Syngenor

1990 "Product of Science...Nightmare from Hell!"
4.3| 1h38m| R| en
Details

A scientist engineers a group of genetically engineered cyborgs for use as "super soldiers" to fight U.S. wars in the Middle East. However, things get ugly when the cyborgs malfunction and turn on their creators.

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Reviews

Redwarmin This movie is the proof that the world is becoming a sick and dumb place
Jacomedi A Surprisingly Unforgettable Movie!
Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.
Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional
DigitalRevenantX7 The military technology company Norton Cyberdyne is in a crisis. The board is inept, the CEO Carter Brown is rapidly going insane due to repeated injections of a mystery drug into his neck by his own actions & a group of executives & their call girl dates have just accidentally released from its cryogenic chamber the Syngenor (acronym for Synthesised Genetic Organism), a genetic cyborg designed to survive bullets & desert conditions & who can self-replicate every few hours. As the creatures quickly take over the building, Brown initiates a security lockdown, trapping himself & a group of people inside the building. One of the people is Susan Valentine, daughter of the late Dr. Valentine who was killed by a rogue Syngenor, & her boyfriend Nick Cary. Together they attempt to find a way out of the building but with the corporate security team's attempts to fight the Syngenors proving ineffective, they are thrust into a battle for their own survival.SCARED TO DEATH was one of the very first ALIEN templaters, made at a time when Alien had huge success in the box office & inspired a whole heap of filmmakers to make their own homage to the film. Scared to Death was the debut of filmmaker William Malone, a former fan who turned to makeup effects & made the legendary mask for Michael Myers in the original HALLOWEEN before making Scared to Death & creating the minor cult figure of the Syngenor, a reptilian-based genetic cyborg (a being created from synthetic DNA) that fed on human spinal fluid & that could self-replicate within a certain amount of time. The film was not quite the success of Alien but slowly developed a cult following (I saw it on YouTube).Despite the majority of people who call it a sequel, I believe that Syngenor is actually a remake of the original film. Some of the details about the mythology of the monster are changed (mainly the company that made the creature) & there is no mention of the events of the first film, which makes it a remake. I'm basing that on the technical side of things.Anyway, Syngenor is a superior film to Scared to Death in some respects – mainly by turning the focus of the film from cheap horror to dark comedy. In that respect, it manages to entertain considerably, although it is never more than a passable sci-fi horror flick in itself. David Gale, the actor who played the infamous headless zombie Dr. Hill in the RE-ANIMATOR films, clearly has a blast as the insane CEO of the company & effortlessly steals the show. He improvised most of his performance in the film & even made the suggestion that the mysterious glowing green drug he kept injecting into his neck should be kept a mystery (I personally thought that the opposite should be made since it would clear up a few things but I'm willing to go with Gale's idea since it also makes the film share some similarities to Re-Animator & even seems like a nod to that film). This was Gale's last performance, the actor dying shortly after the film came out.Apart from David Gale, the rest of the cast are mediocre. The lead characters are bland & reminded me of the heroines of the old 1930s mystery thrillers who make dumb moves & talk too much. The scheming executives are just a bunch of idiots who get killed in various novel ways (one executive finds himself the target of Gale's latest toy – the Death Rattle (an energy weapon that can liquefy its targets in seconds) & gets blown to bits within moments) & the security guards have the problem of wearing some ridiculous uniforms that look like a child designed them. The Syngenors look frightening but move so slowly that a snail could outrun them.The film does make a better impression than Scared to Death ever did & whilst still a passable monster feature, it gives the Syngenor a better chance to become a cult favourite.
Alucard Venom I love cheap creature feature or monster movies. I really do, no matter how cheap they are as long as they are entertaining."Syngenor" wasn't. It started out OK but as the movie went on I find myself paying less and less attention to the screen. Creature design is interesting and cool looking, but that's probably the most interesting about the movie.I wouldn't complain too much about acting, because I didn't really expect some excellent performances in these kind of movie, but David Gale really went over-the-top even more then his usual self. What I find really funny is monster concept itself. It's suppose to be indestructible bio-engineered super-soldier that's half machine, half organic, that can reproduce itself every 24h that would replace American soldiers on the battlefield. Yet, creature seems to easily goes down by shotgun-to-the-face and water!? I find that incredibly funny, because for a super-soldier it has two major weaknesses: firearms and water.A semi-sequel to cult movie "Scared to Death" from early '80s, but you can watch it as stand alone movie. "Synapse" released this on DVD (along with it's mother movie), which has some bonus features. So if it's your coup of tea, go for it, but I think "Syngenor" makes a better trailer then a movie.
Daniel Barnes As a horror/sci-fi, this film is a peerless failure. It's yet another "Alien" rip-off created in the early 1990s when rubber monster suits became more affordable. The acting, direction, and screenplay are all awful - to say nothing of the aforementioned bargain basement creature effect. "Syngenor" does, however, deserve an 8/10 for pure entertainment value. Rarely have I laughed so hard at a film. If you want to watch a real movie, avoid "Syngenor" at all costs. If, on the other hand, you want an evening of hilarity, gather up some friends, buy the spirits of your choice, and enjoy "Syngenor" in all its absurd glory. Goofy dialogue, ridiculous plot devices, monsters who jig wildly when being shot... "Syngenor" truly is a giant among B-grade sci-fi schlock.
unpop For those who enjoyed David Gale in RE-ANIMATOR (and who didn't??) it would seem that SYNGENOR (that is SYNthesized GENetic ORganism) is required viewing. Hell, Gale even injects himself (IN THE NECK!!) with what appears to be a substance VERY SIMILAR to re-agent! In this sequel (?) to SCARED TO DEATH we have a corporation by the name of Norton Cyberdyne (rubbish logo by the way) who have created a series of "creatures" to act as "supersoldiers" in any upcoming conflict in "rain-free" (there's the catch...) environments, namely: The Middle East. Things go wrong (of course) resulting in a handful of Syngenors breaking free from their Cyberdyne basement confines to wreak havoc in true cheap-horror fashion. The creatures themselves (though obviously inspired by a certain Giger design) are the strong-point - I'd even go so far as to say that they're THE BEST low-bud monsters since INVASION OF THE SAUCER MEN, problem being there's too little running, blood & screaming to keep them occupied. When the "action" finally arrives we're treated - in one scene - to a selection of Cyberdyne guards - looking like they'd just fell out of an old (pre-flowerpot) DEVO promo - marching to the depths of the Cyberdyne 'scraper with such little conviction you'd swear the comedic angle was intentional. Perhaps this IS supposed to be funny: the "learned" screenwriters attempt to parody the perceived insanity of The Military Industrial Complex (TM) via both "Carter Brown" (Gale) & Cyberdyne's infommercial promo material. In the hands of an Italian director, SYNGENOR could have been a DEMONS style contender - as it stands, a reasonable stab at an SF/stalker/gore flick which attempts to recreate the intensity of a certain other film (yep, RE-ANIMATOR again) during in final minutes.