GamerTab That was an excellent one.

Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.

tom-1356 The Dangerous Christmas Of Red Ridding Hood was an extremely big deal at my house, and it had nothing at all to do with the movie content. The show was sponsored by General Electric, and at the time my father was GE's Advertising General Manager.Much of what was written is true in that I can remember the production being somewhat silly, but I guess that really was more of the intent.However, the lasting impression the production made on me was due to the fact that I was fortunate to be present at the shooting. Fortunate in that I was a 14 year old boy getting to meet Liza Minnelli, who was but 19 herself, and probably because my father asked her to, she spent about an hour's time communicating with me, and I have loved her ever since.Unfortunately, for probably the same reason, Eric Burden did the same and I was not at all impressed as I thought him to be...a word I would have used at that time...a jerk.Anyway, when the show finally aired we had family friends over to watch it with us, and from the other comments written here they were probably being nice, but I remember the comments being congratulatory.Tom

John Esche What do you get when you throw a ton of money at top Broadway talents for a "sure fire" holiday special and toss in a popular rock group for demographic appeal? Well, historically and forever anything that people assume will be "sure fire" isn't - and THE DANGEROUS Christmas OF RED RIDING HOOD (or OH WOLF, POOR WOLF! as the sub title ran - a spoof on the relatively recent Arthur Kopit stage farce "Oh Dad, Poor Dad, Mother's Hung You In The Closet and I'm Feeling So Sad" and typical of the "wit" of the script) is a perfect example.Top billed Cyril Ritchard was (and remains) beloved of American audiences for his Captain Hook in Mary Martin's PETER PAN (with part of its score by Jule Styne); Liza Minnelli had already made the beginning of a major mark on stage Off-Broadway in a revival of BEST FOOT FORWARD and had won a Tony for her Broadway debut in the marginally successful Kander and Ebb musical FLORA THE RED MENACE (her incongruous first costume here looks like something from that show); Styne and Merrill's FUNNY GIRL was in its second year on Broadway, and they were both working on shows for the following season (Styne would win a Tony for HALLELUJAH, BABY - Merrill would come acropper with his BREAKFAST AT TIFFANY'S closing in previews). How could they go wrong with a little hour long holiday special? Quite easily it turned out - although nothing much was lost at the time. No one had a lot to lose, and with Styne and Merrill as Executive Producers, there was no one to push for better. The work was tossed off without the care and craft that would go into something which had to sustain a run on stage. It filled a time slot and was decent fun even if it was no one's best work ("Ding-A-Ling" is fairly definitive proof that pop/rock music was not Styne or Merrill's métier).Not one particularly distinguished tune or lyric emerged (the "Red Riding Hood" number sets the tone of sustained silliness with its anachronistic rhymes and jokes), and the wit in the book credited to Robert Emmett never went much beyond the only partially fulfilled concept of telling the story of "Red Riding Hood" from the Wolf's point of view. Despite the presence - mainly for the joke of the group's name - of the pop group "Eric Burdon and The Animals" in the supporting cast (they do awfully well in the Lee Theodore's sprightly 60's choreography), the show essentially disappeared after the initial November 28, 1965 Thanksgiving broadcast over the ABC Network (one supposes the link was EVERYONE going to Grandmother's house for Thanksgiving Dinner) until a cheap black and white holiday VHS video (a kinescope?) appeared in discount Christmas bins a decade or so ago.With a slightly better print now available on DVD, the show is an interesting view for what is there. Ritchard is, as always, a delight in the lead role of the Big not-so-Bad Wolf narrating the piece in flash-back from his "cell" in the zoo, even when allowed to raise his perpetually arched eyebrows a trifle too high. The very young Liza Minnelli (Red Riding Hood - "her real name was Lillian") is just approaching her full powers and the potential is obvious. The talent is still very raw, but it is undeniably impressive ('though it would take a far stronger director than Sid Smith to reign her in and get a polished performance). It is clear why, the following fall, she would be rejected in her audition for Sally Bowles in the original CABARET - Sally was supposed to be worldly but *not* supposed to be a first class performer, and No one would believe a Minnelli Sally producing the required character shadings or that she could do no better than performing in a basement in Berlin at this point in her career.Fanciers of early 60's pop music get a glance of both Vic Damone as Minnelli's Woodsman/love interest and The Animals as the "Wolf Pack. Both were popular at the time, and while nothing in the Styne/Merrill score is as good as anything in Merrill's score for BREAKFAST AT TIFFANY'S (which finally got recorded more than 25 years after it closed on Broadway!), nothing in it is painful either and all is musically very well performed by all concerned.Pleasant little artifact and a diverting holiday trifle. Nothing more, nothing less . . . but it might have been much, much more.

schristfeld I would be in heaven if someone would release this 1965 ABC TV special " The Dangerious Christmas of Red Riddinghood" on DVD. This is worthy of a DVD reissue. Christmas special on DVD. I hope I'm not 90 by the time SOMEONE decides to release this JEWEL on DVD Given that this was a score by Broadway Greats Jule Styne and Bob Merril and with an equally stealer cast in Liza Minnelli and Cyril Ritchard, and Vic Damone, you just can't go wrong. Eevry time about this year, I wish WISH WISH that this TV special would come out. We can only continue to PRAY. Originally the ABC TV network released this on November 28 1965. The special got glowing reviews in TV guide and the New York Times. Jule Styne was at his PEAK having just finished doing "Funny Girl" also with Bob Merrill as well. UPDATE: On October 30, 2007, the above title was FINALLY released on DVD ( YIIIPPPPEEEEE ). Fans of this Christmas classic REJOICE !( PLEASE SEE BELOW UPDATE ).UPDATE: "The Dangerous Christmas Of Red Riddinghood" was released on DVD October 30, 2007. The DVD also includes the TV soundtrack released originally on abc records in 1965. The film print is not very good but at leaset it's on DVD now.agog over Timmy Everett

safford99 I was able to see a grainy print of this "movie" at a revival theater. I don't know where they got the print, but it's a real shame that it's not out on video or DVD. It is jaw droppingly awful in a way that makes it hysterically funny.Liza Minnelli gives an early, clunky performance as Red Riding Hood and Cyril Richard is a scream as the wolf/granny. The best moment is when the two of them sing "Ding-a-Ling". Cyril looks ridiculous dressed up and hamming it up as granny, while Liza jumps around the tv set doing some of the worst dance moves ever recorded on film.See this movie if you ever get a chance, it's priceless.