Clevercell Very disappointing...

ThiefHott Too much of everything

Sexyloutak Absolutely the worst movie.

MusicChat It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

Lee Eisenberg Somewhat confusing story about a Londoner (Vinnie Jones) who gets involved in a web of intrigue centering on newly discovered Charles Dickens manuals. I spent much of the movie wondering how much of the stuff about Dickens himself was true; I would like to know more about Charles Dickens as a person.Other than that, the acting kept the movie afloat. Aside from Jones, Derek Jacobi, Julie Cox, Vanessa Redgrave and Jason Flemyng turn in very good performances. It's just that I felt that the movie didn't tell as much about Charles Dickens as I would have wanted to hear. Pretty good otherwise.

gradyharp THE RIDDLE was written and directed by Brendan Foley in what appears to be an attempt to pull the mysteries of the Charles Dickens' novels into a contemporary story, but that attempt is thwarted by electing to use the two periods of time format in which the 'riddle' is unraveled. Despite a cast of well-known actors, trying their best to pull off this direct to DVD movie, the end product is a long, tedious, amateurish mess that can only be considered as entertainment if viewers are fans of the cast as remembered from other films. Mike Sullivan (Vinnie Jones) is a journalist confined to reporting on dog racing events while he dreams of important reporting assignments. A series of similar murders happens to include an old friend of Mike's - Sadie (Vera Day) who runs a pub on the banks of the Thames, having just discovered an old valuable unpublished manuscript by Charles Dickens, and has a heart of gold, giving sandwiches away to such pathetic creatures as an old tramp beachcomber (Derek Jacobi). Sadie's murder attracts Mike to the role of detective journalism and with the help of policewoman Kate (Julie Cox) he begins to tie the investigation to clues he finds in reading the Dickens manuscript. Disrupting the flow of this rather simplistic story is the use of flashbacks to Dickens' time as Dickens (again Derek Jacobi) narrates a rather personal story of peculiar murders. The parallel between stories and the cross casting among actors may have worked in another's hands, but the finessing of this kind of venture escapes writer/director Brendan Foley. He draws his story to a close (at long last) with a tired Hollywoodesque ending. In addition to Jones, Jacobi, Cox, and Day, the film somehow attracted the attention of Vanessa Redgrave, Jason Flemyng, PH Moriarty and Mel Smith: their contributions are minimal but happily distracting. This is a flimsy bit of treacle leaving the viewer wondering how films of this quality ever find funding. Grady Harp

Redcitykev The fact that this film was distributed free with a certain national newspaper which I do not care for did, to a degree, put me off of watching it, but as I had come across a copy that a local charity shop was giving away for nothing I felt I could watch it with a clear conscience.The film does have its moments, the evocation of the Thameside location is nicely done, but it does suffer, I feel, from a few too many faults. Firstly, Vinnie Jones is simply not convincing as the journalist. Whilst Vinnie himself is an interesting character, the truth is that he simply does not have the range of acting ability to pull off a role like this.Secondly, who would carry around with them a lost manuscript that they have been informed is "priceless"? It seemed that everywhere Mr Jones went this manuscript went with him! Thirdly, the whole Dickens aspect of the story, whilst appearing to be important, gets in the way of what could have been an interesting film of corruption in high places. Maybe I'm just a bit thick, but I really could not see the point of the story-within-a-story Dickens style. This added nothing to the film, and only served to confuse matters when things started to become interesting within the modern day story line.The one bit of praise I will give the film makers is that at least they did attempt something a little different. I am all for British Independent films that try to be 'out of left field', but this is not a 'Red Road' or 'This is England'. What it is is a bit of a mess, and an over-long one at that. Yes, it entertains in part, but in the end it felt like two films merged together to make a whole, and failing both by doing so. (Also, I can not help think that I have seen something similar done recently on TV by Ian Banks, set in Edinburgh with a story concerning Sir Arthur Conan Doyle, the creator of Sherlock Holmes).

Hans Liebing I saw "The Riddle" at the 2007 Austin Film Festival and had a chance to meet the film's writer/director Brendan Foley. I was very impressed by both the film and the director. I would consider the director as one of those rare visionaries who - with a single idea - were able to change a facet of the face of movie marketing and distribution. I find Foley's idea, to distribute the film through a print medium in Europe completely novel and very creative.And yet, that marketing and distribution strategy would mean nothing without an excellent movie and Brendan Foley delivered in that respect as well. I found most of the film's performances very strong and enjoyed seeing Vinnie Jones master a role that is quite atypical for him with ease and to great effect.Foley also managed the difficult task of interweaving the past and present story lines of the highly original plot with eloquence, driving the story forward and keeping the audience on the edge of their seats as the riddle unravels."The Riddle" is well written, shot and edited and highly entertaining. I was very intrigued by the movie. So much, in fact, that I went to see it twice.