The Beach Party at the Threshold of Hell

2006
3.8| 1h30m| R| en
Details

Based on the concept of "New America" in the year 2097, two decades after a nuclear apocalypse, Tex Kennedy, two robotic ex-secret service agents, and a female cannibal journey to find a famously dangerous area known as the "Threshold of Hell" to gain access to a radio tower to unite the survivors of the apocalypse.

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Reviews

Vashirdfel Simply A Masterpiece
Grimerlana Plenty to Like, Plenty to Dislike
Fairaher The film makes a home in your brain and the only cure is to see it again.
Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
Chuck G. (flaminghat) There I was, minding my own business, fishing for cheesy movies to watch whilst enjoying a late night drinking session. I'd stumbled upon a listing of post-apocalyptic 'classics' and knew I'd hit the jackpot. One of the movies in that list had an intriguing title: 'Beach Party at the Threshold of Hell'. My eye caught, after doing a little research I decided to give it a shot. Couldn't be worse than 'Roller Blade 7', after all...Wow...alright, before I explain why this movie induced violent paroxysms of laughter, I will cover its so-called 'weak points'. Yes it's cheap: there's one scene that was apparently beyond the scope of the makers' budget and/or abilities so it was animated, the costumes are usually jeans and t-shirts cut up, everything takes place in basically one location and the cast is not 'diverse', consisting mostly of the creators in the acting roles. It jumps around and inserts documentary sequences and character introductions that break up the action. It's done in a documentary style that will harsh many a buzz of those used to more straightforward storytelling. If you're Tarantino, Rodriguez or Ritchie apparently that's all well and good, but I digress. There may be further 'negatives', but even the ones mentioned aren't negative to me, so forgive me if something's left out. However, now you must again forgive me as I rub my hands together with devious relish and explain why all that doesn't matter, or at least doesn't make the film any less enjoyable.First and foremost, it made me laugh louder and harder than anything has for a long time. The dialog is great and the gags hit their mark. You do have to possess a sick sense of humor and love of irony to truly enjoy it, but with those two qualifications this movie will take you to fine places. I would love to point out specific things, but honestly, they won't be as funny if you are expecting them. The only one I'll touch is one of the funniest sequences involving some difficulties with a chainsaw. That's all you're gonna get. Just trust me on this, if you're a sicko, your gut will be a-bustin'.Now to address those alleged weaknesses: the documentary style does slow it down, sure, but it's a comedy. It's not an action-packed thrill-ride that needs to move quickly. It was pulled off very well and allowed for the inclusion of some very good and funny cameos, such as Jane Seymour as the last President, Tony Hale (of 'Arrested Development' as Buster) as a biographer and Richard Riehle (who played Tom in 'Office Space') as the narrator. Some may think the documentary bits padding, but I truly think it adds an element of tongue-in-cheek quirkiness to the proceedings, and while perhaps the characters could have been introduced in other ways, I thought their way was far more interesting than characters busting into monologue or ill-fitting dialog. Some may think it a rip-off of other directors, but I say thee 'nay'. What they did always felt more like respectful hat-tips than straight rips, though there were many. The whole feel of the movie is very Dr. Strangelove meets Pulp Fiction, and I say that as a means of description, not really to compare this film to those others. Even at its most serious it doesn't take itself a bit seriously, but it's imaginative and well-written enough not to spiral off into pure goofiness. Campy, yes, insipid, no.Bad acting? I have seen bad acting (I've seen 'Men of Honor'), and with a cast of primarily amateurs the acting is actually very good. Hell, even Daniel Baldwin didn't suck, and that's saying something! But the actors had a lot to work with and had reason to do a good job, for the script, again particularly the dialog, is excellent. I'm not even going to qualify that with a 'for a low-budget movie' or anything. It is just GOOD. It's sharp, and is sharply delivered. The characters are weird but cool and well-played. These are not the typical post-apocalyptica stereotypes, but something altogether different and, dare I say, brilliant. What else do you need? But wait, there's more!There's blood and gore, as one would expect of post-apocalyptic fare, and quite a bit, but done well (though certainly not tastefully) and death scenes that would look cheesy are given the 'go to black' or 'blood spatter on lens' treatment, avoiding the typical groan-and-eye-roll moments that plague horror movies. It's also done with great sick humor. For instance, a spine gets pulled and in later scenes you can still see it lying on the ground as other situations play out in the same area. The much poo'd-upon animated sequence is actually cool, and a smart move on the makers' part. I'd much rather see animation, adding more quirk to the quirky, than hokey live-action. As opposed to simply axing the bit, they use it to make their movie even weirder. I for one dig it and applaud them for it.I could go on, but this beast needs to be wrapped up. In summary, I think 'Beach Party' is simply a great movie, funny and wrong in all the right ways. It stands up against the best the big companies have to offer, and with a fraction of a fraction of the budget. It's a fine example of what indie developers can do with heart and inspiration. If you want big budget fluff, look elsewhere. I for one will not miss you. If you want a to spend a hour-and-a-half chortling and feeling like a misanthrope for doing so, please, for the love of all that is sick and unholy, look this movie up, then tell someone else. That's the only way to make sure that movies like this continue to be made, as they damn well ought to be.
leon-lashway I saw this film while working at the Carolina Theatre in Durham, NC, it was a feature film of the Nevermore Film Festival. I caught about 30 minutes of the film before having to return to work but was instantly hooked. My first thought was "how in the hell did they get Jane Seymour", I was intrigued at this point but not hooked. That didn't happen until I saw Buster, and if you're an Arrested Development fan than you know who Buster is. The acting was very impressive and each character had such a rich history. I loved the various animated clips spread through-out...well...I love this film. My friends are getting annoyed at how much I keep talking about this film and about how awesome it is and I think my wife is about to turn cannibal on me because I keep singing the Quincy song (but def. goats milk). If you get the chance, see this film.
butyraceous I was lucky enough to have the opportunity to see this film in Tulsa before it ventured onward to Toronto. I had seen the trailer on MySpace, and thought it would be something akin to "Bad Taste", which is one of my favorite movies. It wasn't. But it WAS one of the funniest films I've seen in a long while. In short: fluid, yet relatively non-linear storyline...clever, hilarious, seamless dialog...engaging despots, lovable bumbling heroes, and a protagonist like no other. This film does not play like low-budget; it moves quickly and never catches on a sloppy shot or a cliché line. The acting is first-rate, and visually the film rises to the challenge of it's post-apocalyptic storyline. If you never see this film, I'm sorry for you; and if you do, you WILL NOT be disappointed!
dtillman23 I got a chance to catch The Beach Party at the Threshold of Hell at its World Premiere at the L.A. Film festival. I would unabashedly recommend the film--especially to indie film-lovers and cult flick-enthusiasts worldwide. The filmmakers worked wonders in bringing a post-apocalyptic satire to the big screen on a meager budget.The acting is, at times, pitch perfect and the story is a kind of Oh Brother Where art Thou meets Fear and Loathing in Las Vegas set in 2097, New America. The cinematography, editing, graphics and animation sequences are stunning and visually entertaining.The film is a bit unconventional in structure, but the History Channel documentary/comic book style of the film is original and works well. While it has political and social overtones, the comedic setups were usually paid off with satisfying hilarity. The film started a bit slow, but it soon took off and kept me on the edge of my seat the rest of the way.As this is only part one, I hope the filmmakers will be granted the budget and name talent to make part two even better than the first installment.