The Berlin Affair

1985 "Two women, a man and a madness"
5.4| 1h36m| NC-17| en
Details

What begins as an innocent art class becomes a steamy triangle of erotic passions and forbidden love. A beautiful Japanese girl becomes the object of obsession in a devious relationship between the wife of a German diplomat and her husband.

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Also starring Mio Takaki

Reviews

VividSimon Simply Perfect
ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
Cristal The movie really just wants to entertain people.
citizencorpsnyc Who needs subtitles. Just watch it in raw German. Best exemplifies Berlin as a place for elitist bi sexuals and Weimar bohemian types that circulated in the 1920's - 1930's. We are spared spartan Liebensraum volker angry butch women with their Teutonic hairy underarms, since the director skilfully selected only what men like to see: beautiful feminine women getting it on with each other. Of of course, there is a human element to all this, with the Fascist's looming in the background and all that. Too bad the story line could not wane a few more years of script, say, until the Russians invaded the city. Or, perhaps, they could have escaped to Nagasaki in a German U boat with the Japanese Ambassador. (Material for a sequel?) I got such a kick out of this film I would rate it five stars (like Eisenhower's rank) and keep it in my personal collection along with Peter Lorre's "M" and Montgomery Clift's, "The Big Lift".
Wolfi-10 I purchased this DVD because of its German star, the beautiful and soft-spoken Gudrun Landgrebe, who portrayed a tender and warm-hearted young woman so convincingly in the German TV series "Heimat". In the German version of this movie, she dubs her own part with near perfection and makes all the right faces all the time, but is condemned to play the silliest society woman one may ever encounter on the proverbial celluloid: falling "lesbianly" (so to speak) for a sour-faced, lying and manipulative Japanese woman, even though she is happily married to a successful diplomat in the German government. After the viewer becomes convinced to have seen the peak of cinematic stupidity, he is in for yet further astonishment when said happily married diplomat too falls for the Japanese and, in this state, becomes even jealous of his wife. Now, this male reviewer may not be able to judge correctly the authenticity of a lesbian infatuation, but he can assert that, as a man's sex object, the Japanese is so low on the totem pole to be below ground. Those fake sexual encounters, during which the participants never shed any of their clothing, do not exactly contribute to the credibility of the story either. Only Gudrun's 1930's Mercedes looks genuine.
Claudio Carvalho In 1938, in Berlin, Louise von Hollendorf (Gudrun Landgrebe) is a well married woman frequenting art classes. Her husband Heinz von Hollendorf (Kevin McNally) is a successful politician in a pre-war German and they have an excellent relationship. During the class, Louise meets Mitsuko Matsugae (Mio Takaki), an exotica and very discreet Japanese young woman, daughter of the Ambassador of Japan in Berlin. They start a friendship that is followed by a lesbian love between them. Mitsuko indeed is a very seductive and amoral bisexual woman and seduces also Heinz. This relationship ends in a tragedy. This dark and heavy romance has a wonderful photography, and a beautiful reconstitution of a pre-war period. The cast has a great performance and this movie is really very underrated, maybe because of the polemical and excellent director Liliana Cavani. She had the courage of making the magnificent 'Night Porter', which offended many persons, and since them certain cinema critics have decided to crucifixe her work. The manipulated public opinion, based on these unfair critics, sometimes is induced to 'not-like' any of her films. 'Berlin Affair' is a film not recommended for all audience. My vote is seven.Title (Brazil): 'Berlin Affair'
Cinebug It has long been fashionable in critical circles to bash the films of Liliana Cavani. Her films tend to show sleazy low life characters---------even when they live in palatial mansions. Her controversial NIGHT PORTER was unjustly accused of being deplorable, and insult to the intelligence of the average moviegoer, an offense to Jews and women, and generally condemned by everyone of cinematic importance. For me, she is the modern purveyor of film noir at it's darkest.THE BERLIN AFFAIR tells the story of Mitsuko, daughter of the Japanese ambassador to Germany during the Nazi era. She is publicly quiet and demure, but in private, flamboyantly bisexual and seduces the wife of a high Nazi official-------and eventually the husband himself. This leads to a rather unusual ménage a trois with each member of the triangle becoming more and more jealous of the others. Eventually, this self-destructive relationship becomes harder and harder to resist in spite of the personal dangers to the individuals and their respective families and political causes.It would be easy to dismiss this film as another sleazy sex opera from Cavani. But a great deal is going on in this film---------politically, sexually, socially, racially and artistically. There is a definite message for those willing to see it-------and it would be more fun for each viewer to find it for himself. Ignore Leonard Maltin's opinion and decide for yourself.