Actuakers
One of my all time favorites.
Acensbart
Excellent but underrated film
Fairaher
The film makes a home in your brain and the only cure is to see it again.
Avivale
A young Mario Lanza. A young Kathryn Grayson. Ethel Barrymore. Keenan Wynn. Jules Munshin hamming it up as only he can.Plotwise, the movie is very thin: Grandmother finances an opera company so her young granddaughter can sing. Except, she doesn't want to sing with the old, fat tenor with the ego-- she wants to sing with the young, gifted truck driver she discovers. Then there's a love triangle, in which of course everything goes wrong because nobody communicates.But the singing is so wonderful, and so are Jose Iturbi's piano skills. We are treated to plenty of both throughout the movie. This film is a gem.
bkoganbing
For Mario Lanza's first feature film role it wasn't much of an acting stretch for him. He played exactly who he was an opera singing truck-driver from South Philadelphia. Mario would have been 28 at the time That Midnight Kiss came out and that is his approximate age right here.Of course in real life he wasn't discovered by the granddaughter of another real life noted Philadelphian, Ethel Barrymore. As the plot would have it, Kathryn Grayson finds Mario playing on the piano and singing an old Italian song Mama Che Vio Sape. Grayson's got singing talent herself in abundance and when you're from the Philadelphia Main Line you've got a grandmother who's willing to start a production company built around her. Of course to make sure it makes a little money you want a name tenor like Thomas Gomez as opposed to some unknown truck-driver.Kathryn would rather make music with Mario both on and off the stage. The story with a few of the usual Hollywood romantic complications shows how they get to do just that.Mario and Kathryn sang a good collection of classical and popular selections. My favorite recording of Jerome Kern's first great hit song They Didn't Believe Me is from Mario's original cast album of That Midnight Kiss. It's a solo recording, on screen it's done with Grayson and done just as beautifully. MGM made a good choice in including that great song in this film.A good cast of MGM regulars supported Mario and Kathryn that included Keenan Wynn as Lanza's friend and Jules Munshin as the manager of the opera company. Best in the supporting cast however is Thomas Gomez as the egotistical tenor Lanza replaces. Gomez utilizes some seldom tapped comedy talent for this role.Metro-Goldwyn-Mayer engineered a very auspicious debut for their new singing discovery in That Midnight Kiss.
willrams
1948 Mario Lanza's first movie and what a voice! I fell in love with it and have been singing Be My Love all these years; The impact of this first movie was a big change in operatic movies because it was nothing like the McDonald and Eddy movies, which were rather sweet and unrealistic. I have seen all ten of Lanza's movies and without listing all of them, the best one of course was The Great Caruso which I would rate 10/10. MGM made his life miserable by sending him to weight reducing farms and his death in 1959 at one of farms in Italy was a very sad story, and suspicous because of Lanza refusing to star in a television production by the Mafia.
Neil Doyle
It was only natural that when Mario Lanza made his film debut, MGM cast him opposite their current operatic diva, Kathryn Grayson, and showcased both of them in a sumptuous technicolor musical.This film also marked the last film of Jose Iturbi, who lent his talent and charm to a number of MGM musicals in the '40s. The story is a simple one: opera singer Grayson would like to have a tenor who looks the part of the tenor role. When Lanza, a singing truck driver is discovered, she gets her wish--and a happy ending isn't far away. Humor of the painful kind is furnished by Jules Munshin and J. Carrol Naish but nothing really matters when Lanza and Grayson burst into song. Among the song highlights: Donizetti's "Una Furtiva Lagrima" and Verdi's "Celeste Aida". Grayson, who always had a burning ambition to be an opera singer, does a fine job on "Cara Nome" with her bright soprano.The schmaltz is pretty thick--but fans of Grayson and Lanza will certainly enjoy this trifle. And, oh yes, Ethel Barrymore is prominent among the supporting players showing a droll sense of humor.
