Stray Dogs

2014
6.9| 2h18m| en
Details

An alcoholic man and his two young children barely survive in Taipei. They cross paths with a lonely grocery clerk who might help them make a better life.

Director

Producted By

JBA Production

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Reviews

Cebalord Very best movie i ever watch
Lovesusti The Worst Film Ever
Beanbioca As Good As It Gets
Merolliv I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.
willwoodmill The modern film world is one filled with excess, and I'm not just talking about manufactured Hollywood block-busters. No there is even a large amount of excess in films that are more "artistic" if you will. And I want to be clear, that is not necessarily a bad thing, several films recent films have done wonders with just the concept of excess beyond reason, like The Wolf of Wall Street for example. But I do feel like something has been lost in the film world, a certain subtly that filled the films of Bergman and Ozu. A restraint that served to exemplify the characters and their struggles. Luckily there are some contemporary directors that are trying to continue this subtlety, and one of those directors is Ming-Liang Tsai.Stray Dogs is the most recent film by Ming-Liang Tsai, and well Stray Dogs doesn't have a plot, at least not the conventional sense. The film instead follows the lives of a few different characters, and tries to capture them as they are. The film brings the audience close to these characters and let's the audience understand them for what they are. To say that Stray Dogs takes its time is an understatement, every single scene in the film is slow and is stretched to the very limit of filmmaking. And believe me when I say that the scenes are at their limits. There are two scenes in the film that go on for so long that it exceeded not only anything else I had seen in any film, but they exceeded anything I thought possible. There is something very hypnotic about these scenes, Ming-Liang Tsai forces the audience to just stare at these characters for minutes on end as we soak in their facial expressions and slowly become one with them. It is something that is truly gorgeous and needs to be seen to be understood.If the actors in Stray Dogs were bad or even just average the film would be completely unwatchable, but luckily for us they are all fantastic. Especially Kang-sheng Lee, who plays the father of a small homeless family. (Kang-sheng Lee worked with Ming Liang-Tsai on several of his films.) He gives one of the most enduring and real performances I have ever seen. Another thing that's needs to be great for the film to work is the cinematography, which is also fantastic. The film is shot in a very matter-of-fact way, things are just shown as they are. The camera only a moves a handful amount of times in a film that's over two hours long. And the colors and lighting are just wonderful. Overall Stray Dogs is one of the most refreshing films I've seen in a long time, and if you think you can handle a really, really slow paced film, with a very unconventional narrative structure. I would highly recommend Stray Dogs.8.6
MartinHafer As I sat and watched "Stray Dog", I felt very annoyed. Again and again and again, scenes where nothing particular is happening, the camera remained there for a VERY long time. In each case, the film could have been edited and you would have had roughly the same effect...without boring the audience. So, when you show two men in ponchos in the rain holding signs, you don't NEED to show this scene for a full minute and then return to do the same thing again-- especially when the men aren't doing anything other than holding signs!! The same goes for the introduction, as you see a lady staring at her kids as they sleep...for the longest time!! In addition, showing a guy taking a leak is another sign that this is a self-indulgent sort of film from director Ming-liang Tsai. Editing and pacing are important to most directors, but not apparently in this case! As a result, a decent story is marred unnecessarily by the direction that tends to bore and annoy many viewers. I know I sure felt both. What SHOULD have been an important film about a homeless family on the fringes instead is an interminable bore. We get it that the folks are depressed and that's why they do nothing...but think about the audience having to watch this.
Sergeant_Tibbs My first Tsai Ming Liang film was his fifty minute odyssey of a monk moving very slowly through Journey To The West. I unexpectedly loved it, so I was ready for any challenges he had for me in his second film of the year Stray Dogs. Yes, it has an abundance of slowly paced and ethereal shots, but here he had a loose narrative. It's all about the anguish of living on the fringe and the film perfectly evokes that emotion as characters silently battle the elements. There's not a shot quite like the scene where its lead sings tearfully while holding up a sign. However, the film lacks an essential economy to make it worth all its 138 minutes, even if it is beautifully shot for the most part. It needed more time in the editing room, and more time in the writers room at that. There's not enough layers to the characters and story to make it completely satisfying, besides potential political meanings that flew over my head. Its best when its eliciting a devastating trapped sensation with an eternal cycle offering no escape.7/10
Suvrangshu Sarkar Being a student of film, heard a lot about Tsai ming Liyang in my institute. Actually heard many good reviews about his other film 'The Whole'. Then I went to see the movie 'Stray Dogs' at the Kolkata International Film Festival 2013. And believe me, it gave me pain.Now if you consider the last sentence of the above paragraph as a positive one, then you would be wrong. The story of a deceased family, who find it difficult to manage their daily living food is said in such a way, at a point it seemed boring.There are obviously master touch in showing the feeling of the father.specially with the cabbage sequence, it seemed as a melancholic poetry.But then, what happened to the family, were they in distress from the very beginning, is not very clear. Mainly the background of the characters is the thing that lacks in the film.That's why the credibility of the characters comes to question sometimes.And then comes the length of the shots.Wallah....Had this film been shot in 35 mm film, I don't know whether this structure of film could have been achieved or not. Only because someone has the benefit of digital film making, that doesn't give anyone the liberty to test the patience of the audience I reckon. (Spoiler) I don't know whether it would be a spoiler or not, but I have to say, the last two shots of the films are so long, that it seemed at a point, that this film is never ending. Even with this structure, this film could have been 25-30 minutes shorter.At the end I can only say, a very good prospect and possibility of telling a good story has been lost, with some rare touchy treatments..