Clevercell Very disappointing...

GamerTab That was an excellent one.

AutCuddly Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

Ginger Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

Stovepipe99 A young man visiting relatives in rural Nebraska goes into a barn to play a game with a 9 year old cousin. She emerges screaming from the barn with a blood-stained dress and, to put it mildly, things go downhill from there.The strongest element of this film is also the element that makes it the most frustrating as a viewer--namely this is a movie that commits completely to holding the point of view of the main character, Ryder. There are undercurrents of emotion and resentment roiling beneath the setting of a folksy family reunion, in particular some very strained and strange dynamics between Ryder's mother and her brother (the father of the 9 year old girl). Ryder is totally lost at sea because not only is he on unfamiliar ground (a gay, California city boy out in the country), but his parents and especially his mother behave in a seemingly irrational manner as events continue to escalate.By the middle of the movie I was thinking "Will someone just PLEASE explain what is going on here?!?!?!". On the one hand, I appreciate that this is exactly how Ryder himself must feel. But on the other hand, I got anxious and frustrated waiting for the film to reveal the background context needed to understand what was happening--to the point that it was hard to sit through scene after scene of coded conversations and meaningful looks.I thought that the acting was very strong across the board, including the children.Aside from feeling like the limited point-of-view was a double-edged sword, my only other criticism is that there were certain character actions that were just way too illogical or dumb. For example, despite the fact that he was all but accused of molesting his cousin, Ryder several times allows himself to be alone with other young girls without any other adults even in earshot. I just didn't believe it. Why if you had been accused (and also implicitly threatened) would you ever allow yourself to be in a position again where there were no witnesses to your behavior? There were a few character decisions (necessary to move the plot along) that didn't feel like real character choices--and they stand out because for the most part the acting and writing does come across as very realistic.Generally speaking this is one I'd recommend, especially if you can watch it for free on a streaming service as I did.

blumdeluxe I was kind of surprised to see "Take me to the river" receiving such a low ranking by the community here. Though this is far away of being a Hollywood blockbuster, it uses the tools of lower budget movies well in my opinion and makes up for some lacking production value through its excellent storytelling.The movie evolves around a family reunion, the question what happened to a small girl and what secret the family keeps. In doing so, it manages to depict side topics such as identity, conservatism and pressure in families. All those topics are taken seriously and are depicted in a suitable way.The film is not always easy. There are scenes raising unpleasant questions and concerns and surely this is nothing to relax after work. But it shows quite well how a family in a certain environment can become a perfect host to injustice and cruelty. There might be other movies dealing with the same topic, there might even be better ones. But "Take me to the river" is in itself an excellent movie and I don't have much criticism.

sirmfletcher The father, doesn't come across as supportive, or interested at all, in his son's well being except in 1 dialog. The movie appears to be about 1 thing, but really its about something else that happened in the past. The buildup is there, but the full explanation isn't verbally given in a way that all parties would understand, but the point does get across to those who need and must know it. The weird actions are all explained by that conversation at the almost end, however you the viewer are left to wonder a few things. The actions of Rider's parents are bewildering at one point and seem to defy the actions of a true parent. It doesn't start to make sense until the movie is almost over. This would have been better if it had been longer!

Sergeant_Tibbs Before Hollywood gets a chance to remake Thomas Vinterberg's The Hunt word-for-word, independent American cinema can enjoy Matt Sobel's deep south take on how false accusations tear people apart, and ultimately reveal psychosexual secrets. Trading a teacher for gay teenager Ryder, played by The Stanford Prison Experiment's Logan Miller, and a student for a younger female cousin Molly, played by Louie's Ursula Parker. It focuses its story across a pair of days instead of several months. Take Me To The River has an interesting angle as Californian Ryder has been suppressed by his parents to keep his secret in the closet for his conservative Nebraskan family – an otherwise easy answer to explain how he would not have abused Molly, but one with its own dangers as they ostensibly would not accept him.Perhaps Sobel winds his film too tightly as this dilemma unravels before 15 minutes are up and we've had a chance to get under its skin. He demonstrates strong direction and I would've welcomed more patience. Such efficient economy in storytelling leads it to feeling quite contrived and stilted to reach the necessary dramatic assumptions. Although Robin Weigert's performance as Ryder's mother Cindy thrives under the weight of the situation, the bigoted uncle Keith, played by Josh Hamilton, the primary source of aggression here, suffers the most to meet Weigert's calibre. Nevertheless, it's still a compelling sequence to behold, and the film conjures that same boiling frustration of a false accusation that The Hunt achieved through much of its narrative that makes you want to wrestle the ignorant people.It's a shame that the film struggles to establish a single confident tone but could've easily be improved by dipping onto one side. It unfortunately doesn't equate to complex contradictions, but instead indecision. Deeply unsettling or somewhat farcical, richly composed or raw and naturalistic – it drifts somewhere between those tones and results in a film much more lightweight than it could have been, and much less organic than it could have felt. This is especially to its detriment with a shorthand that could have come with more maturity. The supposed flamboyance of Ryder creeps through via his bright red shorts, but outside of the film's hints that doesn't necessarily mean he's gay unless they had prior suspicions, of which don't appear to be shown. Missed opportunities aside, it's a tense film that bubbles with dread right up to its disturbing revelation. It's got very interesting tools to diffuse and raise its tensions.Deadwood's Robin Weigert shines as the frequent voice of reason, filled with nuance and anxiety as she tries to protect her son in both productive and unproductive ways. The West Wing's Richard Schiff, playing Ryder's Dad, doesn't get enough to do and essentially shrugs his way through his performance, but amicably. Miller doesn't quite have the convictions to stand out among his supporting cast and also appears on the fence about the realism and hyperrealism as Sobel does, but he sees his way through the film. It's Ursula Parker who continues to boast her talents she's shown on Louis C.K.'s show, giving an utterly effortless performance. She has a bright, bright future. While not as fully formed as it could be, Take Me To The River is a solid and promising debut that will certainly connect with a passionate niche.7/10Read more @ The Awards Circuit (http://www.awardscircuit.com/)