.com for Murder

2002 "In cyberspace no one can hear you scream."
2.6| 1h36m| en
Details

This high-tech, psychological thriller is set in the shadowy world of the Internet. Sondra Brummel is recovering from a skiing accident in her boyfriend's mansion, and accidently contacts a possible killer in an Internet chatroom. She and her friend Misty enter a virtual game that that becomes all too real.

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Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
Loui Blair It's a feast for the eyes. But what really makes this dramedy work is the acting.
Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
ZOMBlE Sad and pathetic that two people felt necessary to leave ten-star reviews on this board. Trust me when I say that ".Com For Murder" is one of the worst films in the history of bad films. More than an almost plagiaristic ripoff of Hitchcock (and Kubrick) but also just offensive to the audience.One scene for instance, as to just how STUPID this movie is... the killer cuts Nicolette Sheridon's wrist, and tells her "you will die in exactly twenty minutes." Does Nicolette raise her arm to slow the bleeding? Does she attempt to bandage the wound? Nope, she just sits there like a blonde Barbie doll for NINETEEN MINUTES while the killer terrorizes her friend, the camera cutting to a clock to remind the viewer she only has so many minutes left. Then her friend gets to her just in time and bandages the wrist, and TWO MINUTES LATER the killer pulls off the bandage and the countdown begins again, from the top. "In twenty minutes you'll be dead, haha." This is the last (hopefully the last) of a long list of turds from director Nico Mastorakis, the Greek's answer to Edward D. Wood. Frankly, at least Mr. Wood's movies were so bad you could laugh at them. Not so with ".Com For Murder," which is simply an insult to the viewer.
Mythicalreviewer .com for Murder is an intriguing murder mystery movie that captures and entertains the audience imagination throughout the arduous twisted plot. It is reminiscent of such notable "who dunnit" movies such as The Thin Man and Double Indemnity.The premise of this high tech psychological movie revolves around the shadowy world of the Internet. The audience is introduced to the mysterious Sondra Brummel who is recovering from a skiing accident in her boyfriend's mansion. Although her leg starts to deteriorate and turn gangrene (much like the rest of the actors) it is her fidelity to her soon to be husband that keeps her anchored in the house. I think there is a lesson for all of us here that love truly conquers all.If you are the murder mystery type you will find that by watching this film you will become part of its original audience, or rather a stylized nostalgic notion of what that audience was. Thus the film is a mere trigger, not necessarily important itself. There seem to be lots of these, people who consider this film as not only enjoyable, but the apogee of film noir, which itself is (in this view) the most movie-like of movies. Noir, romances and musicals attract these folks, as do legendary celebrities.When the heroine (the actress not the drug) is perusing the internet for possible natural cures for her ailing leg does she "accidentally" contact a possible killer in an Internet chatroom. The audience quickly learns the importance of fake "sign on" names when the killer learns the antagonist's identity since she signed on using her real name.She and her friend Misty, who mysteriously shows up like a bad cold, enter a virtual game that evolves into a cat and mouse escapade that can end with either the hunted or hunter dead.The two lead actors all give terrific performances. Nastassja Kinski is at the center of everything. Kinski's character is torn between what Nicollette Sheridan offers, and her close relationship with her fiancée, played by Roger Daltrey. Kinski is excellent in portraying her struggle between her desire to grab the illicit pleasures offered by Daltrey, and her deep admiration for the killer, played by Huey Lewis, as a person and as an example. Sheridan in turn is perfect in her role as a woman who uses everything she has to get what she wants. Lewis's performance may be the best of all in bringing his character to life - a straight-arrow, perceptive and diligent worker who also comes across as a thoroughly enjoyable character.The dazzling array of techno-gadgets is sure to be one of the memorable parts of the movie. The stunning photography and mountain scenes will leave you breathless as you try to follow the delicate and sometimes interesting storyline.You may want to know who dies but that would give away the ending that is sure to go down in history as one of the most surprising finishes to a movie since the Scooby doo ending of Waynes World.
Katatonia =========== Possible minor spoilers ahead ========== I generally like all of the films of Nico Mastorakis. I waited to get .com For Murder after seeing so many negative votes. I shouldn't have, because I really enjoyed this film as much as any of his other projects. You have to remember that Mastorakis co-wrote the screenplay, both produced and directed the film, edited the entire film on Avid himself, filmed most (if not all) of the DV sequences, and worked closely with the composer...among various other jobs for the film.Yes, the "computer screens" and the "technical gizmos" in the film look striking and somewhat avantgarde...and in a sense, quite fake today. I have a feeling though that they won't look so fake some years down the road, and that was the main intention. They were meant to look visually off the norm from what you'd normally see in a techo movie. He did the same thing for the early cyber-thriller "Blind Date" from 1984. Some of the advanced technology portrayed in that film actually came into reality just recently. .com For Murder is very much an homage to a Hitchcock thriller, specifically "Rear Window" as Mr. Mastorakis himself has stated. It's a relatively simple thriller with a few plot twists which one would expect. If nothing else this film has visually stunning cinematography with effective lighting and a vast array of color schemes. The visual style is very much in the same vein as "In The Cold Of The Night" also directed by Mastorakis in 1991. The futuristic house used in the movie is very odd just to look at, made of steel/glass/concrete, with all the necessary computerized gizmos of a futuristic abode. I can only imagine the headaches of the director of photography when lighting the house for film.The movie has a great cast in my opinion. Two pop stars and two beautiful female leads. The psychotic hacker-killer who quotes Goethe was an odd but interesting touch. I never really understood the significance of the "ring" around his eye though. It was also nice to see Kim Valentine in a movie again after so many years! .com For Murder is definitely a movie you'll enjoy more if you easily suspend your disbelief. If you can't then you probably just won't like the movie, which is understandable since it's not for everyone. This film obviously has some minor mistakes and isn't exactly oscar material. Just remember it's only a movie, not a biography of current technology and surely not a textbook for a realistic internet.Oddly I never saw .com For Murder on any rental shelves. I probably wouldn't even know about it to this day if it wasn't for seeing it on the internet, which is ironic. I finally ended up just purchasing it when the DVD price went down lower. It's surely a must purchase for any Mastorakis fan. The DVD includes a 36+ minute behind-the-scenes feature, and unedited interviews with Roger Daltrey (20 minutes) and Huey Lewis (8 minutes).
Carl S Lau .com for Murder stands on its own, even if it borrows significantly from Alfred Hitchcock. In a sense, this is a formula movie with its twists and turns. Nastassja Kinski is the featured actress in the leading role, as well as being credited as a co-associate producer, and she turns in her usual professional performance, although she never seems to be overly stretched in what she does on screen. Sometime in the not too distant future, this movie will be dated because of its reliance on depicting near state of the art technology and Internet. This is a very enjoyable movie that has been well crafted by Nico Mastorakis. It is more than worth the price of the DVD because there are interviews which strangely do not include ones with either Nastassja Kinski or Nicollette Sheridan, the other principal female lead in the movie. The DVD has a short, but interesting, documentary on the making of the movie. If there is one attribute that seems to run throughout the characters played by Nastassja, they are all strong females who never break into hysterics, screaming and out of control.

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