Jacob's Ladder

1990 "The most frightening thing about Jacob Singer's nightmare is that he isn't dreaming."
7.4| 1h53m| R| en
Details

After returning home from the Vietnam War, veteran Jacob Singer struggles to maintain his sanity. Plagued by hallucinations and flashbacks, Singer rapidly falls apart as the world and people around him morph and twist into disturbing images. His girlfriend, Jezzie, and ex-wife, Sarah, try to help, but to little avail. Even Singer's chiropractor friend, Louis, fails to reach him as he descends into madness.

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Reviews

Lucybespro It is a performances centric movie
FeistyUpper If you don't like this, we can't be friends.
Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.
Justina The film never slows down or bores, plunging from one harrowing sequence to the next.
elizabethdawson-78805 Jacob's Ladder has attained cult status and rightly so- this is a haunting psychological horror film with some surreal imagery and scenes which will make you distinctly squirm. Tim Robbins plays Vietnam vet who is suffering from perhaps post traumatic disorder or something else. He realizes that almost the entirety of his battalion is also going through something similar. He decides to make sense of this and get answers. As mentioned earlier the images are surreal and terrifying as is the slow descent into madness that we as audiences feel. The tone is suitably dreary with low lights, dripping rain and shadows. Go watch Jacob's Ladder to be creeped out.
rdoetjes I finally saw this movie. It's impossible to obtain for some reason and I saw it at a friend's movie shelf.We put it in and your like Alice sucked down the rabbit hole. You literally do not know if Tim's characters is in the real world or (re)living one of his psychotic attacks or is Dreaming. You're constantly jerked around in this maze of insanity. It's subtexts post-partum grieve, psychosis, helplessness and inevitability are very strong elements that are played with in a grotesque yet very mature and refined way.And when you think you've finally figured out where the exits of this maze of madness is then you find yourself in a dead end.It's not an easy watch especially for anyone who's suffered a panic attack let alone a psychotic attack. This is as real as psychological horror gets.
agustintomaslarghi This is the first review that I write on IMDb, just for the fact that this is a terribly underrated film, and I couldn't believe that this film scored just a 7.5/10 while films such as The Sixth Sense scored a 8.1/10Jacob's Ladder kept me at the edge of my seat all the time, not knowing what to expect next. This film embodies the core principles of the psychological thriller genre, you don't know if the protagonist is just suffering from PTSD, if is something going wrong for real, if his in hell or something like that, what is real and what is in his mind.The acting of Tim Robbins in this film is really outstanding, you can feel the fear and the pain of the protagonist through the film with each dialog, with each scene, you just want him to have some peace. The movie throws at you many symbolisms, making you guess what's going on.If you like the Silent Hill game sage (which is heavily influenced by this film) you're going to love this film.If you like psychological thrillers but you hate when the plot is really obvious or the plot twist is just a slap on your face, be sure that this isn't that kind of film.Not gonna lie you, the ending can make you feel a little empty, but if you're watching a psychological thriller you're not in for the happy ending.This film is twice as good when you watch it a second time, because you can tie all loose ends and all the symbolisms through the movie. Hope that you enjoy it as much as I did.
NateWatchesCoolMovies Few supernatural horror films tap into the abstract realm of the unconscious quite as effectively as Adrian Lyne's Jacob's Ladder. There's a select group out there who have done it as well (Tarsem Singh with The Cell, Hellraiser and Silent Hill come to mind), but there's just such an abundance of generic, or 'vanilla' horror out there. It's not that that kind of stuff isn't great, I just like to see something strive for a little more, stylistically speaking, go for something truly elemental and out of the box in its attempts to elicit fright. This one engraves nightmares of an inexplicable variety into your perception, images and sounds made all the more disturbing by the fact that we never really know what is going on with our protagonist, a Viet Nam vet named Jacob (Tim Robbins), a decent dude with a sketchy past who spends his days as a postal worker in NYC. Jacob is plagued by waking nightmares, visions of demons, confusing allusions to his past and a son (a pre Home Alone Macauley Culkin) who may have died, or never existed at all, all combined with a general sense of dread that almost seems to crawl out of the screen and choke the viewer. Jacob is dating a co worker (RIP Elizabeth Pena), who isn't equipped to deal with whatever is going on with him, and his only friend seems to be his doting chiropractor Louis, played by an excellent Danny Aiello in a performance that is a ray of kindness and light in an otherwise ice cold atmospheric palette. Jacob begins to suspect that he and his platoon may have been victims of illegal weapons gas testing, and are now suffering the psychological fallout, or perhaps that his plight goes much deeper than that. It's a disorienting state of mind for him, and in turn puts the viewer in a similar daze of eeriness and uncertainty, with not a concrete clue or answer in sight until the film reaches its devastating final moments. Ving Rhames, Pruitt Taylor Vince, Eriq La Salle and Matt Craven are just as haunted as his fellow Nam buddies, Jason Alexander has an energetic bit as a lawyer, and watch for Kyle Gass, Orson Bean and Lewis Black in early smaller roles. This film has put a hazy emotional and visual filter over my perception for years, and each time I give it another visit I get goosebumps from the horrors within, especially on a crisp recent blu Ray. There's one sequence in particular which I won't spoil with details, except to say it should be front and centre on the demo reel for the entire horror genre in cinema, a harrowing journey into a hellishly creative interzone of undefinable fear that still serves as the blueprint for some of my bad dreams to this day. A fright flick classic.