Scanialara You won't be disappointed!

Greenes Please don't spend money on this.

Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

richard-1787 I sat through this movie this evening, forcing myself to stick with it even though I never cared about any of the characters or what happened to them, because the two leads, Gérard Philippe and Michèle Morgan, were major film stars of their era and I wanted to see them in "something different," which this certainly was. They both gave fine performances, but of distasteful characters.Indeed, the whole movie is about a shabby little town in Mexico inhabited by almost uniformly distasteful characters (the doctor is, of course, the major exception). What Michèle Morgan ever sees in Philippe to fall in love with him is never explained.This is supposedly based on a work by Jean-Paul Sartre. All I could think was that, if Sartre's work is anything like this movie, it must be a very mediocre attempt at imitating Camus' masterful novel The Plague, which dealt with a plague in North Africa.A well-acted but uninteresting movie.

Jennifer Hoagland I saw this movie when it first came out, have not seen it since, but have remembered it vividly all these years. Seldom, if ever, has a film held me riveted the way this one did. Of course, I would have paid to see Michele Morgan read the Manhattan phone book, especially attired in a slip (no, I am not a lezzie). The mood created by the meningitis epidemic in Mexico and the sexual tension, created mostly by Morgan, are more enveloping than real life. This remains one of my top 10 - perhaps top 5 - favorite movies of all time. For the life of me, I cannot understand why there is neither a VHS nor a DVD version available, apparently anywhere. What can be done to rectify this situation? For years, I moaned about the lack of a DVD of The Informer. Now, one is available but only as part of the overpriced John Ford collection of some of his lesser films.Jen

dbdumonteil Allegret reached his peak in 1947-1949 with "Dédée d' Anvers" "une si jolie petite plage" and "manèges".Afterwards,his works became either disastrous ("la jeune folle" ) or academic (Zola's "Germinal")."Les orgueilleux" is a notable exception.Gerard Philippe's over the top portrayal of an always drunk deposed doctor is impressive.Michèle Morgan has never been so sensual.But what matters is the sultry moist atmosphere.Michèle Morgan is sweating throughout the whole movie.Very few things happen after Morgan's husband's death,but the depiction of a Mexican one-horse town during the Holy week is awesome.One could draw a parallel(almost bunuelian) between the Passion and Morgan's sentimental life:death on Good Friday of what she thought was the love of her life;resurrection on Easter day on the beach when she realizes she's found true love.Yves Allégret was extraordinary when it came to making you FEEL what his characters endure:so strong the pictures are that we're hot,we sweat as much as them.He did the same in "une jolie petite plage" where the rain never stopped falling.Maybe he learned his lesson from Victor Sjostrom(Seastrom) who could make us feel" the wind" ,and in a silent movie at that.

withnail-4 One of the greatest films I've ever seen, this movie took me completely by surprise, considering I'd never heard of it, and the videotape cover was very cheesy. Set in a small Mexican town, the main character is a drunk who is so intoxicated throughout the movie he can hardly walk. A plague of cerebral-spinal meningitis hits the town. This film has a startlingly raw edge to it, like nothing else I've seen from the 50s, but more like a Midnight Cowboy kind of down-and-out unflinching view of human situations. One of the first images is of the drunk carrying a pig's head through the streets of town. He delivers it to a whorehouse. The prostitute offers to pay him with sex, but he chooses to be paid in tequila. There's another scene of him cleaning up vomit, and a scene where the local doctor, the drunk, and a woman tourist take turns inoculating each other in the spine with a huge needle. This is not to say that the film is shocking or gross, but simply human and realistic. The photography is utterly pure and perfect. Nearly every composition is dynamic, with a strong perspective, background and foreground in play, half the shots have some kind of movement, dolly or pan, which is used concisely and never intrusively. Every set up is intelligent, resourceful and well executed. The acting is simply brilliant, the stars are believable, realistic and likeable. I don't know the story behind this production, or why it has slipped into obscurity, but it struck me as one of the GREAT films, comparable to something by Robert Bresson(who is one of my favorite directors) so, as you can guess, I highly recommend this. It's a ten.