The Janitor

2003 "An Epic of Custodial Proportions"
5.5| 1h33m| NR| en
Details

Lionel is a custodian that longs for more. Bombarded with daily disrespect and insults from his co-workers, Lionel sets on a path of revenge and begins to brutally murder everyone in his path.

Director

Producted By

Clean Kill Productions

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Trailers & Clips

Also starring Kelly S. King

Reviews

Alicia I love this movie so much
Plantiana Yawn. Poorly Filmed Snooze Fest.
AnhartLinkin This story has more twists and turns than a second-rate soap opera.
AshUnow This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
KentaroK It is not often that I give a movie 10/10. This one, for sure, is not for everyone at all times, but for the intended mood and audience, it is perfect.Every scene has high production values, when you consider that the intent is to produce confusion. Some call this a "B-grade movie", but no, they did not lack the budget to do a good movie. They intentionally, by careful purpose, made something which never suspends disbelief because the world is intrinsically unbelievable.The result involves everything from audio re-dubbing to key plot points, all used to make you see the mistakes, not as errors, but as intentional. They aren't mistakes at all, they are just... unreal.This movie should not exist, but it does. A whole crew sat down and made sure that in no moment can you get complacent, thinking that you finally understand the "world rules" can just sit and "be entertained". No, every single moment has obvious wrong things, less obvious wrong elements, and is all constructed upon a premise which is wrong both morally and in consistency with any fantasy or real world laws or order.This is not total chaos, however. It is a straightforwards story offset, twisted, and then twisted again. At every scene, for every character, in every way.The acting team is competent, the writing makes for a time-line with no plot holes, and the directing and editing are spot on to keep a great pacing. On purpose, all of the characters are not only odd in some way, but are also exaggerated to the point where their lack of self-awareness is the only consistent plot point.The audio mix is well done, but on purpose some things are out of sync (e.g. intentional off-sync audio dubbing), as if making reference to other films that do it due to constraints, rather than due to the purposeful effect of parody of an entire genre.This is not to say that, on a deeper level, this is worth watching - - no, this movie is shallow, gross at times, sets bad examples, and cannot be shown to anyone who takes their time seriously.However, if you do find yourself taking life too seriously, and struggling with any problem which seems impossible, then this movie will take your mind totally off of those things, and help you to feel emotions that are directed, ultimately, at a well constructed respite from the folly of human society.I would not suggest that this movie was made by aliens from outer space, but rather, from the comedian from inner space. It is a reflection of those thoughts that we normally ignore and dismiss as way out of possibility and utility, and thus discard.This movie is trash, on purpose, made to draw attention and then waste it... and it say so in the synopsis. Thus, if that is what you want, a distraction, and an absurdity, then it does it well.It does not lack in any technical point, either, and greatly appreciate that. The scenes, story, and characters, may all repulse, but never will you be straining to hear a line, complaining about the acting, or thinking that they should have edited the script or timing more.Rather, you may want to know... what was it that I just watched, how could they possibly get funding for this, and why can't I have as much fun? I hope that this inspires a new generation of film-makers to make more films with high objective qualities, no matter their budgets, and to spend the extra time and money to polish it in editing. It may sound like a contradiction, but this is well presented garbage, and that makes it a great movie. If that is what you are looking for, if you have a bunch of friends or some alone time to get distracted and challenged to see life through less serious lenses, then this will definitely help you there.Please enjoy this as much as I did... just don't judge it as anything than what it plans to be.Not details about story, plot, or character because every scene is its own "what the ---" moment, and all I want to do is hope that others also can enjoy it. It might even be a new genre: the super never serious consistently inconsistent unpredictable details chaos based horrible emotion invoking movie, or BI SCC DUNS WHIM for short (anagram). Why did I make that anagram? If you watch this movie, arbitrary things like that will be filling your mind. It is curiously contradictory.
Woodyanders Bitter, disgruntled, and deranged homicidal janitor Lionel (essayed with growly gusto by bearded and burly Andy Signore, who also co-directed and wrote the cheerfully crude and nasty script) gets fed up with the snobby jerks at the white collar office he works at constantly mocking and belittling him, so he goes on a brutal killing spree in which he bumps off everyone who crosses his deadly path. Wise and loyal mentor and fellow custodian Mr. Growbo (a solid and engaging performance by Bruce Cronander) helps Lionel out. Signore and co-director TJ Nordaker joyfully mine a hilariously crass, twisted, and outrageous line in unapologetically dark, mean, and offensive lowbrow humor that gets plenty of big sick belly laughs by eschewing good taste, restraint, and subtlety in favor of genuinely inspired and often sidesplitting hardcore lunacy and depravity. Moreover, Signore and Nordaker deliver a generous amount of yummy gratuitous female nudity complete with an uproarious parody of the infamous "Psycho" shower murder set piece and pour on the gloriously excessive and over-the-top graphic gore with lip-smacking gonzo relish. Granted, the acting is admittedly pretty ragged, but the game cast's palpable go-for it enthusiasm goes a long way, with especially amusing turns by G. Larry Butler as jolly boss Mr. Bouillabaisse, Skip Pipo as clueless bumbling fed Agent Page, Crystal LeBard as shameless and enticing office tramp Mary, and Joe Carreon as eager new janitor Willis. Troma head honcho Lloyd Kaufman has a funny bit as an obnoxious bum. Carreon's competent cinematography boasts a few nifty visual flourishes. Both Adrian Burka's robust score and the cool rock soundtrack hit the right-on hoppin' spot. A complete riot.
gavin6942 I had "The Janitor" recommended to me by two friends, and when a time came where the opportunity presented itself, I jumped on it like a loaded hand grenade. Best decision I could possibly make. There is a fine line between "good bad horror films" and "bad bad horror films" (see also my review for "Andre the Butcher") and this one stays safely on the "good" side.The plot is this: a janitor is sick of being looked down on and kills as many people in his office building and at a sorority that he can in the time given him.This film is not going to be something called a masterpiece. The acting is campy, the characters are caricatures, and if it cost more than twenty dollars to film this I would be surprised. But they make it work. Those with a sick sense of humor will love the non-stop jokes about STDs and semen. And the violence and gore is about the best you will find in a horror film, mainstream or otherwise. Star / writer / director Andy Signore seems to have learned a lot from Troma's Lloyd Kaufman (who appears in this film as a bum).There's also a difference between good horror nudity and bad horror nudity. Some films throw topless women in the mix simply because they can, and others will do so in a way that is completely unattractive (see again "Andre the Butcher"). The Janitor has some excessive nudity, but it seems necessary and very "hot" which complements the gore aspects well. (I say "necessary" because the characters who get nude are written to build up to these things, unlike other films that have nude women show up without explanation.) Oh, and if you like the nude scenes, check out the Easter Eggs on the DVD. Well worth it.Okay; campiness, humor, nudity, gore. What am I missing? Ah, yes, the music video on the DVD. This is also a must-see. The star not only wrote and directed, he also sings on the soundtrack and has made a great music video called "You're Gonna Die" which fits the theme of the film well and teaches you to respect your cleaning staff.Rent this film. Buy this film. If you do not like it, I cannot offer you a refund -- but you will never have to trust another horror movie review from me again.
shdwrun The movie-industry has been due for a good slasher film for a long time. It seems the contemporary film industry has led the horror genre to fall into two clearly distinct categories: the M. Night recipe of infinite plot twists that confound the viewer and ultimately leave him unsatisfied, or the psychological horror tripe in which the climax is the protagonist awaking to realize that the entire ordeal was all a dream. These shortcomings are compounded by a level of seriousness that rivals Pentagon Briefings, which leaves the viewer mumbling "Bueller? Bueller?" in a vain attempt to make sense of where the last two hours of his life went."The Janitor" shines because it isn't meant to be taken seriously. Nor is the viewer expected to see it as a dramatic, break-through work that rattles the conventions of society while leaving the viewer with a single tear-trail on an ashen cheek. With so many first-time filmmakers attempting to take Cannes by storm with this cookie-cutter film making style, it would almost be prudent to call the thought process of first-time directors Signore and Nordaker groundbreaking. It follows: Slasher fans like violence. Slasher fans like dark comedy. Slasher fans like beautiful naked women. Let's make a film with violence, dark comedy, and nude hot chicks that would make my great-grandfather pop a boner.And they have done just that. Signore and Nordaker have accomplished in their first attempt what many veteran directors have yet to achieve: they have made a film that is enjoyable to watch that does not, by any means, remain in the realm of good taste. And that is how it should be; similar to Raimi's early work, "The Janitor" keeps the viewer on the thin line between face-stiffening laughter and gore-induced queasiness. As the film begins to stray more towards one side, the filmmakers skillfully pull the viewer back with clever writing and savvy editing. It is clear that Signore and Nordaker have created a film that is both enjoyable and entertaining. It is also certain that the directors of "The Janitor" have a promising future in the film making industry. Finally, this viewer will ensure that he never forgets to put his office cleaner on his Christmas Card list, lest he stray to far into the custodial closet, never to be seen again!

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