Solemplex To me, this movie is perfection.

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CommentsXp Best movie ever!

Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.

Neil Welch David Essex takes the viewer on a trip around picturesque Isle of Wight locations, including Shanklin beach, Sandown High School, the bridge over the river round the back of Sandown Waterworks, Pontins Little Canada Holiday Camp. Shanklin Theatre, and outside the Rex at Ventnor which isn't there any more.Big excitement down here on the Isle of Wight back in 1970 when this was going on, actually. I'd recently left school, but my Dad still taught there and it was his classroom which was used as the location (later to become the music room, where my daughter did her music A level). I helped at lunchtime at Shanklin Liberal Club, where the cast and crew were fed and watered at lunchtime during the Shanklin Theatre filming (no-one famous, though!). And assorted school friends pop up as extras - hi there, Sudsy and Hoof! So the local connection means I always regard this movie with fondness, but I also like it for two other reasons. One it is an atmospheric evocation of an era important to me personally and, two, it showed Ringo that there was life after The Beatles.

ianlouisiana Rock 'n' Roll,Jazz and Skiffle.They were the musical choices facing teenage boys in the mid 1950s.The ones who spent a lot of time in their rooms reading quietly and listening to the wireless tended towards jazz,tortured intellectuals who who wanted to ban the bomb and carry washboards beneath their duffel coats preferred skiffle,and those with a healthy interest in sex picked up their Hofners and tried to knock out "Be -bop a Lula". Jim Mclaine certainly falls within the latter category and is a "Bad Boy" before his time.With an over - protective single mother,he drops out from his Grammar School and drifts around the south coast before taking up with a Funfair.Here he cements the reputation of fairworkers as careless Lotharios. Altrhough capable of charm when necessary,he is in fact rather an unpleasant boy whose rejection of his mother is reflected in his conduct towards his sexual conquests. Mr D.Essex manages the difficult task of portraying both sides of his character and making them seem convincing. The movie rather sweetly captures the era of Post - Suez optimism when we could ride our bicycles around the streets without being shot at by warring gangs and hang around town centres without being watched warily by policemen in full body armour carrying gas spray cans. Jim wants to be a rock'n'roll star and makes the irrevocable step in the last scene of the movie where he goes into a music shop and is handed a guitar. Of course it turned out that rock'n'roll was not here to stay after all and only ageing ex - Teds and OAP bikers listen to Jim's kind of music any more as it proceeded to morph into "Rock" and all its sub - divisions of guitar widdle. To see how Jim coped (or failed to cope) with that you must watch "Stardust",the brilliant follow - up to this movie,but "That'll be the day" - in its own right - is a highly enjoyable movie and a wallow in nostalgia for those of us who wish it was still 1958.

Woodyanders Set in a plausibly dreary and defiantly anti-nostalgic late 50's era Britian, this grimly serious kitchen sink drama relates the turbulent up and down tale of one Jim MacLaine (superbly played by David Essex of "Rock On" fame), a discontent working class bloke who wants to be a rock star so he can successfully transcend the dismally unrewarding banality of plain old normal bourgeoisie existence and live a free, spontaneous, not attached to any heavy responsibility life. Jim drops out of school and moves out of his mother's house. He winds up going nowhere slowly, selling beach chairs on the arid shore in order to scrape by, until a shrewd smoothie busboy (Ringo Starr in a surprisingly excellent performance) takes the shy, naive Jim under his wing and teaches the heretofore sweet, guileless lad the fine art of picking up girls and gypping patrons at the local carnival of their spare change. Pretty soon Jim degenerates into a cold, heartless womanizing cad who's incapable of commitment and, as long as he refuses to settle down, just a few steps away from the fame he seeks.Loosely based on John Lennon's actual early exploits, with an outstanding golden oldies soundtrack and a rough, seedy, marvelously unglamorous and unromanticized depiction of the 50's, "That'll Be the Day" offers an engrossingly seamy and minutely detailed evocation of drab blue collar life, chiefly centering on the pertinent role rock music plays in serving as an outlet for overcoming the horrid ordinariness of said average lifestyle. Claude Whatham's astutely observant direction delivers a striking wealth of piquant incidental touches -- the ghastly shabbiness of Jim's cheap apartment, the faulty, out-of-tune speakers at a rundown dance hall, the grungy sleaziness of the fairground Jim works at, an incredibly cheerless wedding reception -- which in turn brings a splendidly gritty, lived-in conviction to Ray Connelly's meticulous, unsparingly downbeat script. Moreover, the acting is uniformly top-notch (Essex's finely underplayed characterization is especially strong), with commendable work turned in by Rosemary Leach as Jim's doting, concerned mother, James Booth as Jim's restless and unreliable absentee deadbeat dad, and Billy Fury as hotshot lounge singer extraordinaire Stormy Tempest. A sterling cinematic testament to rock music's undying allure and magical ability to create hope in an otherwise bleak and thankless world.

JoeKarlosi David Essex takes on the lead role of Jimmy McLaine, a young man living in working class Britain during the late 1950s, when American rock 'n' roll was King of England. Growing up with a good deal of angst after his dad walked out on the family when Jimmy was still only a boy, McLaine finds himself fed up with school and the more conventional way of life and decides to abandon his struggling mother, striking out on his own. Settling for odd jobs here and there, Jim finds a sidekick in the humorous and more experienced Mike (played by ex-Beatle Ringo Starr) and the pair of delinquents engage in petty crime in between bedding down as many local ladies as they can get their hands on. When Jimmy begins to have a change of heart he returns home to mom and settles down, only to find that he must make the ultimate decision on whether to confront his responsibilities or indulge his passion for being a rock and roll star.David Essex is good as Jim, and Ringo Starr gives maybe the finest performance of his occasional acting career as Mike, who becomes Jimmy's mentor and room mate. It's amazing how well the 33-year-old former Beatle pulls off the role of a young kid, and the same may be said for an over-aged Essex. The film perfectly captures the climate of England in the late 1950s and benefits from a huge array of classic American oldies on the music soundtrack, from artists like Ritchie Valens, Del Shannon, The Big Bopper, Bobby Darin and others.After I saw this I read that it's been said that this story was patterned after a young John Lennon, and while I can agree (with the benefit of hindsight) that there are some similarities between John's life and the Essex character here, even as a die-hard Beatles fan I didn't pick up on this during my actual viewing of the film. It is loosely based on Lennon at best (John's dad also left him, he loved rock music, and he had a wreckless nature as a youth). *** out of ****