Solemplex To me, this movie is perfection.

Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Danii Disaster I'm not going to act like a smarta** (like many of the other reviewers) attempting to rationalize the views and beliefs of the 19th century Irish and the influence of Catolicism on the society back then. Instead, I'm going to share my impressions of it, speaking as a casual observer: The first thing that comes to mind is... "What the f***!?" I mean, girls, can you imagine being sent to a place like The Magdalene Sisters for, erm, being pretty, flirting with guys, or being a single mother? No, really - WTF? It seems utterly ridiculous and inconceivable. What about your family disowning you and selling you into slavery if some bastard molested you? I guess if such twisted pseudo-religious extremism was in place today, 95% of today's' women would have to be confined to an asylum.I was quite bothered by the fact that Margaret's family chose to send her off to that awful place (after she was brutally raped by her cousin), instead of calling the rapist to justice and helping their daughter cope with the crime she fell victim to. I don't know what kind of religion condones rape, and, to add insult to injury, considers the *victim* a sinner. I can't imagine how brainwashed and f***ed up people back then must've been. A teenage girl is taken advantage of, yet SHE is the one being punished and getting disowned by her family, while the perpetrator (the rapist) just gets away with it and goes on as if nothing had happened. Where is the logic behind this, and what holy book preaches such "morals"? And Bernadette? She is confined to the asylum merely for the fact that she is moderately attractive and extroverted. This is just totally out of order, seriously.Speaking of Bernadette... she was, obviously, the highlight of the movie. I only wish she would've hit one of the despicable nuns as she and Rose (Patricia) were escaping.I also liked Anne-Marie Duff - the actress has a certain je ne sais quoi.The most tragic of all was certainly Crispina. It was clear from the start that she's not like the other girls - she's already broken beyond repair and her mental health issues are irreversible. It's no surprise that she perished at 24... and of anorexia! How sad indeed...The Magdalene Sisters asylum seemed like a devilish concentration camp rather than a religious organization. I don't think there was ever anything remotely "Godly" about an institution like that. Moreover, real-life survivors have reported that the conditions were actually much worse compared to those portrayed in the movie. Oh, the horror! It's an excellent movie, though. They couldn't have picked a better cast. I can't imagine anyone else playing Bernadette... well, anyone except for Sherilyn Fenn, who has exactly the same dark, sultry look. The other cast members were also chosen perfectly, and though none of them are mega-famous (in fact - most are relatively unknown), the performance surpasses that of well-known Hollywood stars by *miles*.Anyway, I was impressed with the movie, and would not hesitate to recommend it to anyone interested in the subject matter.

Michael Radny Going into this film I was expecting a pretty bland drama that I could plop along to. To my surprise, The Magdalene Sisters proves to be much better than your standard redemption drama. Whether it is the compelling characters or the story, The Magdalene Sisters managed to have me gripped to the chair and truly engage in the story (something I have not done in many years).Everyone in this film has a distinct character; love them or hate them. The true hell of these asylums is portrayed so well that by the end of the film you just pray that people will never do anyone such injustice again. One of the great films of the 21st century.

Joe T As already well noted, this is a very well crafted film that captures and portrays some of the lowest possibilities of human endeavour. The movie has it's flaws, but drawing empathy from the viewer is not one of them and this it does so well that I was emotionally exhausted by the end of it.The religious dimension of the film is an interesting one. Clearly people wanting opportunity for anti-Catholic or anti-religious diatribe would find plenty of fuel here, but I think the more reasonable viewer (religious or not) would see the issues raised for what they are - a perversion and distortion of Christian faith perpetuated and maintained by flawed institutional systems. In this vein, it's not necessarily an anti-religious film and not even anti-establishment as such, but it does show a terrible side of those things and, moreover, illustrate how human beings can take any ideology, belief system etc. and turn it to meet their own personal sadistic and evil ends.A sad and horrible film and one that reminds us all of what not do to, how not to treat people and how we should be ever vigilant as a society against evil and cruelty no matter the guise it takes.

Cosmoeticadotcom Brutally psychopathic lesbian nuns and lascivious pedophile priests. What else is new? No, seriously, watching the DVD of The Magdalene Sisters was like a time machine for me. Not that I was ever an unwed mother in an Irish hellhole run by religious extremists, but I did grow up in a poor neighborhood that was patrolled by reprobate and psychotic cops that made the bad cops in Serpico look virginal, by comparison. Those cops, as the nuns in the film, ruled by terror and brutality. People were assaulted and humiliated and denigrated for the least of reasons.This film could have easily veered off track into a running anti-Catholic joke or screed, but its artistic 'reality' is too levelheaded to allow that. Basically, last century in Ireland was a misogynist's utopia. Young women were horded off to laundries to do slave labor for the Roman Catholic church, under the guidance of nuns from the Magdalene sisterhood, whose hope was to redeem prostitutes, unwed mothers, and other 'fallen girls'. The title is a play off this fact and three young women who are the stars of the film. Based upon real women, although for dramatic purposes their tales are condensed into the 1960s (the DVD's documentary Sex In A Cold Climate shows the women the lead characters were based on, and their age range varies over a quarter of a century). Why the 1960s and not the 1940s seems only to be for the belief among many artists that this was the last period of social justice in the world. The three girls represent different archetypes of 'fallen women': the orphan and would be prostitute and sexual temptress Margaret (Anne-Marie Duff), whose crime is flirting with boys at Catholic school; the unwed mother Rose- called Patricia by the nuns (Dorothy Duffy), whose child is taken away from her by her parents, and rape/incest victim Bernadette (Nora-Jane No one), whose brutalizing by her cousin, is followed by her parents shipping away, until her younger brother- who cried out for her as she was taken away, comes to rescue her four years later…. The Catholic Church in Ireland condemned this 2003 film, which is no surprise, but given its problems with pedophile priests, does anyone watching this really believe the claims of sadistic lesbian nuns is NOT credible! That these Magdalene laundry camps were run until 1996 is amazing (in the worst sense), but all too emblemic of the evils of all religion- from the Crusades and Inquisitions, Martin Luther to Torquemada, the Conquistadores and the Taliban. Writer/director Peter Mullan never veers into caricature, which says a lot, given the subject matter, and the acting is utterly superb. McEwan, as Sister Bridget, reeks wickedry like few characters in film history. Even Nurse Ratched, from One Flew Over The Cuckoo's Nest, seems kind-hearted by comparison. And this film is worlds better than a similarly-themed film from a few years ago, Girl, Interrupted, which seemed more like a chicks behind bars film. None of the actresses in The Magdalene Sisters are likely to become sex symbols, like the collagen lipped and breast enhanced Angelina Jolie. They are attractive, but real looking.