pruiett
The story is based on a true person (although only a corporal in real life portrayed as a captain). The family connection of the writer and actors was appreciated. The movie had unnecessary cursing and a sex scene, all of which could have been omitted and the story would have been enhanced. These "modern" devices insult the imagination and taste of viewers like me. My Christian family could have enjoyed it without these elements. The story and action stalled about three quarters of the way through, kind of like a sermon gone too long.Appreciated the inclusion of a "Copperhead" character, a Northerner who had sentiment for the Southern society and cause. There were a multitude of these "Southern sympathizers" throughout the North, but one would be hard-pressed to find such facts in history books. Good movie except for the elements already mentioned.
zardoz-13
History veracity doesn't necessarily translate into cinematic virtuosity. The well-intentioned people that fought tooth and nail to produce the lackluster Civil War romance "The Last Confederate: The Story of Robert Adams," a.k.a. "Strike the Tent," are direct descendants of the protagonist. Co-director, producer, scenarist, and leading man Julian Adams, who plays his real-life great-great grandfather Robert Adams, deserves a modicum of recognition for this reverential independent film production that depicts one Southerner's view of the War Between the States. Indeed, Adams garnered several Indie film awards for this effort. Nevertheless, "The Last Confederate" qualifies as a tedious re-enactment with wooden performances by all except Mickey Rooney in a bit part as a bedridden Pennsylvania uncle. Although "The Last Confederate" looks respectable, I have serious reservations about it. I had to opportunity to speak with Julian Adams, the individual who wore all the hats on the production, and he shared his experiences in making the film. Although I didn't like this movie, I have a great deal of respect for the trials and tribulations Adams endured to get it produced and distributed. Anybody who reads this critique can object with my criticism. Mr. Adams took issue with my criticism. Feedback isn't something that I often receive. Had Adams been a Hollywood mogul, I'd have laughed in this face, but he isn't a mogul. He admitted that his film isn't perfect, but it isn't perfect because he didn't have a budget.As the descendant of a Mississippi Civil War soldier, I enjoy movies told from the Confederate perspective, but "The Last Confederate" conjures up little suspense and excitement, and it lacks quotable dialogue. Sadly, the actors and actresses could have been reading their lines off cue cards for all the conviction that they put into their performances. Remember, this is an independent production and quality talent doesn't come without considerable expense. Let's just say that they performed their parts as the late Spencer Tracy observed. They said their lines without stumbling and they didn't bump into the furniture. As the hero, Adams is no Errol Flynn, but then he did have his hands full with producing this epic, right down to sinking his own dough into the handguns and the muskets.Technically, everything appears reasonably accurate. Dramatically, this period piece never generates momentum, even during the explosive battle scenes. Adams manages to stage one modest,close-quarters gunfight toward the end. Meanwhile, the epic scale combat sequences are simply re-enactors fighting battles with cameras set up on the periphery of the action. These scenes with hundreds of dutiful re-enactors parading around and discharging their black powder arms do contribute solid production value, but they don't enliven the drama. Adams shuns making judgments against either side, North or South, but he didn't design "The Last Confederate" to convey a moral message about slavery. Adams assured me that he was simply relating genealogical history. In any case, on his tight budget, adopting an attitude would have been more than his low budget could have accommodated. The romance between Adams and a Pennsylvania woman, Eveline McCord (co-scenarist Gwendolyn Edwards of "The Broken Hearts Club"), who came to South Carolina to teach school before hostilities, lacks any vibrancy. Alas, it's really a shame, but this stuff really happened.Directors A. Blaine Miller and Julian Adams relate their yarn in flashback. Our hero, Captain Robert Adams, rushes to the aid of a wounded Confederate soldier and looks up to find a Union soldier taking a bead on him with his revolver. The remaining 90 or so minutes that ensues is devoted to events before and after the war, and there is a hint that perhaps the protagonist didn't survive this trial by bloodshed. Miller and Adams never make the protagonists seem sympathetic until the middle of the action when Adams and two of his friends engineer an escape from a Federal prison and a grudge-totting Yankee officer chases them. The filmmakers lacked the budget to develop the kind of tension that would make you fear for the lives of the characters. For the record, Adams survived the war, and Eveline and he raised four children and ran a school. What makes Robert Adams is important and essential as a Confederate patriot is never explained. Julian Adams doesn't provide enough insight into his character to differentiate him from countless other characters. He strikes a gallant figure, but we never get under his skin. Alas, the fortunes of low budget film-making prevented Adams from addressing this problem. The romance between the hero and the heroine is sterile. Some histrionics wouldn't have hurt this otherwise flat-lined drama. Shawn Lewallan's color photography makes the grade, but there isn't much subtlety in his lighting. If you suffer through the end credits, the producers reveal that they invoked dramatic license to make their history more palatable. Ostensibly, "The Last Confederate" boasts ambitious intentions, but delivers only a modicum of dramatic impact. Comparisons with the multi-million dollar "Cold Mountain" are inevitable. Initially, when I reviewed this film (which I bought at a Movie Gallery sale, I berated it as "Dull Mountain." I still think it is pretty dull, but I will be a man enough critic to applaud Mr. Adams for making this film. He invested his heart and soul in "The Last Confederate." While I didn't care for this movie, I appreciate it a lot more after having a conversation with Mr. Adams. Just because I didn't like it—for purely aesthetic reasons—doesn't mean that you should ignore it.
mgrisim
I saw a few good comments on this and thought I'd give it a try. What a mistake. The movie started with a flashback within a flashback within a flashback, and just got worse from there. The outfits were unauthentic and looked like inexpensive costumes, the speech too modern sounding, the acting awkward, and the transition from scene to scene choppy. A crucial rule for me is that to enjoy a movie, I have to be able to get lost in the movie. When I can't get through two scenes without being shocked by mismatched outfits, speech, or photography, the movie won't get a good rating from me. Call me picky, or maybe it's just that I've seen enough movies to know what's expected in a historic movie.
TheCasperOne
I thought it was a well scripted, well shot, well acted movie. This movie is an independent and low budget movie, but you won't notice. It takes place during the Civil War, but it's more than just that. It's the story of a guy fighting for what he believes in and who he loves. The story starts out before the Civil War and progresses through out the war, to the end of the war when he comes home. It is more than just a story of the Civil War but what happened to people during the war. This story is taken from the letters and diaries of the people portrayed in the movie. I thoroughly enjoyed the movie. This movie was a labor of love for the producers and the whole crew and it shows through on the film.
