VividSimon Simply Perfect

Actuakers One of my all time favorites.

Cleveronix A different way of telling a story

CrawlerChunky In truth, there is barely enough story here to make a film.

sally-bridgman Before i watched this i wondered how this film would turn out considering the subject matter but i have to say it was very watchable. It did have a few funny moments and i very quickly warmed to some of the characters. The kids in this film were very believable and enjoyable to watch. Kevin Howarth was very convincing as Peter, the drifter who gets the kids confidence and very quickly becomes someone they really will wish they had never met. Peters actions do make you feel uncomfortable in places but the whole film keeps you gripped wondering what will happen next. This was brilliantly shot and thoroughly enjoyable, another great film by Julian Richards.

kosmasp I could've also written "Down and dirty" as a headline, but I chose the nice try one. It is actually a really nice movie. It has dark drama and psychological subtext to it. Some very disturbing scenes and feels very "real".The actors enhance your impression of the rawness and the realness of the movie. Whethere you think that is a good thing or not, is entirely up to you. Which will also be leaning your likeness for or against the movie. That some sociological problems are brought up to, is another good point for the movie. Entertainment this ain't, especially because it's not afraid to pull punches ... Which is also it's downfall at any given moment. Still worth a look!

dschmeding The basic premise of a gang of teenagers acting tough and being confronted with real life violence that is the main outline for "Summer Scars" could be interesting for a psychological thriller. We had the subject in movies like Eden Lake where it got carried over the top or in Stuck with the gangsta who shits his pants when having to put his tough words to work. "Summer scars" rather starts out like a modern version of "stand by me" with a group of youngsters going to the woods to have fun with a stolen moped and some beers. The gang is introduced with 5 guys and a girl having some bullying issues, one guy having a crush on the girl and 2 brothers of which 1 is paralyzed and carried into the woods without his wheelchair. 2 of them drive through the woods and hit a guy with their moped who soon meets the gang and introduces himself as Peter. He isn't angry about the hit-and-round and tries to make friends with the group but after some mindless fun his face starts to change. From here on this could have worked out to be a psychological chiller since Peter is unpredictable and unstable. At first he shows the gang tricks, then he plays mind games trying to turn them on each other. But he obviously has issues himself, wears a pellet gun and talks about the army, gets headaches and soon threatens the gang. All this just turns out leading absolutely nowhere... the mind-games are half-hearted, we never get to know why Peter acts so strange and back stories like the 2 brothers and the story behind the 1 getting into the accident that paralyzed him are picked up and dropped while you expect it to be implemented in Peters mind games with the kids. And pretty much everything works out like that... it all just seems an incoherent mess that ends in a silly way like "stand by me". I couldn't pull any message or experience out of all this which leaves this as a real low budget movie shot one a cheap one location somewhere in the woods. I think the actors did a good job but I will have forgotten about all this within a week because the story is just way to tame and bouncing around from left to right with barely any real tension building after Peter turns out to be a little psycho.

dekalog666 This new feature from Julian Richards the director of THE LAST HORROR MOVIE boasts another 'volcanic' performance by Kevin Howarth. It would spoil the fun of SUMMER SCARS to reveal what exactly happens, but this morality tale, which takes place entirely in a forest, is an unsettling film about abuse, mental, emotional and physical. This is a film that has resonance with a youth crime phenomenon in Britain. As knife crime dominates London and teen suicide dominates Wales, the best screen villains are now not serial killers or zombies but contemporary British youth (although In SUMMER SCARS the teens are more anti-hero than villain).The irony, of course, is that SUMMER SCARS works precisely because of this social context, and not despite it. It is beautifully shot and intensely acted, and it's queasy approach to youth culture gives it a fascinating attraction. We've had troubled youth movies in the past, everything from BULLY to MEAN CREEK, but this bold marriage of topicality and slick genre formatting is startling and defiantly un-Hollywood.