Constance aux enfers

1964
6.1| 1h29m| en
Details

Rear Window meets Estate violenta. The middle-aged Constance watches a young couple that lives across the courtyard; the girl plays loud pop music and goes out of her way to be unpleasant to the classically educated and piano-playing Constance. Then one day Constance sees the boyfriend strangle the little tart in a fit of jealousy. He sees her, too, and has nobody else to turn to for help. Constance keeps silent about the murder and offers the young Hugo a place in her bed. Then the blackmail notes start to arrive...

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Reviews

Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Teringer An Exercise In Nonsense
Beystiman It's fun, it's light, [but] it has a hard time when its tries to get heavy.
Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
dbdumonteil Like Clouzot at the end of "Les Diaboliques" ,the director warns the audience: please,don't tell your friends the ending of my story!don't spoil their pleasure!What pleasure ?The beginning is a pale imitation of "rear window" and the movie continues as a "Diaboliques " rip off ;only the last third shows some originality,so to speak:the average viewer can guess the ending at least twenty minutes before the "unexpected " end .Why on earth did Michele Morgan get involved in that business?Her character of a lonely widow longing for love verges on ridicule;and anyway how could the young lovers be sure she would be so naive?The supporting cast is either almost unbearable (Dany Saval,Maria Pacome) or bland (the young gigolo).Even the last "trick" is borrowed from Maurice Cam's "Metropolitain" (1938).The score includes Vivaldi's "four seasons" and Sidney Bechet's "Petite Fleur"