The Selling

2011 "5 bedrooms. 4 bath. 12 ghosts."
6| 1h32m| en
Details

For most people affected by the recent housing market crash, the impact was financial. Super nice real estate agent Richard Scarry has an additional burden: the paranormal.

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Also starring Jonathan Klein

Reviews

Dotsthavesp I wanted to but couldn't!
Noutions Good movie, but best of all time? Hardly . . .
Matrixiole Simple and well acted, it has tension enough to knot the stomach.
AshUnow This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
shominy-491-652355 This film is absolutely hilarious from beginning to end! Every actor is excellent! The music and editing are perfect! We cannot state this enough: There is not one dull moment because the film moves so quickly and the editing is so cleverly done! We knew nothing about this movie before renting it so we had open minds. We had to stop and rewind several times from laughing and missing dialog! The writing is pure genius. Richard and Dave's characters are not "over the top" or irritating; you like them right away and enjoy every scene they are in. These 2 characters are so funny in their low-key delivery as they are forced to "accept" the haunting of the house while showing it to potential buyers. OMG-Barry Boswick is just too hilarious! He is great in comedy (we loved him as "FDR: Badass" and in "Spy Hard")! We cannot find one fault in this film and it deserves a higher rating than 10!! P.S. Including Vincent Price in the movie was a bonus to all us fans of the all-time greats in horror!
Steven Dengler My wife and I saw this film together and we both loved it. And there are not many movies I can honestly say that about! I have recommended it to many of my friends, and will continue to do so.From the opening scene to the closing credit roll, I was thoroughly delighted. This is a movie about believable characters working through a crazy situation, and it's played for laughs. The movie has a simple honesty and charm which is so lacking from many contemporary movies. The only other movie I've seen recently with heart like this is Safety Not Guaranteed. (If you loved that movie, do yourself a huge favor and watch this one.) For those of you old enough to remember, this is a movie in the best tradition of 1970s comedies. Imagine if Blake Edwards had done a comedy/horror film mash-up and this film is what you would get. This is not a high budget film with explosions and crazy computer effects, although the effects that are present do the job nicely. This movie is a comedy. Period. The horror undertones are important but secondary, and serve principally to support the story. The plot, the characters, and all their interactions are played for comedy. And it works wonderfully.If you're looking for a fun, light-hearted comedy with excellent characters, this is your movie. If you're looking for vapid, high-budget Hollywood schlock, then this is not for you.
elkane85 I saw this film with my husband at the Fright Night Film Festival in Louisville, Kentucky. After seeing the trailer, I thought we would be in for a cute/silly indie horror-comedy flick. I was not prepared for The Selling to be one of the funniest comedy feature films that I have seen in many years. This film is chock full of hilarious lines (that we found ourselves quoting the entire drive back to Florida)and comedic situations that had us roaring with laughter. Seeing Barry Bostwick as the priest attempting to exercise the house of its spirits was the cherry on top of this great film.To put it simply, this film is a must-see. I am a filmmaker myself (my film, Loverboy, played in the same festival where I saw this) and I felt it an honor to play in the same festival as the Selling. I hope a major company picks this film up for distribution. I know if they do it will be a massive hit.Great job to the cast and crew. 10 out of 10. Without a doubt!
Heather Wilson It's hard to decide what genre The Selling falls into- there are elements of comedy, horror, sci-fi, and drama... but by the time the opening credits have finished, you know you are in for a great ride.With humble nods to films such as The Amityville Horror, The Shining, and Poltergeist, there are very real moments of suspense and tension. Yet given the comedic roots of the cast and crew, it's no surprise that the audience burst into laughter throughout the film. A healthy mix of improbable situations, physical gags, and one-liners keep the film feeling snappy and smart. Personally, I found the "Sizzler" bit and actor Cole Stratton's exhaustive America's Next Top Model monologue (which was entirely improvised, taking full advantage of Stratton's talent and improv background) to be among the funniest scenes.Simply put, the cast is superb. Writer/actor Gabe Diani handles the complex and nuanced role of Richard with ease. He reminds me of a young Tom Hanks: charming, intensely likable, slightly awkward but full of promise. Janet Varney is perfect as the beautiful but ethically flexible real estate agent Mary- a character you can never quite decide if you love or hate. Jonathan Klein provides comic relief without ever resorting to stupidity as Dave, and Etta Devine gives Ginger the quirkiness and heart that drive her motivations. Richard's mother, played by Nancy Lenehan, is part June Cleaver and part Betty White, wrapped up in a mom that we all recognize as our own. As a last ditch effort to de-spook the house, we are treated to Barry Bostwick in the role of priest a la The Exorcist. This cameo appearance is not put to waste, as Bostwick absolutely rules the screen.The script is original, fresh, and clever. Diani takes the concept of a realtor burdened with a haunted house and guides the story in a way that feels honest and natural. Emily Lou's direction makes a relatively low budget 2-week shoot feel like a full blown studio production. Everything about The Selling is polished to a shine. The occasional use of cheesy special effects is greatly outweighed by the times it's done right. Even the poster looks like it belongs in a megaplex among the latest from Spielberg and Scorsese.If you get the (rare, sadly) opportunity to see this film, do yourself a favor and go. It's even appropriate for the 12+ crowd; the lack of cursing and sparse gore keep it friendly without ever feeling "toned down." With any luck, someone from a financial powerhouse of a film studio will find this movie and snatch up the creators to make another gem. Until then, I'll wish them the best in "selling it" however they can.

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