Cathardincu Surprisingly incoherent and boring

Smartorhypo Highly Overrated But Still Good

InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Taha Avalos The best films of this genre always show a path and provide a takeaway for being a better person.

Woodyanders Vain and ruthless Marquise Eresebet Bathory (well played by Lucia Bose) bathes in the blood of young virgins in order to regain her youthful beauty. Her equally depraved husband Karl Ziemer (a deliciously wicked performance by Espartaco Santoni) and an evil old housekeeper (a superbly nasty portrayal by Ana Farra) help Bathory out. Director/co-writer Jorge Grau relates the compelling morbid story at a deliberate pace, maintains a grimly serious tone throughout, delivers a handy helping of grisly violence (the scenes with Bathory smearing blood on herself are truly gross and disgusting), and does an expert job of rendering a vivid and convincing evocation of a dismal period setting ruled by fear and superstition. The oppressively dark and bleak atmosphere and the spot-on stinging social commentary on the brutal excesses of the amoral and debauched upper class further add to this film's considerable unsettling impact. The credible acting by the capable cast rates as another significant asset. The lovely Ewa Aulin of "Candy" fame in particular makes for a fetching damsel in distress as feisty servant girl Marina Schneider. The polished cinematography by Fernando Arribas and Oberdan Troiani makes excellent use of smooth gliding pans and tracking shots. Carlo Savina's shivery score does the spine-tingling trick. The final image of this movie is truly chilling and memorable. Well worth seeing.

Steve Nyland (Squonkamatic) This is a painful, cold, unpleasant but ultimately fascinating entry from the Spanish horror boon that is probably the definitive Elizabeth Bathory treatment, making Hammer's "Countess Dracula" look silly and trite in comparison; that film is a period costume romance compared to BLOOD CASTLE. This is a serious movie that lacks a single light hearted moment, and is a great example of the unbearably suffocating sort of period horror suggested by Michael Reeves' CONQUEROR WORM, which uses the conventions of period horror -- castles, nightgowned beauties, foggy wastes -- to con the viewer into thinking that they are going to get the push-up bras and lesbian nuzzling that these movies usually involve.What you get is actually anti-erotic, much like Reeves' film, unless the idea of watching people suffer is something that gives you a rise. I like this movies' lack of sensationalism, giving us a straightforward almost scientific explanation for the vampirism in question, and providing a sort of tragic Spanish soap opera element to give us the motivations for the murders. The film is indeed slow, but fans of this kind of stuff will be drinking it in, with Jorge Grau's astute eye for period detail, lighting and atmosphere easily putting this on the same plane with films like "Count Dracula's Great Love", "Count Dracula" and the Rollin efforts as amongst the most distinctive films from the Eurohorror boon. No other movie looks quite like LEGEND OF BLOOD CASTLE (or FEMALE BUTCHER, as it is known in it's uncut form), and few have such an unrelenting, claustrophobic air of dread and sheer decrepidness as LEGEND OF BLOOD CASTLE, which completes the CONQUEROR WORM comparison chart by culminating in a series of Inquisitional torture scenes that far surpass the vampire murders in terms of brutality and horror.So perhaps that is Grau's ultimate comment: yes, the Bathory legend speaks of just awful, depraved atrocities, but nothing is quite as atrocious & barbaric as Man's own inhumanity to their fellow Man, and especially with the hypocrisy of the Church feeding the fires of hate. HIGHLY recommended, but not for those with short attention spans or the squeamish alike. And word to the third: The cover shown here is NOT the same movie (that's BLOOD CASTLE, not LEGEND OF BLOOD CASTLE) and beware of a recent North American DVD pressing by a company called MYA: They used a nudity free print with a fullscreen transfer. I've got versions of this film in three languages from twice as many countries: You want the Finnish subtitled English language print called BLOODY CEREMONY. Trust me.7/10

capkronos While by no means a classic, this slow-moving, but atmospheric Spanish/Italian co-production from director Jorge Grau (of LET SLEEPING CORPSES LIE fame) is at least a well-made and mature attempt at gothic horror.Lucia Bose (very good, considering the uneven English-language dubbing) stars as the legendary "Blood Countess" Erszebet Bathory, who killed "610 Nubile Virgins!" and bathed in their blood to stay eternally young... and to impress handsome nobleman Karl Zimmer (Espartaco Santoni), who seems more interested in bedding the innkeeper's daughter Marina (Ewa Aulin) than anything else. Zimmer eventually helps out the countess by seducing women, slitting their throats and letting the blood leak out through a hole to fill a bathtub downstairs. Of course, the townspeople eventually catch on, and the bad Countess finds herself in a Edgar Allan Poe-ish situation at the conclusion.I'd be lying if I said the film didn't lose me from time to time (American pre-released cutting may be the culprit), but it is still fairly interesting, has an authentic period setting (good sets, costumes, great-looking castles, lots of fog, etc) and is a bit more restrained (the most graphic gore is a scene when falcons eat another bird, which was probably real and not faked) than I expected. Worth a look, but I would give the Hammer film COUNTESS DRACULA (1970) with Ingrid Pitt the slight upper hand as far as Liz Bathory movies go. Score: 5 out of 10

HorrorJeur The director of the film, Jorge Grau, is less known than other Spanish "fear maker" of his generation like Jesus Franco or Paul Nashy. But with only three films (this one and the excellent Pena de Muerte and No Profanar el Sueño de los Muertos) he proves an incredible ability to create disturbing and compelling horror films. Ceremonia Sangrienta is for my not only their masterpiece, is also the best try to do horror cinema in Spain as good as in other countries with longer tradition like United States, United Kindom or Italy. The story is fascinating. It propose a new point of view of the classic myth of the vampire, more realist than used to be in the moment that was made the film, and really visionary. Later horror masters like George A. Romero with Martin, Abel Ferrarra with The Addiction or John Carpenter with Vampires made similar treatments of the myth but we can't forget that Jorge Grau was the first. Visually the film is equally splendid. The photography of Fernando Arribas, present in a lot of Spanish horror films like La Cruz del Diablo, Horror Express or the recent Memorias del Ángel Caído, is simply extraordinary giving the film the appropriate colour and light. The cast is perfect, specially the sensual actress Lucia Bosé, but is the work of Jorge Grau behind the camera that makes this film so interesting. The tempo have not ups and downs and progress with the force of a train in the night, the mise in scene is classical and styish at same time, and I have not any doubt that Grau had known how to capture the essence of the vampirism in images.