Artivels Undescribable Perfection

Actuakers One of my all time favorites.

Keeley Coleman The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Portia Hilton Blistering performances.

merklekranz Do not be tempted to watch this because of the presence of Jake Busey, because it is not worth seeing unless your idea of entertainment is listening to the most inane conversations. Imagine two cars, a red one and a green one racing across Canada carrying Tanya Allen , Jake Busey, Breckin Meyer, and Denise Richards, and you are trapped in the back seat listening to meaningless, nonsensical conversations for thousands of miles. If that kind of sounds boring to you, then I suggest you avoid "Tail Lights Fade" like you would a rabid dog. This is beyond bad and pretty much a total waste of time. You have been warned. .............. - MERK

JonMoody82 It would normally be scary to approach the director to sign your movie and them say, "You actually own it?" But suffice to say, yes I do... and more so I am proud to own it. I hate Breckin Meyer with a passion. He's not that great of an actor when he's a lead (look at Road Trip and Rat Race for examples) so when I sawhe was the lead in this movie I was scared. But I bought it anyway. And to tell you the truth its hilarious! It's written/directed by "Drawing Flies"' Malcolm Ingram. Matt Gissing co-wrote it. I liked "Drawing Flies" alot but not as much as I enjoy Tail Lights Fade. Tail Lights Fade had the dialogue of a Kevin Smithmovie (go figure, Malcolm is good friends with Kevin himself) but had its own original twist on it. The story at teams seemed kind of weak but that didn't stop it by being so damn entertaining. I reccomend this movie to anyone who enjoysfun road trip type movies. Breckin is the lead but he ain't so bad in this one. That really suprised me. I will own the next Malcolm Ingram movie, you can bet onthat!

iinsic412 As a fan of Indie films, I've learned to ignore the failings in lighting, sound, film stock and other technical issues. What makes or breaks such a movie is writing, casting and directing. I have no complaints whatsoever about the cast, but the writing and directing are the downfall of this flick. As the film opens you anticipate being drawn into the story by a very good corps of young actors, each of whom should have a decent future in films. However, early on you find yourself struggling to stay focused (and, if you've seen the film, you realize that's a problem for the cast as well). Tanya Allen is very unconvincing as the "concerned" sister of the really big-time dealer Ben. Her emotional range is somewhere between Ali MacGraw and Richard Gere. Worse still, she makes her character unsympathetic and then slides her downhill to just plain despicable. By the end of the film, you really WISH she was locked away in some God-forsaken tiny college in Calgary, keeping the rest of the world safe from such a self-righteous, lemon-sucking harridan. The viewer musters some concern for the other main characters, but only in comparison to the loathsome Angie. One never succeeds in feeling any real emotion for the lot of them. I never felt this was the fault of the actors (well ... with the possible exception of Allen, whom I'll probably avoid in future cinematic selections). It's that pesky ol' script that smells like carp. Banal and wooden dialog, brimful of cliches. Cole asks, "What about loyalty?" Well, hey, what about loyalty to the audience? Every time it appears one of the characters will disappear from the film after some contrived argument, you think to yourself, "Finally, at least one will bite the dust! Only three or four more to go!" Alas, they keep coming back for more, dragging us with them 'til the bitter end. And, without revealing too much detail, the end IS bitter. To me the highest moment (should have expected it, considering the film's "heritage") was Jason Mewes having his turn at playing Silent Bob. You'll laugh! You'll cry! You'll slash your wrists! Spare yourself - it's too late for me! Give this one a pass.

shiplore I didn't expect much going in but was pleasantly surprised... A dialogue driven film with some pretty good performances.. one of the few roles I've liked both jake busey and denise richards in.. in the vein of the View Askew/Kevin Smith films.. great soundtrack that features.. Modest Mouse and Silver Jews among other indie greats.