SnoReptilePlenty Memorable, crazy movie

Moustroll Good movie but grossly overrated

Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Chas the Hacker First off, I must say that I've been an avid fan of British television detectives for many years .. starting with the wondrous (Granada Television) Sherlock Holmes mysteries. As I watched Rowan Atkinson in this episode of the new Maigret series, I was brought back to those days. Though the mysteries take place in Paris, and Maigret is French, I personally have no qualms about the production. To be honest, the thing that irritates me about the great Poirot series with David Suchet, is the fact that his accent is so thick, I cannot understand the dialogue sometimes. With this series, I don't have this problem whatsoever, and that is refreshing. The direction of these Maigret episodes is quite superb, and I quickly become absorbed into the story lines. More than anything else, I am most impressed with the casting of Rowan Atkinson as the lead. As a dramatic actor, his portrayal of Maigret is stunning. His steadfast calm, and confidence in good old-fashioned police work knits the cast together in each episode. He trusts no one, and lets the evidence lead where it leads. This "Crossroads" episode is the best so far, and I am really hoping they continue more of them. I'll be waiting with a bowl of buttered popcorn, knowing I won't be disappointed in any part of the show. Great stuff indeed !! .

lucyrfisher Another wonderful story from Georges Simenon. The production team have got everything right down to the last detail. The garage full of old cars, the unmade roads, the shabby kitchen of the decaying mansion. The bizarre inhabitants, the girl who has to be locked in her room "for safety". But ultimately it's disappointing. Rowan Atkinson is a good Maigret, but he lacks the character's humour (which Michael Gambon had in spades). Atkinson is too solemn, and - fatally - the writers and director have made him soft-centred. He twinkles slightly at the girl, when she tries to seduce him, but in a melancholy way. Gambon would have flirted back. She is impressed that he doesn't respond, but merely treats her burned fingers. I feel this incident is not in the book (the writers needed a pretext to bring them closer), even though Simenon is always concerned about what characters eat and drink. (Maigret decides the girl needs some poached eggs – but surely Maigret can't cook?)Madame Maigret is given a plonkingly 21st-century speech about the difficulty of being married to a policeman. Anachronistic, and also Cop Show Cliché No. 794. And finally: the director loves filming characters in long shot while they are making a long speech full of plot exposition. And many young actors think that naturalism means keeping your face immobile. I turned on the subtitles.

Karl Self I was certainly very excited, and from the get-go, at the prospect of Atkinson playing Maigret. At least to me, it seemed like a perfect match. And at last, here was a chance to see a Maigret of my generation.Certainly, they've put a lot of effort into this production, it's beautifully shot and acted. But maybe they've tried to hard to impress with the stories. There's certainly always another twist and turn, but my credulity was always stretched very quickly beyond breaking point.And it certainly was a challenge for the thespian of usually hyperactive, hyperverbal and hyperphysical role to turn out a pokerfaced observer of the human theatre, but I often had the Impression that Maigret was somehow recovering from a debilitating stroke: "Tell her ... that ... in this country ..." It reminded me less of Maigret and more of that wheezy wheelchair kid in Malcolm In The Middle.

Paul Evans I'll be honest, the first two offerings I wasn't exactly full of praise for, but this third offering has very much changed my opinion. Everything feels settled, solid and somehow familiar. I now feel used to the concept of Rowan Atkinson as Maigret, and I feel he himself is now more comfortable in the role. Night at the Crossroads isn't my favourite story, but as a production it came to life, the performances were first rate, Thomas Wlaschiha stole the show for me, as he so often does, but he was fantastic, so diverse an actor. Lucy Cohu I still think is a joy as Maigret's wife. The only criticism I had was the performance of Kevin McNally, who's Grandjean was a little too much, somehow it seemed like he over-relished his role of villain, and was a little hammy.Great production values, this episode I feel has turned the series around, I now cannot wait for the next episode. A very solid 8/10