Contact

1997 "Take a journey to the heart of the universe."
7.5| 2h30m| PG| en
Details

A radio astronomer receives the first extraterrestrial radio signal ever picked up on Earth. As the world powers scramble to decipher the message and decide upon a course of action, she must make some difficult decisions between her beliefs, the truth, and reality.

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Reviews

Platicsco Good story, Not enough for a whole film
JinRoz For all the hype it got I was expecting a lot more!
Claysaba Excellent, Without a doubt!!
CrawlerChunky In truth, there is barely enough story here to make a film.
marjoriemajors Robert Zemeckis's Contact is based on Carl Sagan's famous novel by the same name and it is one hell of a film. Rightly called the thinking man's science fiction this movie contains many awe inspiring scenes. The opening shot which pans back into space, quietly humbling us by reminding our insignificance, the transmission and receiving of the signal, the machine and teleportation of Jodie Foster in it to meet the "makers", this film is filled with such scenes and joining them together is a fantastic story with an excellent pacing. Contact polarized critics but this is a very good film and features some great performances by Jodie Foster, Mathew Mcconaughey and others.
lewishamilton-35961 Robert Zemeckis's Contact is based on Carl Sagan's famous novel by the same name and it is one hell of a film. Rightly called the thinking man's science fiction this movie contains many awe inspiring scenes. The opening shot which pans back into space, quietly humbling us by reminding our insignificance, the transmission and receiving of the signal, the machine and teleportation of Jodie Foster in it to meet the "makers", this film is filled with such scenes and joining them together is a fantastic story with an excellent pacing. Contact polarized critics but this is a very good film and features some great performances by Jodie Foster, Mathew Mcconaughey and others.
mj.Jernigan This is the movie where scientists are smarter than God during most of the film but all of them turn into total idiots during the final scenes. I still like the movie a lot but the plot holes keep it from getting more stars -- and it probably doesn't deserve as many as I just now gave it. No proof? Particularly, considering the type of scientist Dr. Arroway is, I give her a 0% chance that she would not have insisted on picking through all the static that her camera picked up during her journey. After all, isn't that what they did with the original signal? Pick through static trying to find meaning? Thus, it would have taken her more no more than a few moments to discover that she had 18 hours of static and that was proof enough of the alternate timeline. Broken chair. The engineers would have tested that chair design over and over to see why it failed. They would have examined the broken materials for flaws and who knows what else. They would have examined the video for evidence of unusual stresses. They would have likely found no explanation for why it broke under the known forces... or how she got out of it and her armor so fast. Occam's razor. The idea that Hadden was somehow brilliant and rich enough to pull this off as a hoax is ludicrous. He would have to be either a god himself to have done it single-handedly, or it would have taken thousands of people many years to pull it off. Conspiracies with too many people never stay secret. I don't know which is least plausible: designing a flawless giant machine (either untested or somehow hiding all the testing) loaded with new technology (such as a magically sealing door) that generates an amazing light and EM show; or somehow outmaneuvering all the radio telescopes on the planet with satellites (that no one bothered to look for) as the Earth rotates on its axis as well as orbiting the Sun (those would be some highly-maneuverable satellites) while broadcasting a fake signal in sync to anything looking at Vega. Occam's razor looks to be pointing away from Hadden to me.
stjohn1253 What a cool idea for a movie: blending the physical with the metaphysical, science with faith! That's the intriguing basis of this film, and it is done well in so many ways. What it could have been called, however, is "See...Screwed Again!" because of the ubiquity of scenes of Jodie Foster, the most stridently sincere and undervalued person on Earth, getting cigarettes put out on her forehead at cocktail parties, or having someone stuffing a sock in her mouth at a meeting. ("They're doing these things just because I'm a girl!" is written all over her face.) OK, that cigarette thing and all didn't really happen, but they virtually did: Jodie gets jazzed about S.E.T.I., so what occurs? She's pulled from the project. Her conveyed reaction: "See...screwed again!" When the funds for the antennas in South America dry up, JF's take: "See...screwed again!" She gets turned down for money by the bigwigs: "See..screwed again!" Her semi-priest boyfriend nixes her chance to go on the mystery trip: Take it, Jodie: "See...screwed again!" Right, right, right...she doesn't say those words, BUT that is the perpetual demeanor of this character! After a while you feel wrung out by virtue of witnessing all the injustice foisted upon her...just because she's a girl! "Contact" is very engaging and heart-warming, provided you ignore the draining anxiety of Jodie. It would have received an 8 but for her. If she reads this, no doubt, even her neighbors will be able to hear: "See...screwed again!"