The High Sign

1921 "What A Predicament!"
7.6| 0h21m| en
Details

Buster is thrown off a train near an amusement park. There he gets a job in a shooting gallery run by the Blinking Buzzards mob. Ordered to kill a businessman, he winds up protecting the man and his daughter by outfitting their home with trick devices.

Director

Producted By

Joseph M. Schenck Productions

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Reviews

Karry Best movie of this year hands down!
CommentsXp Best movie ever!
Pacionsbo Absolutely Fantastic
Ginger Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
peefyn This movie is chock full of visual gags. It starts of establishing a plot that seems a bit interesting (the guy getting two jobs at once), but you soon realize that this is only to facilitate a lot of different stunts and sight gags. The secret symbol of the evil gang here is also used well, and Keaton's inability to use in the correct situations. As the plot slowly progresses, the movie ends up in a situation where Keaton is in a man's house for two different reasons (that oppose each other), and the house is full of traps. When Keaton ends up getting chased around in this house, there's just minutes of fun, jumping from one room to the other, often with big sets consisting of several rooms at once. It's great how much Keaton manages to squeeze into this movie's 20 minute run time.
MartinHafer Up until the thrilling conclusion, this seemed like a lesser Keaton film. Apparently Keaton himself wasn't thrilled with the results either, as he shelved this for a year before it was released--and only because Keaton had an injury and the public was clamoring for more films from this master comedian. However, given the amazing final portion of the film, I think Keaton was premature in holding the film from circulation as the overall product is excellent.The film begins with Buster looking for a job. Following an ad in a very strange newspaper, he applies for a job at a shooting gallery at the beach. The problem, however, is that they want an expert shot and Buster is a klutz. So, using some ingenuity, he is able to fake his way into a job. What he doesn't realize, however, is that the man who owns the business is actually the leader of a group of extortionists and assassins. The title of the film refers to the secret sign the members use to recognize each other. Well, because Buster did such a good job of convincing the guy he was a great shot, he is invited to join this secret society and he is given the job of killing a man--the same man who Buster already agreed to protect as a body guard! Once the gang discovers Buster is NOT going to kill the man, the film shoots into high gear--with amazing stunts in a house built specially for the film and using amazing camera work to show what is happening in all four rooms at the same time.Keaton's acrobatics are at their finest here and the film is a classic. Watch it!
ackstasis The entrance of Buster Keaton's unnamed character in 'The High Sign (1921)' is, in some ways, reminiscent of Chaplin's Little Tramp persona. The wandering vagrant, named only Our Hero, is booted off a moving train, and lands in an unknown town, the audience denied any back-story or unnecessary exposition. Wandering into a nearby theme park, Buster deftly snatches a newspaper from a moving carousel (done so casually that he doesn't look like he's even trying), and attempts to read the mammoth broadsheet. In search of a job, he happens upon an opening for a talented sharp-shooter, and, despite inadvertently gunning down a duck with his practice shots, Buster feels that he's qualified enough for the position. Chaplin's Tramp was never averse to breaking the rules if he wasn't hurting anybody who didn't deserve it, and Keaton's Hero is no different. By rigging an ingenious dog-powered bell-ringer to falsify the carnival stall, Buster fools his massive employer into believing that he is an ace with the rifle.But, of course, if the plan had gone smoothly, then there wouldn't have been a story to tell. It seems that the employer is also a member of the Blinking Buzzards mob, a bold bad bunch of blood-thirsty bandits with a curious affinity for the letter "b." Buster is enlisted to assassinate one of the gang's enemies, and, by a curious turn of events, is also employed as that very same man's bodyguard (our hero, ever the hopeless romantic, accepts the latter job only to impress the target's pretty daughter, played by Bartine Burkett). When he steadfastly refuses to carry out the hit, Buster's reckless bid to escape the Buzzards' fists leads him on a farcical anarchic chase through concealed doorways and hidden compartments, a madcap comedic set-piece that never takes the time to slow down. Despite this memorable virtuoso finale, Keaton apparently felt unsure of the quality of his first independent two-reeler, and 'The High Sign' was shelved until the following year, when a broken ankle slowed the performer's output.
Snow Leopard This is the kind of pleasantly silly and very funny film that typifies the very best of these old silent short slapstick comedies. It's fast-paced and filled with clever gags, and a couple of especially hilarious scenes. It starts when Buster tricks everyone into thinking that he is a crack shot, and thus finds himself hired by a rich miser to be his bodyguard, while also being recruited by a gang of criminals (the 'Blinking Buzzards', who go around saluting each other with the 'High Sign') to assassinate the same man. There's not much else to the plot, which is mostly a setup for a lot of zany antics. It's funny all the way through, and there is some especially good use of props and settings in this one. It's just slapstick fun, nothing to take seriously, but slapstick doesn't come much better. This is highly recommended for fans of silent short comedies.