Whitech It is not only a funny movie, but it allows a great amount of joy for anyone who watches it.

TaryBiggBall It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Yvonne Jodi Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

d_m_s Started out OK but quickly annoyed me with its inexplicable plot devices that let down a film that otherwise seems to take itself very seriously. Things that weakened the story: 1) Main character finds address of missing person by calling a telephone company, insinuating the call centre rep is assuming the main character is someone else. This would never happen due to Data Protection. 2) No obstacles for the main character to overcome; whatever information he wanted he could get very easily. Hard to believe since considering the type of people involved. 3) Bad guy has no security measures protecting his very expensive home and contents, allowing main character to break by smashing a window. Highly unlikely.Ultimately, they film parodied James Bond towards the end with the scenarios becoming more & more ridiculous to the point where the very serious subject matter was trivialised and pushed aside in favour of Bond-esquire capture & escape sequences.Dull, uninspired, unemotional & lacking in atmosphere.

xfile1971 I really, really didn't expect this type of a film outside of America. How anyone can take the subject of sexually abusing children and turn it into a "thriller" is just sick. Auteuil (whom I had previously admired) going around like some sort of child-saving Rambo was ignorant and insulting to all the children being sexually exploited around the world.What's doubly depressing is that the stunning and ground-breaking film "Happiness" came out the year BEFORE this film. Menges and his cohorts should be ashamed of themselves. It's admirable to read some of the comments by the more intelligent viewers out there. They were able to see the shoddy and ridiculous handling of this topic. Those of you who think this is great cinema display a disgusting amount of ignorance and you need to watch "Happiness" to open your minds to the true horrors of pedophilia.Do you think your child is more likely to be kidnapped and sold into sexual slavery or be molested by a neighbor, teacher, friend or even a relative? Hmm...I wonder. If they are going to make a film about international child slavery of whatever kind they owe it to everyone to make it realistic and emotionally involving instead of this button-pushing crap. 1/10

celepod For Daniel Auteuil, `Queen Margot' was much better. For Nastassja Kinski, `Paris, Texas' was much better. The biggest disappointments were from Chris Menges (`CrissCross' and `A World Apart' cannot even be compared with this one), and Goran Bregovic for use of a version of the same musical theme from `Queen Margot' for this movie (Attention to the end of the film). If this was an American pop movie, I would not feel surprised at all; but for a European film with more independent actors and director, a similar common approach about child abuse with no original insight is very simple-minded and disappointing. There are those bad guys who kidnap and sell the underage people. There are those poor children who hate people selling them and wait to be saved by someone. And finally, there is that big hero who kills all the bad guys and saves these poor children from bad guys. Every character is shown in simple black and white terms: the good versus the evil. Plus, from the very beginning, I could understand how the story would end. Is this the end of the history of child sexual abuse? I believe that the difficult issue of child molestation and paedophilia is much more complex than how it is portrayed in this not very original movie. I think this movie was not disturbing, but very disappointing.

mariogiannini Auteuil is magnificent as the French loner who has somehow become a lost soul among the shadows of London's West End. The private detective, who discovers the cracks in his own life though an investigation that leads him through the seedy underworld of the child prostitution trade, takes us through the shoking stages of his discovery with much suspense. One of the best modern detective stories to have been filmed in London for many years and a film that deserves much better attention than it got when first released.