The Play House

1921
7.5| 0h24m| en
Details

After waking from the dream of a theater peopled entirely by numerous Buster Keatons, a lowly stage hand causes havoc everywhere he works.

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Reviews

Lawbolisted Powerful
Beanbioca As Good As It Gets
InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
Prismark10 In The Play House there is an opening sequence with multiple Buster Keatons on stage, playing the performers, musicians and the audience. It is a dream sequence which also comes across as a tribute to Georges Méliès.This short then settles down as Keaton plays a stage hand and a performer, well a performing monkey. Keaton also tries to woo his girl but she is a set of identical twins and he keeps picking on the wrong twin to kiss. He then gets constantly interrupted by the main performer who is also a beastly big man leading to hijinks and acrobatics.This short is rather episodic and surreal. Keaton's stunt work is more safe here as he was recovering from an injury at the time.
jaredbergertx Buster Keaton shows off some of his signature blend of physical comedy, visual puns and amazing gags in this great short. Although instances of black-face date the film, I find it greatly relateable even over 100 years after the release. A great laugh for anyone who has played an instrument or been involved in a theatrical production. It gets a 9/10 because the only thing it is missing is an ending to rival Keaton's longer works.
David Lane For some reason, I find the Buster Keaton features such as "the General" and "Steamboat Bill Jr." to be well-made, yet lacking in the explosive laughter I would expect. His short films however, pack a punch with comedy. "The Playhouse" is his best work ever - a showcase of his versatility and unparalleled comedic techniques. Any musician watching his clarinet technique (gnawing on the mouthpiece) can't help but hit the floor when they watch the opening orchestra scene. Likewise, the variety of audience members he plays, this is amazing. I can't help but wonder... how long (given makeup and costumes) did this one scene take to film? There are also more Warner Brothers cartoon foreshadowing in this than most other films I've seen. For a true short film masterpiece, see this film.
Vigilante-407 To be honest, the only video of this movie I've seen has been rather washed out. But the wonderful special effects of the first half still show through. This isn't a Melies' fantasy with avant garde stylings and effects, but rather a simple and almost elegant movie with one simple effect: Buster Keaton plays ALL the parts in a theatre presenting a minstrel show. This may not seem much in the CGI-world of the nineties...but back in the 1920's it was a tour de force. The ease with which Keaton brings together at least ten separate performances at one time is amazing...one can only imagine the planning that went into this movie.The second half is a tad low-key...though it of course features more of Keaton's acrobatic slapstick, and a particularly striking bit with him dressed up as a monkey.This is definitely not The General or Steamboat Bill, Jr., but it is very enjoyable and, I believe, very deserving of a high place in the canons of early film for the artistry that Keaton applied to the special effects.