Perry Kate Very very predictable, including the post credit scene !!!

Grimerlana Plenty to Like, Plenty to Dislike

Stevecorp Don't listen to the negative reviews

Ava-Grace Willis Story: It's very simple but honestly that is fine.

Leofwine_draca Despite the crassly exploitative title, which offers up unimaginable sleaze and depravity, STRIP NUDE FOR YOUR KILLER is actually a rather straightforward and down-to-earth giallo yarn, albeit one littered with nudity and gory violence. The plot kicks off with a nasty abortion, followed by a woman's body being dumped in a bath (!?!) and soon enough a string of graphic slayings are taking place. The killer this time around is an asexual figure in a motorbike helmet who slashes their usually naked victims to death. This work of trash is directed by Andrea Bianchi, best known for his zombie epic BURIAL GROUND, working with a bigger budget than usual and displaying a certain visual flair not seen in his later work.As is usual for the genre, the dubbing is unbelievable and the characters rather cheesy, including an obese womaniser who only finds love from his blow-up doll! The acting is unmemorable but the cast attractive, especially the female performers who spend most of their scenes in the nude. Edwige Fenech takes the leading role, giving the film a female protagonist for a change, and makes quite an impression. The use of a fashion house as a setting for the murders recalls Bava's BLOOD & BLACK LACE but this is far from the intricate masterpiece of that movie; instead, this is an occasionally confusing but mainly solid giallo enterprise offering plenty of exploitation and a minimum of intelligence. The gore effects are cheap but plentiful. Fun for genre connoisseurs, unfulfiling for others.

wvisser-leusden 'Nude per l'assassino' is a seldom example of a Seventies-sleaze film, able to put its lavish amount of nudity in the shade of a thrilling plot.In other words: never mind all nudity, for in its tense and plot-building 'Nude per l'assassino' is truly first-class. Reminding us of Hitchcock.Being Italian, it goes without saying that its tasty & well-chosen picturing adds pretty much to your pleasure of watching. In spite of being done in the cheap, even to Seventies-standards.However, the most important weakness of this film is the quality of its acting. In this you recognize its B-status, in which 'Nude per l'assassino' was meant to be shot. As I said, it comes out much better.

cmoitze This can't even be called a movie, as there was really no plot to speak of. Just a killer in a motorcycle helmet dispatching naked women, interspersed with people having sex at every opportunity.I don't have a problem with nudity or sex, far from it, but it should take place within the context of the movie and make sense. In one scene an obese man threatens a woman with a glass vase and demands sex, only for her to comply as if nothing out of the ordinary had happened, and they begin to chat away happily! I can't find a single positive thing to say about this movie. The characterization is non existent, the dialog is appalling, there is zero plot development, inappropriate incidental music and no suspense whatsoever. This is far and away the worst Giallo I have seen, and I have viewed at least 40, being a fan of the genre. Avoid this movie, even if you are a fan of this genre. 1 star for the fact Edwige Fenech was in it. Appalling.

Bezenby Strip nude for Your killer must be, for me, the most outrageously sexist giallo ever made. Fair enough, you've got to expect a fair amount of it in these movies(or else you'd be let down) but Andrea Bianchi runs with misogyny ball so far that he leaves the park, gets in a taxi with it, goes to the airport, and throws the ball on a plane to some uncharted island in the pacific.Which, by the way, makes this film quite entertaining.After someone kills a doctor who's botched abortion killed his patient, the film shifts focus to a modelling agency and all the suspects/victims therein. Specifically, we get to focus on Magda (Edwige Fenech), a photographer...and Carlo, who is also a photographer. Carlo takes the biscuit as the most sexist Italian movie hero I've laid eyes on. We first see him sexually harassing a young girl (and succeeding!), then he hooks up with Edwige, seemingly immediately moving in to her apartment, moaning about his coffee, and reading the paper while ignoring her. Edwige, for her part, doesn't seem to mind being called stupid, being shouted at, or even throttled. Ah, the innocence of young love.Oh, and there's some murders too. Our motorcycle-helmeted killer starts working his way through the cast, and I won't really go into much detail about it as it's a giallo, but if you want to see an extremely fat man trying it on with a model, then this is the film for you. Our chicks are there for eye candy, except for the boss of the agency, so of course that makes her a lesbian.Weirdly, I expected LESS from the director of The Zombie Dead, but here, at least on a technical level, he seems to do a bit better. There's some nice Argento/Bava style cinematography, and the music is what you'd expect. Violence wise it's touch and go, with some nice gore effects but not much carnage. However, clothes fly off without much prompting so you've not got much to worry about there.Fun stuff...not a top giallo, but I can't help but be impressed.And, as usual, the ending is jaw-droppingly stupid, and morally questionable.