Onlinewsma Absolutely Brilliant!

Comwayon A Disappointing Continuation

Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Michael Ledo This is another of a half dozen or so poorly acted poorly scripted La Llorona film about the legend of the demon that causes women to drown their own children. The production couldn't hold my interest 3 minutes into the film. They used typical horror piano music and what was that fakey looking red-eye make-up? Horror fans will be bored to tears.

sofialuca100 Entertaining and intelligent story behind this Latino legend.Great film-making also! I definitely recommend this film.It stayed clear of silly stereotypes.The story was interesting.The directing and acting was great.Looks like a big budget film, even though it wasn't a Hollywood film.It jumps into interesting cultural issues.And the director and writers isn't afraid to bringing up societal taboos. A must see.I grew up with the legend.It scared me then.This movie also scares me.

gavin6942 Spanish Harlem is plagued with a rash of disappearances and murders revolving around small children. Nothing seems to connect the crimes except that they seem to take place near bodies of water (although at least one occurs in a bathtub). We enter the story from two angles -- a woman who can see the victims in her visions and two police detectives, one of whom had a troubled childhood."The Cry" (or "La Llorona") was a confusing film for me. I never understood how the main actress was connected to the crimes. I don't know why the fortune teller scene was so long (seemingly to explain the Weeping Woman, but it didn't do this very well). And the flashbacks to the cop's childhood? Or the flashback to the girl by the water? Very hard to follow and ultimately more distracting than anything. The film was 80 minutes, but could easily have been 60 if the opening credits were cut down and the extra material (flashbacks) were excised.Stylistically the film is good. The director really captures some great shots and the use of lenses or filters to give scenes different colors was a nice touch (sometimes blue, other times green or orange). The use of two different kinds of cameras made the editing look a bit sloppy (not unlike "Cabin by the Lake 2"). The overhead shots were also unnecessary.I don't mean to be harsh, because really I could see this was a labor of love and it does have potential if it had simply been edited differently. And I applaud the writer for exploring a traditional part of her culture. In a bonus feature, she says she scoured the earth for five years collecting stories of La Llorona. Unfortunately, she left us with an inconsistent narrative that doesn't really make those stories clear. (Personally, I would recommend a book presenting oral histories of the Llorona tales... it would be more appropriate than the film).I keep bringing up Ryan Harper's "Circulation" again and again in my reviews. I can't stress enough how great that film is. And here it comes again. If you're looking for one film that brings Spanish-American culture to the audience the best, you want "Circulation". "The Cry", while not a bad film, left me more confused than anything and I failed to connect with whatever the message was intended to be.

Claudio Carvalho In New York, detective Alex Scott (Christian Camargo) is investigating with his partner Sergio Perez (Carlos Leon) the disappearance of several children. When they visit the Mexican witch Gloria (Miriam Colon), the woman advises that a powerful evil force is chasing the reincarnation of her son and drowning the other children to bring pain to their mothers."The Cry" is a boring, pointless and unpleasant mess about a Mexican legend called "La Llorona". This is the first time that I see a reference to this legend, and maybe this movie might make some sense to those that are familiar with "La Llorona". However, the screenplay is terrible, without development of characters or situations, and there is an absolute lack of explanation about everything that happens in the story. Why the evil spirit is attacking children in New York? Why the former Wall Street broker Scott has become a New York detective after losing his son? Why Maria was able to protect her son and why she blinded herself in the end? The lead character Scott is absolutely boring; maybe the actor has felt the turkey he was hired to work. Last but not the least, the theme of mothers drowning babies and children is of an extremely bad taste even for a pseudo-horror movie. My vote is one.Title (Brazil): "Gritos da Morte" ("Cries of the Death")