore is a bit handsome for Sherlock Holmes and Patrick Macnee uses a hoarse voice that sounds cured by cigar smoke, but this is an interesting and watchable flick. The story is a double one: Holmes can either save his own son by Irene Adler or solve the mystery of several megatons of missing gold bullion which would lead to an economic catastrophe and possibly war. I won't say whether he succeeds at both. The gold business is given rather short shrift and is solved in about one minute by the perceptive detective. Indeed the solution is so simple that it leaves the authorities in New York looking like dolts for not having figured it out themselves. Well, Moore is no Rasil Bathbone, and Macnee hasn't got very much to do except offer a few wisecracks -- "Holmes, the problem with tea here is that it comes in POUCHES." But very effective use is made of the extensive sets left over from an earlier Twentieth-Century-Fox period movie -- I forget which one. Horse-drawn vehicles chase each other clippity-clop across cobbled streets glistening with rain. Charlotte Rampling plays an upright woman, more or less, in this one. She's quite good, although her eyes remain sensuously hooded and her voice continues unwittingly to carry a throaty invitation. Best is John Huston, overacting for all the part of Moriarty is worth, red-faced, snarling, hair-mussed, rolling his eyes, and that marvelous voice. You must catch Huston and Moore exchange insults at the beginning. Huston: "You never could resist the 'tour day force', the 'coo day grass.' Your ego is insatiable." Moore: "Yes. Atrocious -- along with your French."It's fun to watch. I kind of find myself wishing that Moore hadn't played the later, less individuated Holmes. No cocaine use, no misogyny, but he does play the violin and smoke his non-canonical calabash a lot. Oh -- and thanks to the name of the bank where the gold is stored I finally realized where "the Bowery" came from. The name of the institution is "The Bouwerie Bank," giving away its Dutch ancestry.
helpless_dancer Holmes takes on the evil Professor Moriarty, his old nemesis. I didn't like Roger Moore as Holmes any more than I care for him doing James Bond; he is alright, but I like the way other actors handle these characters better. I really didn't appreciate the phony looking sideburns on Holmes, seems the make-up department could have been more competent. Also, I thought the acting was forced at times, and at others a bit corny and hammy. I did like the great old oompaul pipe of Holmes, and enjoyed the production overall. It was another good mystery solved by the Master of Sleuths.