Alicia I love this movie so much

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Bergorks If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

Loui Blair It's a feast for the eyes. But what really makes this dramedy work is the acting.

KobusAdAstra This early Wolfgang Petersen film tackles the controversial theme of inter-generational gay love with distinction.A convict, Martin, was jailed for having a sexual relationship with a fifteen year old boy. Martin is an actor and while in jail produces a play written by one of his fellow inmates. He needs a young actor and the son of the jail warden, Thomas, volunteers. Thomas, who is sixteen but looks about 20 (my only - minor - gripe about this film) clearly has gay tendencies and develops a crush on Martin. A relationship results with Thomas illegally staying over in Martin's cell. One of the inmates spills the beans and Martin's parole gets cancelled. He keeps in contact with Thomas, and when released they continue their relationship. Martin decides to play open cards with Thomas's father and informs him about their relationship. The callous warden subsequently stops the relationship en sends his son to a reformatory. It turns into a nightmare for the young man, and changes him psychologically, resulting in serious depression, and worse.This somber film, suitably filmed in B/W, boasts great performances by the protagonists. Directing and script were excellent, with the viewer made aware that some tragedy was in the making, right from the first few minutes. I score this excellent film 8/10.

tedg It should never be the case that after watching a film, you sit in the awakening theater and wonder why the thing was made. What did the filmmaker think was the value of the experience, that we would let him borrow our souls for a time?I did ask that at the end of this. Its done well enough I think, at least so far as its bits. Its a story about a love, actually a simple story, about a love thwarted by a society. The reason is that we have two men, and we are supposed to (I guess) take it as a character study of a tortured existence — an injustice whose consequence we see grind these two to bits.Judging from the comments here, there is an audience of gay men for whom this matters. But I think that is less that the film has something worthwhile, than it portrays an injustice they personally know, so they simply welcome the acknowledgment. But this thing has problems. There are matters of prison: two in fact, one for each man. This is so artificial — even by movie terms — that it lets us off the hook emotionally. When we are fed something that doesn't seem situated in our world, we lose it.Also, it isn't just a love between two men, but a man and a boy. The man has a history of exploiting underage boys, and we learn that the boy has a profoundly damaged parental environment. These dynamics are written away.Petersen is a quirky guy. "das Boot" was conceived from a place of genius as a study of space. All else is ordinary and there merely to serve the goal of limited containment. Since then, in Hollywwod, he has turned into a hack. Before "das Boot" we have this, which I think we could see as a similar but failed study in containment/confinement. If so, it is worth existing, but not worth watching, not like, for example "Equus."Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

nick_pizey I saw this film at the Gate Cinema near Bayswater, over twenty years ago. It was searingly good, in story content, composition and style. I was left feeling such a strong sense of anger at the way the two principal characters were hounded, anger at the bigotry and hypocrisy of those in authority, and desperately saddened by the outcome. This reflected my own feeling of dejection, rejection and utter desolation. From time to time over the past twenty or so years, I have thought of this film, especially the scene at a railway station where the two, almost against the odds, meet up and reaffirm their love for each other. It seems as if all will now be okay and that they might make away from their 'prison' but this moment of hope is destroyed so unexpectedly, and ruthlessly, that it would have been better if they had never met again. I hunted the film database to find this film, just so that I may at last tell someone else something about it, and to urge you to view it if you can get hold of a copy.

jan onderwater Beautiful black and white cinematography is the main pillar this modest and distressing coming-out drama rests. The script is intelligent without being intellectual, and has some amazing and surprising scenes. Main cast members Prochnow and Hannawald are excellent; Wolfgang Petersen handles the laymen cast very well.I do not think that (20 years after date) this film has lost any actuality. Besides, this film is honest, unsentimental and without sensationalism, something that can not be said of the average mainstream coming-out film of the 80' and 90's.