Console best movie i've ever seen.

Cooktopi The acting in this movie is really good.

Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.

Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

jhkp Frank Sinatra as a mild mannered young gent from Boston who arrives in Old California expecting to run an inn, but instead is persuaded to assume the persona of the notorious "kissing bandit" of the title, a leader of highway robbers and a lady killer.It's a Zorro-esque idea and it might have been an enjoyable romp with better writing and direction. The MGM production values are there, and so is some pretty good music. Walter Plunkett designed the costumes, and Stanley Donen choreographed. Robert Surtees shot it on the lavishly appointed MGM sound stages and on location in the Sierra foothills around Murphy's, California. It's beautiful to look at in Technicolor, and good to listen to, when music is featured. But the story fails to entertain.The director, Laslo Benedek, whose first credited Hollywood job this was, went on to more prestigious projects like the film version of Death Of A Salesman, as well as the iconic Brando motorcycle picture, The Wild One. Musicals probably weren't his forte.There's a good supporting cast in the acting department: Mildred Natwick, Mikhail Rasumny, Billy Gilbert, Clinton Sundberg, and J. Carrol Naish (sporting heavy makeup and a heavier accent). In the musical department, there's dancer Sono Osato (from Broadway's On The Town) in a stunning solo, as well as a "Dance Of Fury" from Ricardo Montalban, Ann Miller, and Cyd Charisse that is possibly the highlight of the film.Kathryn Grayson is Sinatra's love interest; she looks lovely and gets to sing several nice numbers, the most famous of which, Love Is Where You Find It, was also sung that year by Jane Powell in a Pasternak musical, A Date With Judy. It's another highlight.Frank Sinatra was not well cast in this film, he didn't want to make it and he was right. A fun actor in most of his MGM pictures, and later, a fine actor, he just seems unable to believe the situations he finds himself in, here.I guess The Kissing Bandit is worth seeing once, but it's not a classic.

ilprofessore-1 A strange post-World War II Technicolor curiosity from the Joe Pasternak musical unit at MGM, which had neither the budget nor the taste of the Arthur Freed unit on the same lot. Set in Mexican California as imagined by the Culver City art department, the bandit Chico is played broadly by the dialectician J. Carrol Naish (Irish) with a fake bulbous nose worthy of W.C. Fields; Don Jose by the Moscow-Art-Theater actor Mikhail Rasumny; and Ricardo by Hoboken-born Italian-American Frank Sinatra in his skinny bobby socker's heart-throb days. Along the way you'll see Ann Miller, Ricardo Montalban and Cyd Charrise dancing and not acting to choreography by soon to be director Stanley Donen. Future cowboy star Ben Johnson did some of the stunts. Cinematography by Robert Surtees is replete with soft- focus close-ups of Kathryn Grayson who often looks as if she was photographed through Vaseline. The film was directed by the Hungarian Laslo Benedek, best remembered today for THE WILD ONE (1963) with Brando. Sad to note, the real Mexicans in the cast were delegated to minor roles.

Neil Doyle The lavish production values and a few good comic performances from J. CARROL NAISH, MILDRED NATWICK and BILLY GILBERT are not enough to save THE KISSING BANDIT from a witless script.It's an MGM musical in which there are only two compensations: KATHRYN GRAYSON effectively warbling "Love Is Where You Find It" and an interesting Spanish-style menage-a-trois dance routine performed vigorously by RICHARDO MONTALBAN, CYD CHARISSE and ANN MILLER.There's a Zorro-like flavor to the inept storyline that has FRANK SINATRA masquerading as his bandit father, "the kissing bandit," and wooing the lovely governor's daughter, Grayson, who has the camera in love with her most of the time. Sinatra looks uncomfortable throughout and one can't blame him but he does manage to croon a couple of ballads in his easy style.It looks as though MGM had the use of leftover sets from THE PIRATE, but the color photography, sets and costumes are lavish enough on their own to elevate the film to passable entertainment for Sinatra fans and those who fancy Grayson's rather shrill soprano voice.Summing up: The dance trio (Montalban, Charisse and Miller) easily steal the show with their fascinating Spanish dance.

moonspinner55 A klutzy young man returns West after being schooled in the hotel business via Boston; he quickly learns his friends in Spanish-colonized Old California expect him to fill his deceased father's shoes instead--that of a romantic thief known for kissing his female victims after robbing them. Colorful but silly M-G-M production has a great deal of talent before and behind the camera, but it never takes off. This might have been fun, second-string material for Abbott & Costello, but Frank Sinatra looks lost and embarrassed in the lead. Combination of raucous comedy and musical interludes are hindered by the poor staging (Sinatra is photographed singing at one point in a mirror, but one doesn't concentrate on his performance so much as noticing how odd the star appears reflected in this way!). Kathryn Grayson is the Governor's daughter who falls for Frank, and her high soprano trilling turns her singing scenes into self-parody. Aside from Robert Surtees' cinematography and the decent art direction, this "Bandit" remains kissless. * from ****