Summer's Blood

2009 "In this house, within these walls, one family has a deadly secret."
4.4| 1h31m| R| en
Details

A demented handyman comes to the rescue of a young woman, then imprisons her in his basement.

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Reviews

BootDigest Such a frustrating disappointment
FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.
Bluebell Alcock Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies
Lela The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.
complications123 First up, anyone reading this should be well aware that this movie is nothing but trash. And yet, there are degrees of trash. I'd rather fall in compost than rotting diapers. The acting is uneven, especially for our female lead, the camera work is dubious with its sort of floating grayness, and much of the dialogue is unnecessary, repetitive, at times inane, and narratively much is left to the imagination. The film did however hold my interest, purely because it so overtly dealt with perhaps the greatest modern taboo; incest.As other reviewers have mentioned, "Summer's Moon" walks the line between horror and thriller, but never quite commits to either making for a somewhat bland presentation. The best thing the film had going for itself was its bold and unapologetic prevalence of incest. Whereas a shock factor such as this should've been pushed to the extreme, evoking all sorts of disturbing and grotesque feelings, it's left on the backburner as sort of the "oh no!" of the movie. The implications of incest are what are so shocking and disgusting to people. These characters however are somewhat immune to it. Not ignorant of or oblivious to, but immune to. It never impacts any of the characters in the way that it would impact an audience. The implications of mother/son, father/daughter, and brother/sister are more than enough to have the film banned in several countries. "Summer's Moon" never exploits the atrocity the way it should have being that incest is such a focal point of the plot and indeed it would seem one or more characters' sole motivational force.I wish I could say that what the film passed up in the realm of psychological mayhem was made up for in gratuitous gore, but what little blood is shown isn't even as grisly as most prime time TV shows. There's never really any sense of dread or tension; certainly the script is to blame but the actors also had a very hard time emoting anything other than childish fear with such a whopping dose of abject curiosity thrown in that none of the characters are particularly convincing in their respective roles. Summer is just a little too nonchalant about being a prisoner, and Tom and Mom are just a little too aloof about keeping captives. There's just no indication that the characters themselves have any motivation, as if they had sprouted up in a vacuum and were plopped into this bizarre situation.Finally, initially significant portions of the film end up stuck with no context. The "garden" was at first a bit eerie, mysterious, weird enough I thought there might be some half-decent reveal later on, but Tom's revolving door of girl-slaves gets shoved aside with no explanation about any of it or its relevance to Summer, who is clearly serving another purpose. And while psycho-Dad was easily the best actor of the lot, what exactly was the mechanism of his lunacy? Did he methodically plan out this whole scenario just to rape his teenage daughter ad infinitum? What did ANY of the film have to do with him killing random women? What purpose did the kidnapping of the last girl play at all? So many incidents are isolated that it can be tough to piece together the arrow of causality.So, "Summer's Moon," you get a bit of a nod for diving right down into the incest, but somehow you got lost focusing on the murky reflection of the water rather than embracing it's depth and terror.
Scarecrow-88 Moderately disturbing thriller about a young hitchhiker(Ashley Green) seeking to find the father she has never known, running into mother and son psychos, who keep her chained in their basement. Anyone in the TWILIGHT series starring in a horror flick will be exploited by low budget filmmakers and distributors. This time around it's Ashley Green, in a more adult role, as a troubled girl who wishes to find her father, not knowing he's a serial killer named Gant(Stephen McHattie). Summer(Greene),while in the act of shoplifting food from a convenient store, is lent a ride by handsome Tom Hoxey(Peter Mooney). Tom sent the policeman, who caught Summer, in the opposite direction. Tom takes Summer to his home and the two have sex with mama Gaia(Barbara Niven)listening intently on the outside of his door. Tom decides Summer should "hang out" in his basement garden where he keeps other girls he kidnaps with Gaia unwilling to interfere in freeing those captured. Better still is the fact that Gant is Tom's father..yep, Tom and Summer are step brother and sister. So the family awaits Gant's return, as the dread builds. While McHattie is not in the film very long, his menacing presence when he does appear is quite palpable. You can just sense how Tom fears his daddy's arrival, growing fond of Summer, worried that she will be in danger(letting her go, though, is out of the question)when he comes home. Mooney and Niven are appropriately warped as the twisted mother and son who appear to the locals in their community as normal when they're anything but. Greene is pretty and vacuous as the tortured Summer, who, I believe, develops Stockholmes while kept prisoner in the Hoxeys' home, forced to do manual chores if granted freedom from her bonds..it does seem that, after a couple attempts to flee when loosened from her chains are disrupted, Summer becomes attached to Tom.
ly truong Although her good looks DID somewhat help lift the movie from a hard zero to a 1/2, Ashley Greene's acting was completely dull, annoying, unrealistic and probably worse than any amateur I've ever seen. Now I understand why Alice never had more than two lines in the twilight saga. The rest of the cast was also so bad that it felt like a torture sitting through this movie. Seriously, can't stress it enough, the acting in this movie is simply quite pathetic. I could not find anything good about this low-budgeted production. The story is also just a pile of predictable crap that we've all seen somewhere before: Girl goes to find her dad but ends up chained in the basement by a family of tormented psychos. Even the blood looks fake! In short, I know a lot of people are gonna be pretty curious about this one but watch it at your own expense. It s a merciless bore-fest!
tartol After discovering that his mother had hidden her birth to her unknown father, Summer tempered teenager (Ashley Greene, Twilight) goes off to meet the mysterious man. His only clue is a letter battered containing the postmark of a little town called Massey. Once arrived in the rural community Summer meets a charming local handyman Hoxey named Tom (Peter Mooney Falcon Beach TV's). Then she goes to Tom's house, where he lives with his mother Gaia (Barbara Niven), for a night of casual sex. Here the film is supposed to start... What can I say? Absurd, no rhythm, situations that can not even be ridiculous, certainly not scary. Actors unable to be credible, but certainly not their fault, given the inconsistency of the script. But perhaps a bit 'more expressive would help... Dubbing in Italian, if possible, makes things even worse. An hour and a half of boredom and yawning. No suspense, no thrill. We already know who is who and what will happen. The first part is slow, then the second is slower. I wonder who found it interesting just how they did it. Maybe they felt asleep and dreamed another film.