Swing Your Lady

1938
5| 1h17m| en
Details

Promoter Ed Hatch comes to the Ozarks with his slow-witted wrestler Joe Skopapoulos whom he pits against a hillbilly Amazon blacksmith, Sadie Horn. Joe falls in love with her and won't fight. At least not until Sadie's beau Noah shows up.

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Reviews

Brainsbell The story-telling is good with flashbacks.The film is both funny and heartbreaking. You smile in a scene and get a soulcrushing revelation in the next.
Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.
Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
JohnHowardReid Ray Enright could be described as a 1938 equivalent of the director of a TV variety show. In fact, when I tuned in, this excuse for a movie had already started and that was precisely what I thought I was watching – thanks to the heavy humor, the inexpert dubbing, the exaggerated reaction shots, the routine and/or uninspired camera-work with its distinctly TV-oriented dependence on close-ups, and last, but not least, the nondescript music score (plus the fact that the music played on the soundtrack by a band with a heavy brass section has about as much relationship to the hillbilly jugs and washboards actually seen on the screen as a pumpkin to pumpernickel bread). In all, a most disappointing effort all around and one that will have Humphrey Bogart's legion of fans scratching their heads in either righteous anger or at least total wonderment!
MARIO GAUCI This odd little comedy is perhaps best-known for star Humphrey Bogart's personal put-down as his worst film – and is, therefore, essential viewing for fans! In the same vein, having once suggested that only the 'phonies' liked BEAT THE DEVIL (1953), another film Bogie was disappointed by, I'd venture to say that only Ozarks and yokels will enjoy SWING YOUR LADY...In any case, it's hard to reconcile the fact that the film emerged from Warner Bros., who made such classic 'social conscience' dramas as THE LIFE OF EMILE ZOLA (1937) and ANGELS WITH DIRTY FACES (1938) around this same time! It's certainly embarrassing to watch – containing a lethal combination of interminable musical numbers and equally unbearable cornball folksiness – but the supporting characters (Nat Pendleton, Frank McHugh and Allen Jenkins) and especially the climactic wrestling bout (although the film doesn't go through with its novelty idea of a male/female confrontation!) provide some undeniably amusing moments along the way. Clearly a "B" effort, made quickly and on the cheap (in fact, 6 Bogart films were released in 1938!), the film is one of only a handful of comedies he appeared in – none of them very successful
David Spalding Sometimes actors are displeased with films for purely personal reasons. Harrison Ford positively hates Blade Runner (1982). Bogart disliked this one for his own reasons. But consider how few comedy films Bogart was cast in. His talent there was ignored in favor of the money-reaping tough guy roles, but his performance here is just cracking. Nat Pendleton (usually cast as the lunkhead tough guy cop) gets a deserved near-star turn as the lovesick wrestler with a childlike innocence. Penny Singleton (sometimes billed as Dorothy McNulty) gets to show a variety of talents that she only got to hint at in After The Thin Man (1936). With comedy, musical numbers, and character roles galore, this film is a great treat.
majnttl Yes, of COURSE this is a hokey movie, but that's what makes it so funny. Louise Fazenda steals the show. Bogey is uncomfortable in his role, to be sure, but who cares? It's entertaining and wasn't meant to be anything other than that. In my opinion, it is NOT a Bogey movie - it's Louise Fazenda all the way! The music is entertaining as well and, as usual, Frank McHugh and Allen Jenkins do their part well. My favorite scene?.....Bogey asking Fazenda if she wants to "wrassle" (not meaning to wrestle him). She throws him to the ground in one fell swoop and says, "Now, say 'Hootie Owl'." I think it loses in translation...but I laughed out loud.